Difference between revisions of "ESAT Bibliography Bot-Bre"
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[[Stephanus Johannes Bothma|Bothma, Stephanus Johannes]] 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | [[Stephanus Johannes Bothma|Bothma, Stephanus Johannes]] 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria. | ||
| − | Louise M. Bourgault|Bourgault, Louise M. 2003. Playing for Life: Performance in Africa in the Age of AIDS Durham, NC: Carolina Academic. | + | [[Louise M. Bourgault|Bourgault, Louise M.]] 2003. Playing for Life: Performance in Africa in the Age of AIDS Durham, NC: Carolina Academic. |
| − | S. Bouwer|Bouwer, S. 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur Mouton, M.|M. Mouton. Reviewed in: Communicare, 8(2):60-61. | + | [[S. Bouwer|Bouwer, S.]] 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur [[Mouton, M.|M. Mouton]]. Reviewed in: Communicare, 8(2):60-61. |
| − | Jan Bouws|Bouws, Jan 1977. Bedrywige Kaapse burger in die 19de eeu: De Kock, J.J.|J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35. | + | [[Jan Bouws|Bouws, Jan]] 1977. Bedrywige Kaapse burger in die 19de eeu: [[De Kock, J.J.|J.J. de Kock]]. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35. |
| − | B. Bowen|Bowen, B. 1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current Writing, 5(2):80-99. | + | [[B. Bowen|Bowen, B.]] 1993. Writing Caliban: anitcolonial appropriations of [[The Tempest]]. Current Writing, 5(2):80-99. |
| − | Veronica Bowker|Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89. | + | [[Veronica Bowker|Bowker, Veronica]] 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89. |
| − | Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca. Literator, 11(2):1-16. | + | [[Veronica Bowker|Bowker, Veronica]] 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of [[The Road to Mecca]]. Literator, 11(2):1-16. |
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works. | ||
| − | Dorothy Boxall|Boxall, Dorothy 1945. Children’s theatre: The Children’s Overture by Quilter, Roger|Roger Quilter. Transvaal Educational News. 41(10):11. | + | [[Dorothy Boxall|Boxall, Dorothy]] 1945. Children’s theatre: [[The Children’s Overture]] by [[Quilter, Roger|Roger Quilter]]. Transvaal Educational News. 41(10):11. |
| − | Belinda Bozzoli|Bozzoli, Belinda 2004. Theatres of Struggle and the End of Apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London. | + | [[Belinda Bozzoli|Bozzoli, Belinda]] 2004. Theatres of Struggle and the End of Apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London. |
| − | Amelda Brand|Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | + | [[Amelda Brand|Brand, Amelda]] 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. |
| − | Eckhard Breitinger|Breitinger, Eckhard (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger. |
| − | Breitinger, Eckhard | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. Heroes of South African history as operatic heroes: [[Eub, Akin|Akin Eub]]’s Chaka and [[Ngema, Nbongemi|Nbongemi Ngema]]’s The Zulu. South African Theatre Journal, 13(1&2):104-108. |
| − | Breitinger, Eckhard 1999. The German presence in new South African theatre, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 1999. The German presence in new South African theatre, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216. |
| − | Breitinger, Eckhard 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by Solberg, Rolf|Rolf Solberg. The Dramatic Art of Fugard, Athol|Athol Fugard: From South Africa to the World by Wertheim, Albert|Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by [[Solberg, Rolf|Rolf Solberg]]. The Dramatic Art of [[Fugard, Athol|Athol Fugard]]: From South Africa to the World by [[Wertheim, Albert|Albert Wertheim]]. Reviewed in: African Studies Review. 44(3):79-82. |
| − | Breitinger, Eckhard | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2001. Standard Bank National Arts Festival, 2001. South African Theatre Journal, 15:178-191. |
| − | Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In Breitinger, Eckhard (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158. | + | [[Eckhard Breitinger|Breitinger, Eckhard]] 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In [[Eckhard Breitinger|Breitinger, Eckhard]] (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158. |
| − | Doris Breytenbech|Breytenbach, Doris & Temple Hauptfleisch|Hauptfleisch, Temple 1985. Breytenbach, P.P.B.|P.P.B. Breytenbach - a chronology, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Teatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 49-51. | + | [[Doris Breytenbech|Breytenbach, Doris]] & [[Temple Hauptfleisch|Hauptfleisch, Temple]] 1985. [[Breytenbach, P.P.B.|P.P.B. Breytenbach]] - a chronology, in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). The Breytie Book: A Collection of Articles on South African Teatre Dedicated to [[Breytenbach, P.P.B.|P.P.B. Breytenbach]]. Johannesburg: The Limelight press, 49-51. |
| − | Breytenbach, Doris, Norah Taylor|Taylor, Norah & Breytenbach, P. P. B.|P.P.B. Breytenbach 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation]. | + | [[Doris Breytenbech|Breytenbach, Doris]], [[Norah Taylor|Taylor, Norah]] & [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1987. A tribute to Breytie from the [[Market Theatre Foundation]]. [Johannesburg] : [The Market Theatre Foundation]. |
| − | Breytenbach, P.P.B. 1949a. Nasionale | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1949a. [[Nasionale Toneelorganisasie]] ([[N.T.O.]]). Tydskrif vir Wetenskap en Kuns, 9(2):120-128. |
| − | Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture. Outspan, 45(1164):26-27. June 17. | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1949b. Two languages to interpret one common South African culture. Outspan, 45(1164):26-27. June 17. |
| − | Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52. | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52. |
| − | Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale Toneelorganisasie (N.T.O.). Helikon, 1(2):18-28. December. | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1951. Referaat voor die S.A. Akademie: die [[Nasionale Toneelorganisasie]] ([[N.T.O.]]). Helikon, 1(2):18-28. December. |
| − | Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O). Tydskrif vir Wetenskap en Kuns, 12: 108-114. | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1952. Gedagtes oor die moontlike ontwikkelingsrigting van [[Nasionale Toneelorganisasie]] ([[N.T.O.]]). Tydskrif vir Wetenskap en Kuns, 12: 108-114. |
| − | Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1):64-69. September. | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1971. Opening. Lantern, 21(1):64-69. September. |
| − | Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and | + | [[Breytenbach, P. P. B.|P.P.B. Breytenbach]] 1985. [[The Theatre Benevolent Fund]] and [[The Theatre Residential Clubs]], in [[Temple Hauptfleisch|Hauptfleisch, Temple]] (ed.). The Breytie Book: A Collection of Articles on South African Teatre Dedicated to [[Breytenbach, P.P.B.|P.P.B. Breytenbach]]. Johannesburg: The Limelight press, 117-118. |
| − | Breytenbach, T.M. 1986. Actor. My Career, 37(3):313-316. | + | [[T.M. Breytenbach|Breytenbach, T.M.]] 1986. Actor. My Career, 37(3):313-316. |
| − | Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19. | + | [[Breytenbach Theatre]], Pretoria. 1978. Scenaria, February/March: 18-19. |
Revision as of 17:04, 4 January 2011
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Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1):28-45.
