Difference between revisions of "ESAT Bibliography Mam-Mar"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | Return to [[The ESAT Entries]] | ||
| + | Return to [[Main Page]] | ||
| + | |||
| + | ==The list== | ||
| + | |||
| + | Mamabolo, M. 2008. Laughter and getting it right (An interview with [[Makhosazana Xaba]]). ''[[South African Labour Bulletin]]'', 32,(4): | ||
[[June Mamana|Mamana, June]] 1991. Puppets take up arms against AIDS. ''American Theatre'', 8(4):44-45. | [[June Mamana|Mamana, June]] 1991. Puppets take up arms against AIDS. ''American Theatre'', 8(4):44-45. | ||
| − | [[Matsemela Manaka|Manaka, Matsemela]] I980. Theatre of the dispossessed; an article based on discussion with [[James Mthoba]] and [[Joe Rahube]]. ''Staffrider'', 3(3):28-30. | + | [[Matsemela Manaka|Manaka, Matsemela]] I980. Theatre of the dispossessed; an article based on discussion with [[James Mthoba]] and [[Joe Rahube]]. ''[[Staffrider]]'', 3(3):28-30. |
| + | |||
| + | [[Matsemela Manaka|Manaka, Matsemela]] I984. Some thoughts on Black Theatre. ''[[English Academy Review]]'', 2:33-40. | ||
| + | |||
| + | [[Z.D. Mangoaela|Mangoaela, Z.D.]] 1965. ''Lithoko tsa marena a Basotho''. Morija : Morija Sesuto Book Depot. | ||
| + | |||
| + | [[Sam Manghwane|Mangwane, Sam]] 1977. The Black theatre. ''[[Bona]]'', June:46-47. | ||
[[Mannie Manim|Manim, Mannie]] & [[Gavin McSweeney|McSweeney, Gavin]] 1978. What is a stage manager? ''[[Scenaria]]'', February/March: 36-37. | [[Mannie Manim|Manim, Mannie]] & [[Gavin McSweeney|McSweeney, Gavin]] 1978. What is a stage manager? ''[[Scenaria]]'', February/March: 36-37. | ||
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[[Mannie Manim|Manim, Mannie]] 1989. Journeys of discovery: thoughts on theatre. ''[[South African Theatre Journal]]'', 3(1):69-80. | [[Mannie Manim|Manim, Mannie]] 1989. Journeys of discovery: thoughts on theatre. ''[[South African Theatre Journal]]'', 3(1):69-80. | ||
| − | [[Mannie Manim|Manim, Mannie]] 2009. Introduction: drama, in Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg | + | [[Mannie Manim|Manim, Mannie]] 2009. Introduction: drama, in [[Lore Watterson|Watterson, Lore]] (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg, South Africa: [[DeskLink Media]]. 16-17. |
| − | [[Bruce Mann|Mann, Bruce]] & [[Laurence Wright|Wright L.]] 2001. Ariel in Africa: [[Leslie French]] and the [[Port Elizabeth Shakespearean Festival]]. ''Shakespeare in Southern Africa'', 13:93-99. | + | [[Bruce Mann|Mann, Bruce]] & [[Laurence Wright|Wright L.]] 2001. Ariel in Africa: [[Leslie French]] and the [[Port Elizabeth Shakespearean Festival]]. ''[[Shakespeare in Southern Africa]]'', 13:93-99. |
| − | [[S. Mann|Mann, S.]] 1969. [[Percy Tucker]]: businessman of theatre and cinema. ''Personality'', 135-140. September 11. | + | [[S. Mann|Mann, S.]] 1969. [[Percy Tucker]]: businessman of theatre and cinema. ''[[Personality]]'', 135-140. September 11. |
| − | [[Desiree Mannering|Mannering, Desiree]] 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria. | + | [[Desiree Mannering|Mannering, Desiree]] 1993. ''The subject speech and drama and its possible implementation in a curriculum model for education in South Africa''. Unpublished master’s thesis. Pretoria: University of Pretoria. |
| − | [[Albina Morakane Bathsheba Maphiri|Maphiri, Albina Morakane Bathsheba]] 1994. Naming plots in drama with reference to the works of [[R.J.R. Masiea]]. Unpublished master’s thesis. Pretoria: Vista University. | + | [[Albina Morakane Bathsheba Maphiri|Maphiri, Albina Morakane Bathsheba]] 1994. ''Naming plots in drama with reference to the works of [[R.J.R. Masiea]]''. Unpublished master’s thesis. Pretoria: Vista University. |
