Difference between revisions of "ESAT Bibliography Mas-Mcl"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
 +
==The list==
  
 +
Masque, pseud. 1950. Shortcomings of the South African stage. ''Trek'', 14(3):27-30.
  
−
Masque, pseud. 1950. Shortcomings of the South African stage. ''Trek'', 14(3):27-30.
+
''[[Master Harold and the Boys]]'' by [[Athol Fugard]]. 1982. [Dramatic criticiam]. ''[[Standpunte]]'', 35(6):9-14.
 +
 
 +
[[Sara Matchett|Matchett, Sara]] 2009. ''[[Breathing Space]]: Cross-community professional theatre as a means of dissolving fixed geographical landscapes'', Saarbrücken, Germany: LAP Lambert Academic Publishing GmbH & Co. KG.
 +
 
 +
[[Sara Matchett|Matchett, Sara]] 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. ''[[South African Theatre Journal]]'', 26(3):280-291.
 +
 
 +
[[N.N. Mathonsi|Mathonsi, N.N.]] 2006. Tragic undertones in [[E. Zondi|Elliot Zondi]]'s ''[[Ukufa kukaShaka]]'' (the death of Shaka) - 1960. ''South African Journal of African Languages'', 26(2):
 +
 
 +
[[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.
 +
 
 +
[[John Matshikiza|Matshikiza, John]] 2007. ''[[Measure for Measure]]'': a very South African scenario. ([[Percy Baneshik]] memorial lecture) ''English Academy Review'', 24(2):131-141.
  
−
''[[Master Harold and the Boys]]'', by [[Fugard, Athol|Athol Fugard]]. 1982. [Dramatic criticiam]. ''Standpunte'', 35(6):9-14.
+
[[Christine Matzke|Matzke, Christine]], [[Lena van der Hoven]], [[Christopher Odhiambo]] and [[Hilde Roos]]. 2020. ''African Theatre 19. Opera & Music Theatre''.  James Currey (an imprint of Boydell & Brewer)
  
−
[[Mokhethi Othniel Matabola|Matabola, Mokhethi Othniel]] 1994 Classification of character in ''[[Molomo wa badimo]]'' by [[Moiloa, J.J.|J.J. Moiloa]] : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.
+
[[Alexander Matthews|Matthews, Alexander]]. 2014. Work/Life: [[Nicholas Ellenbogen]] – Playwright. An interview posted on ''[[Aerodrome]]''[http://esat.sun.ac.za/index.php?title=ESAT_I_Bibliography_A&action=edit] on 28 Jan 2014 at http://aerodrome.co.za/worklife-nicholas-ellenbogen-playwright/. ''Accessed: 6 September, 2017.''
  
 
[[Renato Matusse|Matusse, Renato]] 1999. ''Past Roles and Development of Theatre Arts in SADC''. Gaborone, Botswana: SADC.
 
[[Renato Matusse|Matusse, Renato]] 1999. ''Past Roles and Development of Theatre Arts in SADC''. Gaborone, Botswana: SADC.
 +
 +
[[Marc Maufort|Maufort, Marc]] and [[Jessica Maufort|Maufort, Jessica]] (Volume Editors). 2019. ''Forays into Contemporary South African Theatre: Devising New Stage Idioms''. Series: ''[[Cross/Cultures]]'', Volume: 211.
  
 
[[W.D. Maxwell-Mahon|Maxwell-Mahon, W.D.]] 1991. Romeo and Juliet: anatomy of violence. ''Lantern'', 40(3):63-65.
 
[[W.D. Maxwell-Mahon|Maxwell-Mahon, W.D.]] 1991. Romeo and Juliet: anatomy of violence. ''Lantern'', 40(3):63-65.
Line 26: Line 40:
  
 
[[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''New Classic'', 5:42-57.  
 
[[V. Mazmane|Mazmane, V.]] 1978. Literature and politics among Blacks in South Africa. ''New Classic'', 5:42-57.  
 +
 +
[[Mbongeni Ngema]]: drama 1988. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 44-45.
  
 
[[Mandla Mbothwe|Mbothwe, Mandla]] 2008. An African dream play - ''[[Isivuno Sama Phupha]]'' : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.  
 
[[Mandla Mbothwe|Mbothwe, Mandla]] 2008. An African dream play - ''[[Isivuno Sama Phupha]]'' : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.  
  
−
[[Blaine McBurney|McBurney, Blaine]] 1987. ''Theatre and Cultural Struggle in South Africa'', by [[Kavanagh, Robert Mshwngu|Robert Mshengu Kavanagh]]. Reviewed in: ''Contemporary Sociology'', 16(3):391-393.
+
[[Mandla Mbothwe|Mbotwe, Mandla]] 2010. Dissecting the aesthetics of identity in ''[[Isivuni Sama Phupha]]''. ''[[South African Theatre Journal]]'', 24:241-258.
 +
 
 +
[[Blaine McBurney|McBurney, Blaine]] 1987. ''Theatre and Cultural Struggle in South Africa'', by [[Robert Mshengu Kavanagh]]. Reviewed in: ''Contemporary Sociology'', 16(3):391-393.
  
