Difference between revisions of "ESAT Bibliography Dis-Doz"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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| + | ==The list== | ||
Dis koud hier (literary criticism, [[Van Wyk, Braam|Braam van Wyk]]). 1972. ''Staatsamptenaar'', 52(3):29-30. | Dis koud hier (literary criticism, [[Van Wyk, Braam|Braam van Wyk]]). 1972. ''Staatsamptenaar'', 52(3):29-30. | ||
| − | [[Natasha Distiller|Distiller, Natasha]] 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. ''South African Theatre Journal'', 17:253-257. | + | [[Jan Dissel|Dissel, Jan]] 1945. ''[[Verlore Siele]]'' by Gerrit Naudé. Reviewed in: ''Trek'', 10(8):15. |
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| + | [[Jan Dissel|Dissel, Jan]] 1946. Die toneel: nuwe talent. ''Trek'', 1 June:15. | ||
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| + | [[Natasha Distiller|Distiller, Natasha]] 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. ''[[South African Theatre Journal]]'', 17:253-257. | ||
| − | [[Natasha Distiller|Distiller, Natasha]] 2003. ''Shakespeare and Race'' edited by [[ | + | [[Natasha Distiller|Distiller, Natasha]] 2003. ''Shakespeare and Race'' edited by [[Catherine M.S. Alexander]] and [[Stanley Wells]]. Reviewed in: ''Shakespeare in Southern Africa'', 15:105-108. |
[[Natasha Distiller|Distiller, Natasha]] 2003. South African Shakespeare: a model for understanding cultural transformation? (1). ''Shakespeare in Southern Africa'', 15:21-27. | [[Natasha Distiller|Distiller, Natasha]] 2003. South African Shakespeare: a model for understanding cultural transformation? (1). ''Shakespeare in Southern Africa'', 15:21-27. | ||
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[[Natasha Distiller|Distiller, Natasha]] 2005. ''South Africa, Shakespeare, and Post-colonial Culture''. Lewiston, N.Y.: Edwin Mellen Press. | [[Natasha Distiller|Distiller, Natasha]] 2005. ''South Africa, Shakespeare, and Post-colonial Culture''. Lewiston, N.Y.: Edwin Mellen Press. | ||
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| + | [[Natasha Distiller|Distiller, Natasha]] 2009. Begging the questions: producing Shakespeare for post-apartheid South African schools. ''Social Dynamics'',35:(1) Iss 1. | ||
| + | |||
| + | [[Natasha Distiller|Distiller, Natasha]]. 2012. ''Shakespeare and the Coconuts. On Post-apartheid South African Culture''. Johannesburg: Wits University Press. | ||
[[Luke Dixon|Dixon, Luke]] 2002. Foul papers in the township. ''Shakespeare in Southern Africa'', 14:25-26. | [[Luke Dixon|Dixon, Luke]] 2002. Foul papers in the township. ''Shakespeare in Southern Africa'', 14:25-26. | ||
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[[B. Dobie|Dobie, B.]] 1977. Towards education for ‘acceptable speech’. ''Journal of Education'', 9(1):23-32. | [[B. Dobie|Dobie, B.]] 1977. Towards education for ‘acceptable speech’. ''Journal of Education'', 9(1):23-32. | ||
| − | [[ | + | [[Bruce Dobie|Dobie, Bruce]] 1984. Theory and practice in theatre craft. ''[[Teaterforum]]'', 5(2):43-48. |
[[C.M. Doke|Doke, C. M.]] 1936. Games, plays and dances of the Khomani Bushmen. ''Bantu Studies'', 10. | [[C.M. Doke|Doke, C. M.]] 1936. Games, plays and dances of the Khomani Bushmen. ''Bantu Studies'', 10. | ||
| + | |||
| + | [[F.C. Dominicus|Dominicus, F.C]]. 1919. ''Het Huiselik en Maarschappelik Leven van de Zuid-Afrikaner in de eerste helft der 18de eeuw''[https://archive.org/stream/hethuiselikenmaa00domi#page/n7/mode/2up]. s-Gravenhage, Martinus Nijhoff. | ||