[[Isaiah Maishe Maponya|Maponya, Maishe]] 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. ''English Academy Review'', 2:19-32. | [[Isaiah Maishe Maponya|Maponya, Maishe]] 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. ''English Academy Review'', 2:19-32. | ||
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[[Isaiah Maishe Maponya|Maponya, Maishe]] 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). ''The Short Century: Independence and Liberation Movements in Africa, 1945-1994''. Munich: Prestel. 308-313. | [[Isaiah Maishe Maponya|Maponya, Maishe]] 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). ''The Short Century: Independence and Liberation Movements in Africa, 1945-1994''. Munich: Prestel. 308-313. | ||
| − | [[G.F. Marais|Marais, G.F.]] 1983. ''[[Die Pluimsaad Waai Ver]]'' ([[N.P. van Wyk Louw]]). Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 21(1):134-139. | + | [[Chris Marais|Marais, Chris]] and [[Julienne du Toit|Du Toit, Julienne]], "Clowns in the Country", in ''South African Country Life'', April 2012 pp 49-51. |
| + | |||
| + | [[Esther Marais|Marais, Esther]] 1953. ''[[Gister en Vandag]]'', opvoering deur [[Volksteater]]. Reviewed in: ''Helikon'', 2(11):101. | ||
| + | |||
| + | [[G.F. Marais|Marais, G.F.]] 1983. ''[[Die Pluimsaad Waai Vêr|Die Pluimsaad Waai Ver]]'' ([[N.P. van Wyk Louw]]). Reviewed in: ''[[Tydskrif vir Letterkunde]]'', 21(1):134-139. | ||
| + | |||
| + | [[J.L. Marais|Marais, J. L.]] 2010. Geskiedenis en literatuur in [[N.P. van Wyk Louw]] se ''[[Germanicus]]''. ''Stilet'', 22(1):1-14. | ||
| + | |||
| + | [[James March|March, James]] 1946. A South African theatre. ''South African Opinion'', 2(11):22-24. | ||
| + | |||
| + | [[Marda Vanne]] in 'n eksklusiewe onderhoud aan Filma. 1945. ''Filma'', 2(7):30-32. | ||
[[Cathy Maree|Maree, Cathy]] 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. ''[[South African Theatre Journal]]'', 12(1&2):11-33. | [[Cathy Maree|Maree, Cathy]] 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. ''[[South African Theatre Journal]]'', 12(1&2):11-33. | ||
| + | |||
| + | [[Cathy Maree|Maree, Cathy]] 1998. Theatre and the struggle of memory against forgetting in Spain, Latin America and South Africa (including ''[[Die Jogger]]'', by [[André P. Brink]]). ''Journal of Literary Studies'', 14(3/4):299-321. | ||
[[G. Maree|Maree, G.]] 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. ''Anthropology Southern Africa'', 26(3/4):150-158. | [[G. Maree|Maree, G.]] 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. ''Anthropology Southern Africa'', 26(3/4):150-158. | ||
| − | [[Marié du Toit]]. 1968. ''Personality'', 14-18. July 4. | + | [[Margaret Inglis]]. 1958. ''Femina and Woman's Life'', November 27:65. |
| + | |||
| + | [[Marguerite I. Murray|Marguerite Isabel Murray]] Collection [manuscript]. 1925-1983. | ||
| + | |||
| + | "[[Marié du Toit]]". 1968. ''Personality'', 14-18. July 4. | ||
| + | |||
| + | "[[Marius Weyers]]", in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: [[Bateleur Press]]. 168-173. | ||
[[Marius Weyers]] and South African theatre. 1980. ''[[Scenaria]]'', (18):9-10. | [[Marius Weyers]] and South African theatre. 1980. ''[[Scenaria]]'', (18):9-10. | ||
[[Jonathan Marks|Marks, Jonathan]] 1973. Interview with [[Athol Fugard]]. Yale / Theatre 4(1):64 – 72. | [[Jonathan Marks|Marks, Jonathan]] 1973. Interview with [[Athol Fugard]]. Yale / Theatre 4(1):64 – 72. | ||
| + | |||
| + | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 1998. When I was asked to write this piece about ARTNOW....(organizer's commentary on ARTNOW arts/performance demonstration, Capital Mall, Washington, D.C., April 1997). ''The Drama Review'', 42(1):126-127. | ||
