Difference between revisions of "Tosca"

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1963: Presented by [[PACT Opera]].
 
1963: Presented by [[PACT Opera]].
  
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1970: Presented by [[PACT Opera]].
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1968: Presented by [[CAPAB Opera]] in collaboration with [[UCT]]; presented by [[NAPAC Opera]] in collaboration with [[UCT]].
 +
 
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1969: Presented by [[PACOFS Opera]].
 +
 
 +
1970: Presented by [[PACT Opera]]; presented by [[CAPAB Opera]] in collaboration with [[UCT]].
  
 
1971: Staged by [[PACT]] in the [[Aula]] in Pretoria and the [[Civic Theatre]] in Johannesburg, with the [[PACT]] Orchestra conducted by [[Leo Quayle]], directed by [[Neels Hansen]], with [[Marie Collier]]/[[Marcella Reale]] (Floria Tosca), [[Tito Gobbi]] (Baron Scarpia), [[Giovanni Gibin]] (Mario Cavaradossi), [[Kenneth Francis]] (Cesare Angelotti), [[Jaco van der Merwe]] (A Sacristan), [[George Kok]] (Spoletta), [[Ian Donald]] (Sciarrone), [[Peter Dijkstra]] (Gaoler) and the [[PACT]] Chorus, with choir master [[Neil Chapman]]. Decor by [[Anthony Farmer]] and costumes by [[Patricia Slavin]].
 
1971: Staged by [[PACT]] in the [[Aula]] in Pretoria and the [[Civic Theatre]] in Johannesburg, with the [[PACT]] Orchestra conducted by [[Leo Quayle]], directed by [[Neels Hansen]], with [[Marie Collier]]/[[Marcella Reale]] (Floria Tosca), [[Tito Gobbi]] (Baron Scarpia), [[Giovanni Gibin]] (Mario Cavaradossi), [[Kenneth Francis]] (Cesare Angelotti), [[Jaco van der Merwe]] (A Sacristan), [[George Kok]] (Spoletta), [[Ian Donald]] (Sciarrone), [[Peter Dijkstra]] (Gaoler) and the [[PACT]] Chorus, with choir master [[Neil Chapman]]. Decor by [[Anthony Farmer]] and costumes by [[Patricia Slavin]].
 +
 +
1973: Presented by [[NAPAC Opera]].
 +
 +
1975: Presented by [[PACOFS Opera]], with [[Nellie du Toit]] as Tosca and [[Gé Korsten]] as Mario Cavaradossi, produced by [[Conrad Haikes]], conducted by [[Bryan Balkwill]].
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 +
1976: Presented by [[CAPAB Opera]].
 +
 +
1979: Presented by [[CAPAB Opera]].
  
 
1991: Presented by [[CAPAB Opera]] (30 May – 14 June)
 
1991: Presented by [[CAPAB Opera]] (30 May – 14 June)
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1998: Presented by [[Spier]] (14 February – 6 March)
 
1998: Presented by [[Spier]] (14 February – 6 March)
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2006: Extracts from ''[[Tosca]]'', ''[[Madama Butterfly]]'', ''[[Don Pasquale]]'' and ''[[L’elisir d’amore]]'' presented as ''[[Four Opera Vignettes]]'' by [[Black Tie Ensemble]] in the Drama Theatre at the [[State Theatre]] (21-28 May 2006). Conductor (Donizetti operas): [[Graham Scott]]; Conductor (Puccini operas): [[Alexander Fokkens]]; Director: [[Michael Gieleta]]; Assistant to the director: [[Madeleen Engelbrecht]]; Technical co-ordinator: [[Vanessa Nicolau]]; Set design: [[James Macnamara Design]]; Costumes design & co-ordinator: [[Lindy Grindlay]], assisted by [[Bronwen Lovegrove]]; Lighting: [[Simon King]]; Repetitors: [[Susan Steenkamp-Swanepoel]], [[Louis Botha]]; Stage manager: [[Mariette Buys]]; Props master: [[Michael Mokwena]]; Orchestra: [[Chamber Orchestra South Africa]]; Concert master: [[Denise Sutton]]; Chorus: [[Black Tie Opera Chorus]]; Chorus master: [[Mathilda Hornsveld]]. With [[Loveline Madumo]] (Floria Tosca), [[Stéfan Louw]] (Mario Cavaradossi), [[Linda Zitha]] (Baron Scarpia), [[Rheinaldt Moagi]] (Spoletta), [[Monde Masimini]] (A Sacristan), [[Dikgang Mantoro]]/[[Itumeleng Tladi]] (Sciarrone), [[Thabang Senekal]] (Cecare Angelotti).
  
 
2007: Presented by [[Cape Town Opera]] (10–23 May)
 
2007: Presented by [[Cape Town Opera]] (10–23 May)
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[[Alexandra Xenia Sabina Mossolow]]. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. [[University of Stellenbosch]].
 
