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| − | Click on the appropriate letter of the alphabet below to find the relevant list. | + | Click on the appropriate letters of the alphabet in the sub-list below. |
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | + | [[ESAT Bibliography Ma=Mal|Ma-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] |
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| | + | To return to any other letter, click on the list below |
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| − | | + | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] |
| − | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
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| − | Maasdorp, L. 2000. Shorts : the potential role of the short film in the development of the South African film and television industries. Stellenbosch: Universiteit van Stellenbsoch. (M Dram-tesis.)
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| − | Machen, Peter. 2001. The people have the power. In: The Sunday Independent, July 14, 2001: 12.
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| − | Maclennan, Don 1974. Author’s notes for The voyage of the Santiago. Contrast, 9(2): 26-29. August.
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| − | | |
| − | MacLennan, D. 1981. Palimpsest: some observations on the plays of Athol Fugard. Bloody horse, 3: 59-70.
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| − | Mclennan, D. 1982. Athol Fugard and Don Mclennan: a conversation. English in Africa, 9(2): 1-11.
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| − | MacLiam, Garalt. 1995a. Is there a doctor in the house? – Athol Fugard, opening a new play next month, has lost count of the PhDs. In: The Star, June 20, 1995: 6.
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| − | MacLiam, Garalt. 1995b. Making mugging meaningful... In: The Star, November 9, 1995: 2.
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| − | MacLiam, Garalt. 1997. Seeking the truth. In: The Star, August 5, 1997: 3.
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| − | | |
| − | Madelaine, R. 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and Oscar Ashe’s tour of Australia, New Zealand and South Africa, 1912-1913. Shakespeare in southern Africa, 19(7): 1-8.
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| − | Madondo, Bongani. 1996. On a road to somewhere. In: Mayibuye, January, 31, 1996: 20.
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| − | Magubane Z. 2002. Mines, Minstrels, and Masculinity: Race, Class, Gender, and the
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| − | Formation of the South African Working Class, 1870-1900. Journal of Men's
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| − | Studies: A Scholarly Journal about Men and Masculinities [serial online]. Spring
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| − | 2002;10(3):271-289.
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| − | Magubane, Zine. 2004. The Revolution Betrayed? In: The South Atlantic Quarterly, 103.4: 669.
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| − | Maine, Abbey 1970. An African theater in South Africa. African arts, 3: 42-44.
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| − | Maingard, Jacqueline 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. Theatre
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| − | journal, 49(1): 15-28.
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| − | Maitse, T. (with Jen Marchbank) (2000) ‘Revealing silence: Voices from South Africa’. In Jacobs, Jacobson, Marchbank (eds.) States of violence- gender, violence and resistance. Zed Books, London , New York
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| − | Makanube, Peter. 1997. A musical with a moral. In: Mail & Guardian, August 21, 1997: 19.
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| − | Makgamatha, M.P. 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. South African journal of African languages, 9(3): 105-111.
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| − | Makgoba, Thabo. 2003. Morals matter: Reflections on the festival. In: The Daily Dispatch, July 21, 2003: 8.
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| − | Makhaya, Elliot. 1995. The building of theatres and entertainment centres in the townships will go a long way towards preservation of culture. In: The Sowetan, July 21, 1995: 8.
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| − | Makhaya, Elliot. 1997. New SA cultural festival. In: The Sowetan, May 19, 1997: 14.
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| − | Makhene, Motsumi M. 1996. The morning after Uhuru: music, rhythm and the performing arts. In Steyn, Melissa E. & Motshabi, Khanya B. Cultural synergy in South Africa :weaving strands of Africa and Europe. Randburg: Knowledge Resources. p. 147-160.
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| − | Makoe, Abbey. 1999. Johannesburg’s moegoes are bloody vampires. In: The Sunday Independent, August 8, 1999: 11.
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| − | Malan, A. 1967. Helen Braithwaite: grand old lady of the South African stage. Personality, 40-42. May 25.
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| − | Malan, Beverley 1988. Drama as education: using modern stage directions as a teaching module. Crux, 22(4): 24-30. October.
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| − | | |
| − | Malan, C. 1985. Tydskrif vir geesteswetenskappe en die drama. Tydskrif vir geesteswetenskappe, 25 : 14-18.
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| − | Malan, Charles 1984. Bartho Smit se dramatiese kosmologie veral in Christine en Putsonderwater. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 64-82.
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| − | Malan, Charles 1984. Bartho Smit. Johannesburg : Perskor.
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| − | MALAN, CHARLES (ED.) 1984. Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor.