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| + | [[Hermien Dommisse|Dommisse, Hermien]] 1945. Die marionet. ''Filma'', 2(2):4-5,25-26. | ||
[[Hermien Dommisse|Dommisse, Hermien]] 1946. Conquest : the story of the Afrikaans professional theatre, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenlees|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. | [[Hermien Dommisse|Dommisse, Hermien]] 1946. Conquest : the story of the Afrikaans professional theatre, in [[B.W. Rose|Rose, B.W.]] & [[M. Greenlees|Greenlees, M.]] (eds.). ''South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples''. Johannesburg : Literary Guild. | ||
| − | [[Hermien Dommisse|Dommisse, Hermien]] 1951. [[ | + | [[Hermien Dommisse|Dommisse, Hermien]] 1951. [[Hendrik Hanekom]]: as ek terugdink. ''Helikon'', 1(2):10-13. December. |
[[Hermien Dommisse|Dommisse, Hermien]] 1952. Afrikaanse toneelterminologie. ''Helikon'', 1(3) – 1(4). February – April. | [[Hermien Dommisse|Dommisse, Hermien]] 1952. Afrikaanse toneelterminologie. ''Helikon'', 1(3) – 1(4). February – April. | ||
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[[Hermien Dommisse|Dommisse, Hermien]] 1954. Empirisme en ons beroepstoneel. ''Ons Eie Boek'', 20(4):122-124. | [[Hermien Dommisse|Dommisse, Hermien]] 1954. Empirisme en ons beroepstoneel. ''Ons Eie Boek'', 20(4):122-124. | ||
| − | [[Hermien Dommisse|Dommisse, Hermien]] | + | [[Hermien Dommisse|Dommisse, Hermien]]. 1954. Ons Toneel: 'n Braakland. [[Standpunte]] Jaargang IX, Nr 3. pp. 21-30. |
| − | [[Hermien Dommisse|Dommisse, Hermien]] 1957. Bedenkings en bespieëlings oor ons toneel. ''Standpunte'', 9(5-6):16-26. | + | [[Hermien Dommisse|Dommisse, Hermien]] 1955. Ons toneel: ‘n braakland. ''[[Standpunte]]''. 9(3):21-30. |
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1957. Bedenkings en bespieëlings oor ons toneel. ''[[Standpunte]]'', 9(5-6):16-26. | ||
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1972. ''Die Dramaturg en sy Gemeenskap''. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | ||
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1976. ''Die Dramaturg en Sy Gemeenskap''. Johannesburg: Perskor. | ||
[[Hermien Dommisse|Dommisse, Hermien]] 1978. Oop teaters – waarheen? ''Buurman'', 9(1):33-35. September. | [[Hermien Dommisse|Dommisse, Hermien]] 1978. Oop teaters – waarheen? ''Buurman'', 9(1):33-35. September. | ||
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1981. ''[[Moederplig]]'', by [[C. Louis Leipoldt]]. Reviewed in ''[[Tydskrif vir Letterkunde]]'', Nuwe reeks 19(3):95-96. | ||
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1982. ''[[Ai tog, die vroumense]]'', by [[Joan Retief]]. Reviewed in ''[[Tydskrif vir Letterkunde]]'', New Series 20(2):70-72. | ||
| + | |||
| + | [[Hermien Dommisse|Dommisse, Hermien]] 1988. Die blom in die rots: 'n toekoms vir die kunste. ''[[Tydskrif vir Geesteswetenskappe]]'', 28(1):764. | ||
[[Hermien Dommisse|Dommisse, Hermien]] 1989. Die Afrikaanse toneel: moet mens lag of huil? ''De Kat'', 5(5):108-109. | [[Hermien Dommisse|Dommisse, Hermien]] 1989. Die Afrikaanse toneel: moet mens lag of huil? ''De Kat'', 5(5):108-109. | ||
| Line 54: | Line 80: | ||
[[Hermien Dommisse|Dommisse, Hermien]] 1998. ''Voetspore''. Cape Town: Human & Rousseau. | [[Hermien Dommisse|Dommisse, Hermien]] 1998. ''Voetspore''. Cape Town: Human & Rousseau. | ||
| − | [[Hermien Dommisse|Dommisse, Hermien]] 2001. ''Long Journey of | + | [[Hermien Dommisse|Dommisse, Hermien]] 2001. ''Long Journey of the Heart''. Pretoria: LAPA. |