[[Alexandra Xenia Sabina Mossolow]]. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. [[University of Stellenbosch]].
 +
 +
Antoinette Johanna Olivier. 2014. 'Exploring contributions to opera by The Black Tie Ensemble: a historical case study'. Mini-dissertation submitted in partial fulfilment of the requirements for the degree Master‟s in Music at the Potchefstroom Campus of the North-West University.
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 16:08, 23 April 2024

Tosca can refer to a play by Victorien Sardou (1887), or to the famous opera by Giacomo Puccini (1900), based on the play. This entry refers specifically to Puccini's the opera. For information on the play, see the entry on La Tosca

Tosca [1] is an opera in three acts by Giacomo Puccini (1858-1924) [2] to an Italian libretto by Luigi Illica [3] and Giuseppe Giacosa [4].

The original text

The opera is based on a 1887 French melodramatic play La Tosca [5], set in Rome in 1800, and written by French playwright Victorien Sardou (1831-1908) [6]. The opera premiered at the Teatro Costanzi in Rome on 14 January 1900.

Translations and adaptations

Performance history in South Africa

1941: Presented by African Theatres at the Empire Theatre, directed by John Connell.

1945: Presented by African Consolidated Theatres, conducted by John Connell.

1962: Presented in the Little Theatre, conducted by Geoffrey Miller (September).

1963: Presented by the University of Cape Town Opera Company in the Cape Town City Hall, conducted by David Tidboald.

1963: Presented by PACT Opera.

1968: Presented by CAPAB Opera in collaboration with UCT; presented by NAPAC Opera in collaboration with UCT.

1969: Presented by PACOFS Opera.

1970: Presented by PACT Opera; presented by CAPAB Opera in collaboration with UCT.

1971: Staged by PACT in the Aula in Pretoria and the Civic Theatre in Johannesburg, with the PACT Orchestra conducted by Leo Quayle, directed by Neels Hansen, with Marie Collier/Marcella Reale (Floria Tosca), Tito Gobbi (Baron Scarpia), Giovanni Gibin (Mario Cavaradossi), Kenneth Francis (Cesare Angelotti), Jaco van der Merwe (A Sacristan), George Kok (Spoletta), Ian Donald (Sciarrone), Peter Dijkstra (Gaoler) and the PACT Chorus, with choir master Neil Chapman. Decor by Anthony Farmer and costumes by Patricia Slavin.

1973: Presented by NAPAC Opera.

1975: Presented by PACOFS Opera, with Nellie du Toit as Tosca and Gé Korsten as Mario Cavaradossi, produced by Conrad Haikes, conducted by Bryan Balkwill.

1976: Presented by CAPAB Opera.

1979: Presented by CAPAB Opera.

1991: Presented by CAPAB Opera (30 May – 14 June)

1995: Presented by CAPAB Opera (16–31 May)

1998: Presented by Spier (14 February – 6 March)

2006: Extracts from Tosca, Madama Butterfly, Don Pasquale and L’elisir d’amore presented as Four Opera Vignettes by Black Tie Ensemble in the Drama Theatre at the State Theatre (21-28 May 2006). Conductor (Donizetti operas): Graham Scott; Conductor (Puccini operas): Alexander Fokkens; Director: Michael Gieleta; Assistant to the director: Madeleen Engelbrecht; Technical co-ordinator: Vanessa Nicolau; Set design: James Macnamara Design; Costumes design & co-ordinator: Lindy Grindlay, assisted by Bronwen Lovegrove; Lighting: Simon King; Repetitors: Susan Steenkamp-Swanepoel, Louis Botha; Stage manager: Mariette Buys; Props master: Michael Mokwena; Orchestra: Chamber Orchestra South Africa; Concert master: Denise Sutton; Chorus: Black Tie Opera Chorus; Chorus master: Mathilda Hornsveld. With Loveline Madumo (Floria Tosca), Stéfan Louw (Mario Cavaradossi), Linda Zitha (Baron Scarpia), Rheinaldt Moagi (Spoletta), Monde Masimini (A Sacristan), Dikgang Mantoro/Itumeleng Tladi (Sciarrone), Thabang Senekal (Cecare Angelotti).

2007: Presented by Cape Town Opera (10–23 May)

Sources

Wikipedia.

PACT theatre programme for the opera Tosca, 1971.

Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.

Sjoerd Alkema. 2012. "Conductors of the Cape Town Municipal Orchestra, 1914-1965: a historical perspective". University of Cape Town. Unpublished PhD thesis.

Alexandra Xenia Sabina Mossolow. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. University of Stellenbosch.

Antoinette Johanna Olivier. 2014. 'Exploring contributions to opera by The Black Tie Ensemble: a historical case study'. Mini-dissertation submitted in partial fulfilment of the requirements for the degree Master‟s in Music at the Potchefstroom Campus of the North-West University.

Go to ESAT Bibliography

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