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| − | Malan, Charles & Smit Bartho 1985. Skrywer en gemeenskap: tien jaar Afrikaanse Skrywersgilde. Pretoria: HAUM-Literêr.
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| − | Malan, Eunice & Pretorius, Herman 1990a. Amateurtoneel in Suid-Afrika, deur P. J. du Toit. Reviewed in: South African theatre journal, 4(1): 172-177.
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| − | Malan, Eunice 1990b. Theatre and the environment. South African theatre journal, 4(2) : 80-86.
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| − | Malan, R. 1969. Ernest Oppenheimer-teater. Teater SA, 1(4): 22-24. December.
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| − | Malan, R. 1974. Tie in the pact, or theatre-in-education in the Performing arts council of the Transvaal. Crux, 8(2): 28-31. May.
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| − | Malan, R. 1979. Germanicus (N.P. van Wyk Louw). Tydskrif vir letterkunde, 17(3):169-181. August
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| − | Malange, Nise 1989. Women workers and the struggle for cultural transformations. Staffrider, 8(3/4): 76-80.
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| − | | |
| − | Malins, S. 1973. Best known South African in Britain. [Stratford Johns]. Personality, 134-137. May 18.
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| − | | |
| − | Mamana, June 1991. Puppets take up arms against AIDS. American theatre, 8(4): 44-45.
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| − | | |
| − | Mammon, Rafiek. 2003a. Snatching the limelight again. In: The Cape Times, June 11, 2003: 7.
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| − | Mammon, Rafiek. 2003b. Vatmaar, rough diamond of delights. In: The Cape Times, June 19, 2003: 11.
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| − | Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider 3(3): 28-30..
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| − | Manaka, M. 1984. Some thoughts on Black theatre. English Academu review, 2 : 33-39.
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| − | Manaka, Matsemela 1984. Some thoughts on black theatre. English Review. 9(2):33-39.
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| − | Manaka, Matsemela 1985. English Academy review, 2: 33-39 ??? en hierbo, IBT 1985 nrs 3539 en 4018.
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| − | Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.
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| − | Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African theatre journal, 3(1):69-80.
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| − | Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.
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| − | | |
| − | Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.
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| − | Mannering, D. 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Pretoria: University of Pretoria. (MA thesis).
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| − | MAPONYA, MAISHE. 1984. Problems and Possibilities: A Discourse on the Making of Alternative Theatre in South Africa. English Academy Review. 2:19-32.
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| − | MAPONYA, MAISHE.: 1995. Doing Plays for a Change, Johannesburg, Witwatersrand University Press.
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| − | Maponya, Maishe 1998. New challenges facing theatre practitioners in the new South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 249-256.
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| − | Marais, G.F. 1983. Pluimsaad waai ver (N.P. van Wyk Louw). Tydskrif vir letterkunde, 21(1): 134-139.
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| − | Marais, H. (1998) South Africa: Limits to change. The political economy of transition. London, New York: Zed Books.
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| − | Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African theatre journal, 12(1&2): 11-33.
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| − | | |
| − | [Marié du Toit]. 1968. Personality, 14-18. July 4.
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| − | Marius Weyers and South African theatre. 1980. Scenaria, (18): 9-10.
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| − | Marks, Jonathan. 1973. Interview with Athol Fugard. Yale / Theatre 4 (1): 64 – 72.
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| − | Marlin-Curiel, Stephanie 1998. Titel??? TDR, 42(1): 126-
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| − | Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A story I am about to tell. South African theatre journal, 15:77-106.
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| − | Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. TDR, 45(3): 149-168.
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| − | Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre research international, 27: 275-288.
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| − | Marneweck, Aja 2006. Visual theatre moves out the box: developing puppetry in South Africa. South African theatre journal,20: 290-295.
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| − | Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan. 45(1171): 29. August 5.
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| − | Martin, Bob 2008. Highlights & footlights : a tribute to South African stage and screen / by photographer Bob Martin. Cape Town : Double Storey Books.
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| − | Martin, C. (2006) ‘Bodies of Evidence’. TDR: The Drama Review 50:3, pp. 7-15
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| − | MARTIN, DENIS-CONSTANT. 1999. Coon Carnival: New Year in Cape Town, Past and Present. Cape Town: David Philip Publishers.
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| − | MARTIN, Marilyn. 1995. “The Architecture of William Mitcheson Timlin”. Catalogue: William Mitcheson Timlin (1892-1943). Johannes Stegmann Gallery, University of the Free State.