[[Jacqueline Dommisse|Dommisse, Jaqueline]] 1985. ''A Women's Theatre Festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985''. Johannesburg : University of the Witwatersrand. | [[Jacqueline Dommisse|Dommisse, Jaqueline]] 1985. ''A Women's Theatre Festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985''. Johannesburg : University of the Witwatersrand. | ||
| − | [[ | + | [[Charles D. Don|Don, Charles D.]] 1951. Footlights of long ago. ''Outspan'', 50(1283):41,103,105. September 29. |
[[D. Donahue|Donahue D.]] 2008. Blood kin. ''Publishers Weekly'', 255(3):36. | [[D. Donahue|Donahue D.]] 2008. Blood kin. ''Publishers Weekly'', 255(3):36. | ||
| + | |||
| + | Donahue, Francis 1995. Apartheid's dramatic legacy: [[Athol Fugard]]. ''The Midwest Quarterly'', 36(3):323-330. | ||
[[Andrew Donaldson|Donaldson, Andrew]] 1996. Funny place, South Africa : so how come the comedy explosion? ''Style'', 12(1):86-88, 90, 92. | [[Andrew Donaldson|Donaldson, Andrew]] 1996. Funny place, South Africa : so how come the comedy explosion? ''Style'', 12(1):86-88, 90, 92. | ||
| Line 66: | Line 94: | ||
[[L. Dontsa|Dontsa, L.]] 1990. Contemporary political performing arts in South Africa. Unpublished doctoral dissertation. London: School of Oriental and African Studies. | [[L. Dontsa|Dontsa, L.]] 1990. Contemporary political performing arts in South Africa. Unpublished doctoral dissertation. London: School of Oriental and African Studies. | ||
| − | Doodsberig ([[ | + | Doodsberig ([[Hendrik Hanekom]]) 1952. ''Huisgenoot'', 36(1559):3. February 8. |
| − | Doodsberig. ([[ | + | Doodsberig. ([[Wena Naudé]]). ''Unie'', 75:176. November. |
[[K. Douglas|Douglas, K.]] 1980. Drama in community education. ''South African Outlook'', 110:111-112. | [[K. Douglas|Douglas, K.]] 1980. Drama in community education. ''South African Outlook'', 110:111-112. | ||
Latest revision as of 05:33, 10 August 2024
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Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
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The list
Dis koud hier (literary criticism, Braam van Wyk). 1972. Staatsamptenaar, 52(3):29-30.
Dissel, Jan 1945. Verlore Siele by Gerrit Naudé. Reviewed in: Trek, 10(8):15.
Dissel, Jan 1946. Die toneel: nuwe talent. Trek, 1 June:15.
Distiller, Natasha 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. South African Theatre Journal, 17:253-257.
Distiller, Natasha 2003. Shakespeare and Race edited by Catherine M.S. Alexander and Stanley Wells. Reviewed in: Shakespeare in Southern Africa, 15:105-108.
Distiller, Natasha 2003. South African Shakespeare: a model for understanding cultural transformation? (1). Shakespeare in Southern Africa, 15:21-27.
Distiller, Natasha 2004. “We’re black, stupid”: uMabatha and the new South Africa on the world stage, in Distiller, Natasha & Steyn, Melissa (eds.). Under Construction: ‘Race’ and Identity in South Africa Today. Sandton: Heinemann. 149-162.
Distiller, Natasha 2004. The ‘Zulu Macbeth’: the value of an ‘African Shakespeare’. Shakespeare Survey, 57:159-168.
Distiller, Natasha 2005. A sign that history is happening: Shakespeare in 20th-century South African literature. Literature Compass. 2(1):
Distiller, Natasha 2005. South Africa, Shakespeare, and Post-colonial Culture. Lewiston, N.Y.: Edwin Mellen Press.
Distiller, Natasha 2009. Begging the questions: producing Shakespeare for post-apartheid South African schools. Social Dynamics,35:(1) Iss 1.
Distiller, Natasha. 2012. Shakespeare and the Coconuts. On Post-apartheid South African Culture. Johannesburg: Wits University Press.
Dixon, Luke 2002. Foul papers in the township. Shakespeare in Southern Africa, 14:25-26.
