Difference between revisions of "ESAT Bibliography Mde-Mes"
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Click on the appropriate letters of the alphabet in the sub-list below. | Click on the appropriate letters of the alphabet in the sub-list below. | ||
| − | [[ESAT Bibliography | + | [[ESAT Bibliography Maa-Mal|Maa-Mal]] [[ESAT Bibliography Mam-Mar|Mam-Mar]] [[ESAT Bibliography Mas-Mcl|Mas-Mcl]] [[ESAT Bibliography Mcm-Mda|Mcm-Mda]] [[ESAT Bibliography Mde-Mes|Mde-Mes]] [[ESAT Bibliography Met-Miz|Met-Miz]] [[ESAT Bibliography Mja-Moo|Mja-Moo]] [[ESAT Bibliography Mop-Mot|Mop-Mot]] [[ESAT Bibliography Mou-Moz|Mou-Moz]] [[ESAT Bibliography Mpa-Mz|Mpa-Mz]] |
To return to any other letter, click on the list below | To return to any other letter, click on the list below | ||
| Line 9: | Line 9: | ||
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | ==The list== | ||
| + | Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. ''South African Labour Bulletin'', 33(1): | ||
| − | Mduduzi Hlope | + | [[Hlope, Mduduzi|Mduduzi Hlope]]: An analysis of theme in his plays. ''Reality'', 15(6):10-12. |
| − | Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African | + | [[Brent Meersman|Meersman, Brent]] 2007. Democracy, capitalism and theatre in the new South Africa. ''[[South African Theatre Journal]]'', 21:292-306. |
| − | Megan Kruskal. 1985. Scenaria, (52) : 9-12. | + | [[Megan Kruskal|Kruskal, Megan]]. 1985. ''[[Scenaria]]'', (52):9-12. |
| − | Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16. | + | Meet you at the [[Natal Playhouse]]. 1987. ''Lantern'', 36(2):3-16. |
| − | + | Meihuizen, N.C.T. 2000. [[Mongane Wally Serote]], in Scanlon, Paul A. (ed.). ''South African Writers''. Detroit: Gale Group. 422-433. | |
| − | Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1): 31-33. June. | + | [[A. Meij|Meij, A.]] 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. ''Kleuterklanke'', 13(1):31-33. June. |
| − | + | [[K. Meij|Meij, K.]] 1978. Is ''[[Laat die Kerse Brand]]'' te maklik? ''Klasgids'', 13(3-4):9-10. November. | |
| − | Meiring, | + | [[Eben Meiring|Meiring, Eben]] 1967. Toneel en werklikheid. ''[[Tydskrif vir Letterkunde]]'', 5(4):18-21. |
| − | Meiring, | + | [[E. Meiring|Meiring, E.]] 1990. Beckett en [[Athol Fugard|Fugard]]: ''Waiting for Godot'' en ''[[Boesman and Lena]]''. ''[[Tydskrif vir Letterkunde]]'', 28(4):111-116. |
| − | Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair | + | [[M. Meiring|Meiring, M.]] 1980. [[Katinka Heyns]]: activist, innovator and perfectionist. ''Fair Lady'', 16(7):98-102. November 5. |
| − | Meiring, Martie | + | [[Martie Meiring|Meiring, Martie]] 1998. Fees, feestelik, feesteliker. ''Insig'', 09/98:46. |
| − | Melpomene, pseud. | + | Melpomene, pseud. 1950. The theatre world: review of 1950. ''Trek'', 14(12):39. |
| − | Melpomene, pseud. | + | Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. ''Trek'', 16(3):18. |
| − | + | Melpomene, pseud. 1952b. Theatre at the crossroad. ''Trek'', 16(6):17. | |
| − | + | Melpomene, pseud. 1952c. Theatre and economics. ''Trek'', 16(8):7. | |
| − | + | Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). ''Speak'', 1(2): 48-49. | |
| − | + | [[Janis Merand|Merand, Janis]] 1991. An evaluation of the 1989 popular theatre training programme run by the [[Community Arts Project]]. Unpublished honour’s thesis. Cape Town: University of Cape Town. | |
| − | + | [[Ivan Meredith|Meredith, Ivan]]. 2006. ''Opera in South Africa during the first democratic decade''. Unpublished Masters thesis. [[University of Cape Town]]. | |
| − | + | [[Peter Merrington|Merrington, Peter]] 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | |
| − | + | [[Peter Merrington|Merrington, Peter]] 1995. ‘Pageantry and Primitivism’: [[Dorothea Fairbridge]] and the Aesthetics of Union. ''Journal of Southern African Studies'', 21:4. | |
| − | + | [[Peter Merrington|Merrington, Peter]] 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in [[Loes Nas|Nas, Loes]]& [[Hermann Wittenberg|Wittenberg, Hermann]] (eds.). ''AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996''. | |