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| − | Marx, L. 1990. Aspects of film and television communication, by Pieter J. Fourie. Reviewed in: South African theatre journal, 4(1):159-167.
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| − | Marx, L. 1991. Timeshift: on video culture, by Sean Cubitt. Reviewed in: South African theatre journal, 5(1):117-123.
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| − | Marx CUBITT, SEAN. Timeshift: On video culture (Lesley) South African Theatre Journal, Vol. 5(1):117-123
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| − | Marx FOURIE, PIETER J. Aspects of film and television communication (Lesley) South African Theatre Journal, Vol. 4(1):159-167
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| − | Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3): 27-30.
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| − | Masques, Monuments and Masons: The 1910 Pageant of the Union of South Africa
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| − | Master Harold and the boys. Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6): 9-14.
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| − | MATTERA, Don. 1987. Memory is a Weapon. Johannesburg: Ravan Press.??** Matzhikiza, John. 1999. Resurrecting a vision. In: Mail & Guardian, June 17, 1999: 1.
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| − | Matzhikiza, John. 2002. A culture for everyone. In: Weekly Mail & Guardian, July 25, 2002: 28.
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| − | MATZKE, CHRISTINE. 1999. Trying to find the stepping-stones: Writing Tigre and Bilen dancing in Eritrea. South African theatre journal, 13(1&2):73-101.
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| − | Maufort, Marc Crucible of cultures : Anglophone drama at the dawn of the new millennium / Marc Maufort & Franca Bellarsi (eds.) Bruxelles ; New York : P.I.E.-Peter Lang, c2002 Het via Google by Questia uitgekon maar kon nie die inhoudsopgawe kry om te sien of die boek van toepassing is nie.
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| − | Mayer, C. H. (2005) Artificial walls: South African narratives on conflict, difference and identity: an exploratory study in post-apartheid South Africa. Stuttgart: Ibidem-Verlag.
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| − | Mazibuko, Doreen 1996. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 219-224.
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| − | Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic
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| − | 5:42-57.
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| − | McBurney, Blaine 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: Contemporary sociology, 16(3): 391.
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| − | McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Durban: University of Durban-Westville. (MA thesis).
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| − | McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.
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| − | McDONALD, MARIANNE. 2005*. Athol Fugard's Theatre.***?
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| − | McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African theatre journal, 20: 207-220.
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| − | McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51) : 36-40.
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| − | McKay, Kim 1987. The blood knot reborn in the eighties: a reflection of the artist and his times. Modern drama, 30(4): 496-504.
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| − | McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en kultuur, 2(4): 34-35. December.
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| − | McLaren, J. 1978. The play’s the thing wherein I’ll catch the conscience of the king: the
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| − | McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1): 90-114.
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| − | McLaren, Robert 1996. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 25-48.
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| − | McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth century literature, 39(4): 423.
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| − | McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare survey, 52:154-165.
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| − | McMurtry Mervyn 1994. The rise of the first Ambassador Bezuidenhout: Pieter-Dirk Uys’s creation of Evita Bezuidenhout, her fictional actuality and his approach to female impersonation. South African theatre journal, 8(2): 79-107.
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| − | McMurtry, Mervyn 1995. Adam Leslie and his contribution to satire in intimate review in South African theatre. South African theatre journal, 9(1): 3-27.
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| − | McMurtry, Mervyn 1996. Open space: six contemporary plays from Africa edited by Yvette Hutchison & Kole Omotoso and The distance remains and other plays by Robin Malan. Reviewed in: South African theare journal. 10(1): 119-124.
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| − | McMurtry, Mervyn 1998. ‘Greeks bearing gifts’: Athol Fugard’s Orestes project and the politics of experience. Modern drama, 41(1): 105-108.
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| − | MCMURTRY, MERVYN. 2000. Geographies of research: From “Geographies of Learning”. South African theatre journal,, 14:19-27.
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| − | MCMURTRY, MERVYN. 2002. Productions and publication: Issues in the accreditation of creativ activity for tenure and promotion at tertiary institutions in the United States of America. South African theatre journal,16: 80 – 91.
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| − | McMurtry, Mervyn E. 2006. Experiencing the ‘living monument’: Athol Fugard’s directing process and the Orestes project. South African theatre journal, 20: 30-47.
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| − | McMurtry 1996. ROBIN. The Distance Remains and Other Plays (Mervyn) S
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| − | outh African Theatre Journal, Vol. 10(1):119-124
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| − | McSweeny, Gavin 1977. The Market Theatre. Scenaria, June/July. 10-11.