[[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2001. A little too close to the truth: anxieties of testimony and confession in ''[[Ubu and the Truth Commission]]'' and ''[[A Story I Am About To Tell]]''. ''[[South African Theatre Journal]]'', 15:77-106. | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2001. A little too close to the truth: anxieties of testimony and confession in ''[[Ubu and the Truth Commission]]'' and ''[[A Story I Am About To Tell]]''. ''[[South African Theatre Journal]]'', 15:77-106. | ||
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[[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2002. The long road to healing: from the [[Truth and Reconciliation Commission|TRC]] to TfD. ''Theatre Research International'', 27:275-288. | [[Stephanie Marlin-Curiel|Marlin-Curiel, Stephanie]] 2002. The long road to healing: from the [[Truth and Reconciliation Commission|TRC]] to TfD. ''Theatre Research International'', 27:275-288. | ||
| − | [[Aja Marneweck|Marneweck, Aja]] | + | [[Aja Marneweck|Marneweck, Aja]] 2004a. ''[[Maladamatjuate]]'' and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| + | |||
| + | [[Aja Marneweck|Marneweck, Aja]] 2004b. Staging stereotype and performing the exotic erotic: an interrogation of desire in the texts of [[Suzan Lori Parks|Parks]] and Kennedy. ''[[South African Theatre Journal]]'', 18:50-64. | ||
| − | [[Aja Marneweck|Marneweck, Aja]] 2006. Visual theatre moves | + | [[Aja Marneweck|Marneweck, Aja]] 2006. Visual theatre moves [[Out the Box]]: developing puppetry in South Africa. ''[[South African Theatre Journal]]'', 20:290-295. |
[[Davis Marquard|Marquard, Davis]] 1949. Amateur actors can now go to school in South Africa. ''Outspan'', 45(1171):29. August 5. | [[Davis Marquard|Marquard, Davis]] 1949. Amateur actors can now go to school in South Africa. ''Outspan'', 45(1171):29. August 5. | ||
| + | |||
| + | [[Ken Marshall|Marshall, Ken]] 1979. Marketing the theatre, in Hay-Whitton, Don (ed.). ''International Symposium of the [[South African Institute of Theatre Technology]] (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979''. South African Institute of Theatre Technology. Section 3, 1-13. | ||
[[Marthinus Basson]]: drama 1989. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 50-51. | [[Marthinus Basson]]: drama 1989. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 50-51. | ||
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[[C. Martin|Martin, C.]] 2006. Bodies of evidence. ''TDR: The Drama Review'', 50(3):7-15. | [[C. Martin|Martin, C.]] 2006. Bodies of evidence. ''TDR: The Drama Review'', 50(3):7-15. | ||
| − | [[Denis-Constant Martin|Martin, Denis-Constant]] 1999. ''Coon Carnival | + | [[Denis-Constant Martin|Martin, Denis-Constant]]. 1999. ''Coon Carnival. New Year in Cape Town, Past and Present''. Cape Town: [[David Phillip Publishers]]. |
| + | |||
| + | |||
| + | [[Marilyn Martin|Martin, Marilyn]]. 1985. | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 1996. Underworld RSA. ''[[South African Theatre Journal]]'', 10(2). | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 1998. Slouching towards Bethlehem : ''[[Ubu and the Truth Commission]]''. ''African Studies'', 57(2):209-220. | ||
| + | |||
| + | [[Lesley Marx|Marx, Lesley]] 2014. ‘How much does anyone need to know about [[Eugene Nielen Marais|Eugène Marais]]?’ ''[[The Guest]]'' and ''[[Die Wonderwerker]]''. ''[[South African Theatre Journal]]'', 27(3):247-264. | ||
| − | + | Marx, Usula 1955. Art at Stellenbosch. ''Stellenbosse Student''. 22-25. (Theatre, p. 24) | |
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
| + | |||
| + | Return to [[Main Page]] | ||
Latest revision as of 06:31, 9 November 2023
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
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Return to Main Page
The list
Mamabolo, M. 2008. Laughter and getting it right (An interview with Makhosazana Xaba). South African Labour Bulletin, 32,(4):
Mamana, June 1991. Puppets take up arms against AIDS. American Theatre, 8(4):44-45.