| − | + | [[Peter Merrington|Merrington, Peter]] 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. ''Theatre Journal'', 19(1):1-14. | |
| − | + | [[Peter Merrington|Merrington, Peter]] 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). ''Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996''. Saint John, NB University of New Brunswick. 278-299. | |
| − | + | [[Peter Merrington|Merrington, Peter]], 1999. State of the Union: The "New Pageantry" and the Performance of Identity in | |
| + | North America and South Africa, 1908-1910, ''[[Journal of Literary Studies]]'' 15 (1-2) (1999): 238-63. | ||
| − | Merrington, Peter | + | [[Peter Merrington|Merrington, Peter]], 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In ''The Shakespearean International Yearbook'' Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: [[Laurence Wright]]) 29-45. |
| − | + | [[G. Mersham|Mersham, G.]] & [[G. Baker|Baker, G.]] 2002. Industrial theatre as a negotiated dramaturgy. ''[[South African Theatre Journal]]'', 16:92-119. | |
| − | + | [[Margaret Mervis|Mervis, Margaret]] 1998a. ''[[The Captain’s Tiger]]''. Reviewed in: ''Current Writing'', 10(2):143-146. | |
| − | + | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. ''[[South African Theatre Journal]]'', 21:75-91. | |
| − | + | [[Tamar Meskin|Meskin, Tamar]] & [[Tanya van der Walt|Van der Walt, Tanya]] 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. ''[[South African Theatre Journal]]'', 24:125-154. | |
| − | + | [[Tamar Meskin|Meskin, Tamar]] 2014. ''[[Shaggy]]'' by [[Anton Krueger]] and [[Pravasan Pillay]] reviewed by [[Tamar Meskin]]. ''[[South African Theatre Journal]]'', 27(3):276-280. | |
| − | |||
| − | Meskin, Tamar | ||
Latest revision as of 06:38, 13 May 2025
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
The list
Mdlalose/Nkulumayo, N. 2009. Stories of old revisited. South African Labour Bulletin, 33(1):
Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
Kruskal, Megan. 1985. Scenaria, (52):9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
Meihuizen, N.C.T. 2000. Mongane Wally Serote, in Scanlon, Paul A. (ed.). South African Writers. Detroit: Gale Group. 422-433.
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
Meiring, Eben 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
Meiring, Martie 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
Melpomene, pseud. 1950. The theatre world: review of 1950. Trek, 14(12):39.
Melpomene, pseud. 1952a. The standard of theatre: Cape Town theatre. Trek, 16(3):18.
Melpomene, pseud. 1952b. Theatre at the crossroad. Trek, 16(6):17.
Melpomene, pseud. 1952c. Theatre and economics. Trek, 16(8):7.
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
Meredith, Ivan. 2006. Opera in South Africa during the first democratic decade. Unpublished Masters thesis. University of Cape Town.
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
Merrington, Peter 1996. Masques, monuments, and masons: The 1910 pageant of the Union of South Africa, in Nas, Loes& Wittenberg, Hermann (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996.
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
Merrington, Peter, 1999. State of the Union: The "New Pageantry" and the Performance of Identity in North America and South Africa, 1908-1910, Journal of Literary Studies 15 (1-2) (1999): 238-63.
Merrington, Peter, 2009. Loyal Memory: The Tercentenary in Colonial Cape Town. In The Shakespearean International Yearbook Volume 9: Special section, South African Shakespeare in the Twentieth Century. (Guest editor: Laurence Wright) 29-45.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.
Mervis, Margaret 1998a. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
Meskin, Tamar & Van der Walt, Tanya 2010. Photography, archaeology and representation: chronicles of conflict adn the architecture of action. South African Theatre Journal, 24:125-154.
Meskin, Tamar 2014. Shaggy by Anton Krueger and Pravasan Pillay reviewed by Tamar Meskin. South African Theatre Journal, 27(3):276-280.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