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| − | Mda, Zakes 1983. Commitment and writing in theatre: the South African experience. Classic, 2(1): 13-15.
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| − | Mda, Zakes 1993. When People Play People: Development Communication Through Theatre. Johannesburg: Zed Books/Witwatersrand University Books??**.
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| − | Mda, Zakes 1994a. Another Theatre of the Absurd. In: Theatre and Performance in Africa, edited by Eckhard Breitinger (ed). Bayreuth African Studies 31, Bayreuth Germany.
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| − | Mda, Zakes 1994b. Learning from the ancient wisdom of Africa in the creation and distribution of messages. Current writing, 6(2): 139-150.
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| − | Mda, Zakes 1995. Theater and reconciliation in South Africa. Theater magazine, 25(3): 38-45.
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| − | Mda, Zakes 1996. ‘Politics and Theatre: current trends in South Africa’. In Davis and Fuchs (eds), Theatre and change in South Africa, Contemporary Theatre studies, 12 Amsterdam, Harwood Academic Publishers
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| − | MDA, Zakes 1997. When People Play People in Post-apartheid South Africa. Interview with D. Salter. In: Brecht Yearbook 22:283-303.
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| − | MDA, Zakes 1998. Current Trends in Theatre-for-Development in South Africa. In: Writing South Africa, edited by Derrick Attridge and Rosemary Jolly. Cambridge: Cambridge University Press.
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| − | Mda, Z. 1993. When People Play People: Development Communication Through Theatre. Johannesburg: Zed Books/Witwatersrand University Books.
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| − | Mda, Z. 1994. Another Theatre of the Absurd. In Breitinger, E. (ed) Theatre and Performance in Africa. Bayreuth African Studies 31, Bayreuth Germany.
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| − | Mda, Z. 1995. Theater and Reconciliation in South Africa. In Theater 25/3:36-45.
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| − | Mda, Zakes 1996. Politics and the theatre: current trends in South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 193-218.
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| − | Mda, Zakes 1998. Current trends in Theatre for Development in South Africa. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 257-264.
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| − | Mda, Z. 2002. South African Theatre in an Era of Reconciliation. In: Harding, Frances (ed.) The Performance Arts in Africa. New York: Routledge. 279-289.
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| − | Mda, Zakes 2002. South African theatre in an era of reconciliation. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge. p. 279-289.
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| − | Mda, Zakes 2005. Südafrikanisches Theater im Zeitalter der Aussöhnung. In: Arndt, Susan & Berndt, Katrin (herausg). .Kreatives Afrika: SchriftstellerInnen über Literatur, Theater und Gesellschaft: eien Festschrift für Eckhard Breitinger. Wuppertal: Peter Hammer Verlag. p. 117-135.
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| − | Mda, Zakes 2007. South African theatre in an era of reconciliation. In: Arndt, Susan & Berndt, Katrin (eds). Words and worlds: African writing, theatre and society; a commemorative publication in honour of Eckhard Breitinger. Trenton, NJ : Africa World Press. p. 77-88.
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| − | Mda, Zakes 2009. The fiction of reconciliation: creating dialogue through verbal and performance arts in South Africa. Journal of human rights, 8(2): 121-132.
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| − | Mduduzi Hlope – an analysis of theme in his plays. Reality, 15(6): 10-12.
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| − | Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African theatre journal, 21: 292-306.
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| − | Megan Kruskal. 1985. Scenaria, (52) : 9-12.
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| − | Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16.
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| − | Meij, K. 1978. Is Laat die kerse brand te maklik? Klasgids, 13(3-4): 9-10. November.
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| − | Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1): 31-33. June.
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| − | Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir letterkunde, 5(4): 18-21.
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| − | Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir letterkunde, 28(4): 111-116.
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| − | Meiring, Jean. 2002. Afrikaanse kunste en teater ondanks feeste aan’t sterf. In: Die Burger, March 2, 2002: 13.
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| − | Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair lady, 16(7): 98-102. November 5.
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| − | Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98: 46.
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| − | Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6): 17.
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| − | Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8): 7.
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| − | Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
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| − | Memela, Sandile. 1995. Life in jail is no fun, honest: play exposes brutality and waste in prisons. In: City Press, June 25, 1995: 34.
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| − | Click on the appropriate letter of the alphabet below to find the relevant list.
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| − | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H-Hay|H-Hay]] [[ESAT Bibliography He-Hu|He-Hu]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S-Sh|S-Sh]] [[ESAT Bibliography Si-Sz|Si-Sz]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] [[ESAT Bibliography Z|Z]] | |
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| | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