 
[[C.A. McCarthy|McCarthy, C.A.]] 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.  
 
[[C.A. McCarthy|McCarthy, C.A.]] 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.  
  
−
[[Dommisse, Hermine|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''Buurman'', 3(4): 23-24. June.
+
[[Hermien Dommisse|McCaul-Dommisse, H.]] 1973. Hoe sal beeldradio ons lewende toneel raak? ''Buurman'', 3(4): 23-24. June.
 +
 
 +
[[Marianne McDonald|McDonald, Marianne]] 2002. 'A gift for his seventieth birthday : [[Athol Fugard]]'s ''[[Sorrows and Rejoicings]]''. ''Theatre Forum'', (21): 3-13.
 +
 
 +
[[Marianne McDonald|McDonald, Marianne]] 2006a. Preface to ''[[The Abbess]]''. ''[[South African Theatre Journal]]'', 20:335-338.
 +
 
 +
[[Marianne McDonald|McDonald, Marianne]] 2006b. The return of the myth: [[Athol Fugard]] and the classics. ''Akroterion'', 51(2):
 +
 
 +
[[Marianne McDonald|McDonald, Marianne]] 2006c. Wearing the third hat: [[Athol Fugard]] as director. ''[[South African Theatre Journal]]'', 20:207-220.
 +
 
 +
[[Marianne McDonald|McDonald, Marianne]] 2012. ''The Craft of [[Athol Fugard]]: Space, Time, and Silence''. Los Angeles; Murasaki Press.
 +
 
 +
[[Murray McGibbon|McGibbon, Murray]] 1986. Theatre in the 21st century : a journey backwards into the future. ''NEON'', (51):36-40.
 +
 
 +
[[Kim McKay|McKay, Kim]] 1987. ''[[The Blood Knot]]'' reborn in the eighties: a reflection of the artist and his times.  ''Modern Drama'', 30(4):496-504.
  
−
McDonald, Marianne 2006. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220.
+
[[J. McLaren|McLaren, J.]] & [[D. van der Walt|Van der Walt, D.]] 1978. [[Nasionale Toneelbiblioteek]] en sy dienste. ''Opvoeding en Kultuur'', 2(4):34-35. December.
  
−
McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51):36-40.
+
[[Jamie McLaren|McLaren, Jamie]] 2010. Storytelling, drama and play in psychosocial interventions for communities affected by HIV/AIDS in Southern Africa: developing pathways to locally sustainable care. ''[[South African Theatre Journal]]'', 24:67-81.
  
−
McKay, Kim 1987. The Blood Knot reborn in the eighties: a reflection of the artist and his times. Modern Drama, 30(4):496-504.
+
[[Robert McLaren|McLaren, Robert Mshengu]] 1992. Theatre on the frontline: the political theatre of [[Zambukon/Izibuko]]. ''TDR'', 36(1):90-114.
  
−
McLaren, J. & Van der Walt, D. 1978. Nasionale toneelbiblioteek en sy dienste. Opvoeding en Kultuur, 2(4):34-35. December.
+
[[Robert McLaren|McLaren, Robert]] 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in [[Geoffrey V. Davis|Davis, Geoffrey V.]] & [[Anne Fuchs|Fuchs, Anne]] (eds.). ''Theatre and Change in South Africa''. Amsterdam: Harwood Academic Publishing. 25-48.
  
−
McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1):90-114.
+
[[Craig W. McLuckie|McLuckie, Craig W.]] 1993. Power, self, and other: the absurd in ''[[Boesman and Lena]]''. ''Twentieth Century Literature'', 39(4):423.
  
−
McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 25-48.
+
[[Kate McLuskie|McLuskie, Kate]] 1999. ''[[Macbeth/Umbatha]]'': Global Shakespeare in a post-colonial market. ''Shakespeare Survey'', 52:154-165.
  
−
McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth Century Literature, 39(4):423.
 
  
−
McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare Survey, 52:154-165.
 
  
  

Latest revision as of 09:19, 7 July 2024

Click on the appropriate letters of the alphabet in the sub-list below.

Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

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The list

Masque, pseud. 1950. Shortcomings of the South African stage. Trek, 14(3):27-30.

Master Harold and the Boys by Athol Fugard. 1982. [Dramatic criticiam]. Standpunte, 35(6):9-14.

Matchett, Sara 2009. Breathing Space: Cross-community professional theatre as a means of dissolving fixed geographical landscapes, Saarbrücken, Germany: LAP Lambert Academic Publishing GmbH & Co. KG.