Dlamini, Hloniphile Prudence 2001. Drama used against abuse of women : an investigation. Unpublished master’s thesis. Pietermaritzburg: University of Natal.
Dobie, B. 1977. Towards education for ‘acceptable speech’. Journal of Education, 9(1):23-32.
Dobie, Bruce 1984. Theory and practice in theatre craft. Teaterforum, 5(2):43-48.
Doke, C. M. 1936. Games, plays and dances of the Khomani Bushmen. Bantu Studies, 10.
Dominicus, F.C. 1919. Het Huiselik en Maarschappelik Leven van de Zuid-Afrikaner in de eerste helft der 18de eeuw[1]. s-Gravenhage, Martinus Nijhoff.
Dommisse, Hermien 1945. Die marionet. Filma, 2(2):4-5,25-26.
Dommisse, Hermien 1946. Conquest : the story of the Afrikaans professional theatre, in Rose, B.W. & Greenlees, M. (eds.). South African Panorama : Introducing South Africa, Her Art, Culture, and Peoples. Johannesburg : Literary Guild.
Dommisse, Hermien 1951. Hendrik Hanekom: as ek terugdink. Helikon, 1(2):10-13. December.
Dommisse, Hermien 1952. Afrikaanse toneelterminologie. Helikon, 1(3) – 1(4). February – April.
Dommisse, Hermien 1954. Empirisme en ons beroepstoneel. Ons Eie Boek, 20(4):122-124.
Dommisse, Hermien. 1954. Ons Toneel: 'n Braakland. Standpunte Jaargang IX, Nr 3. pp. 21-30.
Dommisse, Hermien 1955. Ons toneel: ‘n braakland. Standpunte. 9(3):21-30.
Dommisse, Hermien 1957. Bedenkings en bespieëlings oor ons toneel. Standpunte, 9(5-6):16-26.
Dommisse, Hermien 1972. Die Dramaturg en sy Gemeenskap. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Dommisse, Hermien 1976. Die Dramaturg en Sy Gemeenskap. Johannesburg: Perskor.
Dommisse, Hermien 1978. Oop teaters – waarheen? Buurman, 9(1):33-35. September.
Dommisse, Hermien 1981. Moederplig, by C. Louis Leipoldt. Reviewed in Tydskrif vir Letterkunde, Nuwe reeks 19(3):95-96.
Dommisse, Hermien 1982. Ai tog, die vroumense, by Joan Retief. Reviewed in Tydskrif vir Letterkunde, New Series 20(2):70-72.
Dommisse, Hermien 1988. Die blom in die rots: 'n toekoms vir die kunste. Tydskrif vir Geesteswetenskappe, 28(1):764.
Dommisse, Hermien 1989. Die Afrikaanse toneel: moet mens lag of huil? De Kat, 5(5):108-109.
Dommisse, Hermien 1998. Voetspore. Cape Town: Human & Rousseau.
Dommisse, Hermien 2001. Long Journey of the Heart. Pretoria: LAPA.
Dommisse, Jaqueline 1985. A Women's Theatre Festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985. Johannesburg : University of the Witwatersrand.
Don, Charles D. 1951. Footlights of long ago. Outspan, 50(1283):41,103,105. September 29.
Donahue D. 2008. Blood kin. Publishers Weekly, 255(3):36.
Donahue, Francis 1995. Apartheid's dramatic legacy: Athol Fugard. The Midwest Quarterly, 36(3):323-330.
Donaldson, Andrew 1996. Funny place, South Africa : so how come the comedy explosion? Style, 12(1):86-88, 90, 92.
Dontsa, L. 1990. Contemporary political performing arts in South Africa. Unpublished doctoral dissertation. London: School of Oriental and African Studies.
Doodsberig (Hendrik Hanekom) 1952. Huisgenoot, 36(1559):3. February 8.
Doodsberig. (Wena Naudé). Unie, 75:176. November.
Douglas, K. 1980. Drama in community education. South African Outlook, 110:111-112.
Doyle, J. 1984. Builders on schedule with presrige R56-m opera house. South African Construction World, 3(9):58-68.
Click on the appropriate letters of the alphabet in the sub-list below.
Da-Daz Dea-Deu Dev-Dir Dis-Doz Dr-Dup Dur-Dz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