Botha, Danie 2006. Voetligte & Applous!: Die Beginjare van die Afrikaanse Beroepstoneel. Pretoria: Protea Boekhuis.
Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte. 17:66-67.
Botha, Elizabeth Maria 1973. Vertolking van die woordkunswerk in die twintigste eeu. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for Christian Higher Education.
Botha Estelle 1989. Anton Chekhov: reception of a Russian dramatist in South Africa, in Mondry, Henrietta (ed.). The Waking Sphinx: South African Essays on Russian Culture. Johannesburg: University of the Witwatersrand Library, 168-178.
Botha, E.M. 1980. Plea for poverty. Scenaria, (18):3. …Discussion and reply. Scenaria, (20):2 …Discussion Scenaria, (21):29.
Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1):1-10.
Botha, Estelle (Esther Elsa) 2006. Where dance and drama meet again : aspects of the expressive body in the 20th century. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and Builder, 31(12):2-9.
Botha, Johann 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.
Botha Theunis 1985. Opvoekundige teater: ‘n herwaardering. Teaterforum, 6(1):1-19.
Botha, Theunis 1986. Die dramadepartement. Opvoeding en kultuur, 9(3):32-33.
Bothma, Stephanus Johannes 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Bourgault, Louise M. 2003. Playing for Life: Performance in Africa in the Age of AIDS Durham, NC: Carolina Academic.
Bouwer, S. 1989. Dramateorie Vandag - Die Bydrae van die Drama- en Teatersemiotiek, deur M. Mouton. Reviewed in: Communicare, 8(2):60-61.
Bouws, Jan 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse Biblioteek, 32:34-35.
Bowen, B. 1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current Writing, 5(2):80-99.
Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of Literary Studies, 1(3):78-89.
Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The Road to Mecca. Literator, 11(2):1-16.
Boys’ High School (Oudtshoorn) 1926. Grand concert : programme, Gaiety Theatre Oudtshoorn, 25th March, 1926. Oudtshoorn: Courant Printing Works.
Boxall, Dorothy 1945. Children’s theatre: The Children’s Overture by Roger Quilter. Transvaal Educational News. 41(10):11.
Bozzoli, Belinda 2004. Theatres of Struggle and the End of Apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London.
Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georiënteerde ondersoek. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Breitinger, Eckhard (ed.) 1994. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth: Breitinger.
Breitinger, Eckhard 1999. Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African Theatre Journal, 13(1&2):104-108.
Breitinger, Eckhard 1999. The German presence in new South African theatre, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi, 207-216.
Breitinger, Eckhard 2001. Alternative Theatre in South Africa: Talks with Prime Movers since the 1970s by Rolf Solberg. The Dramatic Art of Athol Fugard: From South Africa to the World by Albert Wertheim. Reviewed in: African Studies Review. 44(3):79-82.
Breitinger, Eckhard 2001. Standard Bank National Arts Festival, 2001. South African Theatre Journal, 15:178-191.
Breitinger, Eckhard 2003. Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In Breitinger, Eckhard (ed.) Theatre and Performance in Africa. Bayreuth: Breitinger, 135-158.
Breytenbach, Doris & Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Teatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 49-51.
Breytenbach, Doris, Taylor, Norah & P.P.B. Breytenbach 1987. A tribute to Breytie from the Market Theatre Foundation. [Johannesburg] : [The Market Theatre Foundation].
P.P.B. Breytenbach 1949a. Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 9(2):120-128.
P.P.B. Breytenbach 1949b. Two languages to interpret one common South African culture. Outspan, 45(1164):26-27. June 17.
P.P.B. Breytenbach 1950. Ons toneel – ’n oorsig. Afrikaanse Skrywer, 15:49-52.
P.P.B. Breytenbach 1951. Referaat voor die S.A. Akademie: die Nasionale Toneelorganisasie (N.T.O.). Helikon, 1(2):18-28. December.
P.P.B. Breytenbach 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O.). Tydskrif vir Wetenskap en Kuns, 12: 108-114.
P.P.B. Breytenbach 1971. Opening. Lantern, 21(1):64-69. September.
P.P.B. Breytenbach 1985. The Theatre Benevolent Fund and The Theatre Residential Clubs, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Teatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press, 117-118.
Breytenbach, T.M. 1986. Actor. My Career, 37(3):313-316.
Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