Matchett, Sara 2012. Breath as impulse, breath as thread: breath as catalyst for making an autobiographical performance in response to ‘corrective rape’ and hate crimes against lesbians. South African Theatre Journal, 26(3):280-291.

Mathonsi, N.N. 2006. Tragic undertones in Elliot Zondi's Ukufa kukaShaka (the death of Shaka) - 1960. South African Journal of African Languages, 26(2):

Matabola, Mokhethi Othniel 1994 Classification of character in Molomo wa badimo by J.J. Moiloa : a few perspectives. Unpublished honourr’s thesis. Bloemfontein: University of the Orange Free State.

Matshikiza, John 2007. Measure for Measure: a very South African scenario. (Percy Baneshik memorial lecture) English Academy Review, 24(2):131-141.

Matzke, Christine, Lena van der Hoven, Christopher Odhiambo and Hilde Roos. 2020. African Theatre 19. Opera & Music Theatre. James Currey (an imprint of Boydell & Brewer)

Matthews, Alexander. 2014. Work/Life: Nicholas Ellenbogen – Playwright. An interview posted on Aerodrome[1] on 28 Jan 2014 at http://aerodrome.co.za/worklife-nicholas-ellenbogen-playwright/. Accessed: 6 September, 2017.

Matusse, Renato 1999. Past Roles and Development of Theatre Arts in SADC. Gaborone, Botswana: SADC.

Maufort, Marc and Maufort, Jessica (Volume Editors). 2019. Forays into Contemporary South African Theatre: Devising New Stage Idioms. Series: Cross/Cultures, Volume: 211.

Maxwell-Mahon, W.D. 1991. Romeo and Juliet: anatomy of violence. Lantern, 40(3):63-65.

Mayer, C. H. 2005. Artificial Walls: South African Narratives on Conflict, Difference and Identity: An Exploratory Study in Post-Apartheid South Africa. Stuttgart: Ibidem-Verlag.

Mazibuko, Doreen 1996. Theatre: the political weapon in South Africa, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 219-224.

Mazmane, V. 1978. Literature and politics among Blacks in South Africa. New Classic, 5:42-57.

Mbongeni Ngema: drama 1988. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 44-45.

Mbothwe, Mandla 2008. An African dream play - Isivuno Sama Phupha : reconstructing the spirit of ubuntu in the contemporary urban 'village' through theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.

Mbotwe, Mandla 2010. Dissecting the aesthetics of identity in Isivuni Sama Phupha. South African Theatre Journal, 24:241-258.

McBurney, Blaine 1987. Theatre and Cultural Struggle in South Africa, by Robert Mshengu Kavanagh. Reviewed in: Contemporary Sociology, 16(3):391-393.

McCarthy, C.A. 1990. The formative value of drama presentations on selected student teachers. Unpublished master’s thesis. Durban: University of Durban-Westville.

McCaul-Dommisse, H. 1973. Hoe sal beeldradio ons lewende toneel raak? Buurman, 3(4): 23-24. June.

McDonald, Marianne 2002. 'A gift for his seventieth birthday : Athol Fugard's Sorrows and Rejoicings. Theatre Forum, (21): 3-13.

McDonald, Marianne 2006a. Preface to The Abbess. South African Theatre Journal, 20:335-338.

McDonald, Marianne 2006b. The return of the myth: Athol Fugard and the classics. Akroterion, 51(2):

McDonald, Marianne 2006c. Wearing the third hat: Athol Fugard as director. South African Theatre Journal, 20:207-220.

McDonald, Marianne 2012. The Craft of Athol Fugard: Space, Time, and Silence. Los Angeles; Murasaki Press.

McGibbon, Murray 1986. Theatre in the 21st century : a journey backwards into the future. NEON, (51):36-40.

McKay, Kim 1987. The Blood Knot reborn in the eighties: a reflection of the artist and his times. Modern Drama, 30(4):496-504.

McLaren, J. & Van der Walt, D. 1978. Nasionale Toneelbiblioteek en sy dienste. Opvoeding en Kultuur, 2(4):34-35. December.

McLaren, Jamie 2010. Storytelling, drama and play in psychosocial interventions for communities affected by HIV/AIDS in Southern Africa: developing pathways to locally sustainable care. South African Theatre Journal, 24:67-81.

McLaren, Robert Mshengu 1992. Theatre on the frontline: the political theatre of Zambukon/Izibuko. TDR, 36(1):90-114.

McLaren, Robert 1996. “The many individual wills.” From Crossroads to Survival. The work of Experimental Theatre Workshop ’71, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 25-48.

McLuckie, Craig W. 1993. Power, self, and other: the absurd in Boesman and Lena. Twentieth Century Literature, 39(4):423.

McLuskie, Kate 1999. Macbeth/Umbatha: Global Shakespeare in a post-colonial market. Shakespeare Survey, 52:154-165.



Click on the appropriate letters of the alphabet in the sub-list below.

Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

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