Manaka, Matsemela I980. Theatre of the dispossessed; an article based on discussion with James Mthoba and Joe Rahube. Staffrider, 3(3):28-30.
Manaka, Matsemela I984. Some thoughts on Black Theatre. English Academy Review, 2:33-40.
Mangoaela, Z.D. 1965. Lithoko tsa marena a Basotho. Morija : Morija Sesuto Book Depot.
Mangwane, Sam 1977. The Black theatre. Bona, June:46-47.
Manim, Mannie & McSweeney, Gavin 1978. What is a stage manager? Scenaria, February/March: 36-37.
Manim, Mannie 1989. Journeys of discovery: thoughts on theatre. South African Theatre Journal, 3(1):69-80.
Manim, Mannie 2009. Introduction: drama, in Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg, South Africa: DeskLink Media. 16-17.
Mann, Bruce & Wright L. 2001. Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival. Shakespeare in Southern Africa, 13:93-99.
Mann, S. 1969. Percy Tucker: businessman of theatre and cinema. Personality, 135-140. September 11.
Mannering, Desiree 1993. The subject speech and drama and its possible implementation in a curriculum model for education in South Africa. Unpublished master’s thesis. Pretoria: University of Pretoria.
Maphiri, Albina Morakane Bathsheba 1994. Naming plots in drama with reference to the works of R.J.R. Masiea. Unpublished master’s thesis. Pretoria: Vista University.
Maponya, Maishe 1984. Problems and possibilities: a discourse on the making of alternative theatre in South Africa. English Academy Review, 2:19-32.
Maponya, Maishe 1995. Doing Plays for a Change. Johannesburg, Witwatersrand University Press.
Maponya, Maishe 1998. Challenges facing theatre practitioners in the new South Africa, in Attridge, Derek & Jolly, Rosemary (eds.). Writing South Africa: Literature, Apartheid and Democracy, 1970-1995. Cambridge: Cambridge University Press. 249-256.
Maponya, Maishe 2001. The anatomy of resistance in South African theater, in Enwezor, Okwui (ed.). The Short Century: Independence and Liberation Movements in Africa, 1945-1994. Munich: Prestel. 308-313.
Marais, Chris and Du Toit, Julienne, "Clowns in the Country", in South African Country Life, April 2012 pp 49-51.
Marais, Esther 1953. Gister en Vandag, opvoering deur Volksteater. Reviewed in: Helikon, 2(11):101.
Marais, G.F. 1983. Die Pluimsaad Waai Ver (N.P. van Wyk Louw). Reviewed in: Tydskrif vir Letterkunde, 21(1):134-139.
Marais, J. L. 2010. Geskiedenis en literatuur in N.P. van Wyk Louw se Germanicus. Stilet, 22(1):1-14.
March, James 1946. A South African theatre. South African Opinion, 2(11):22-24.
Marda Vanne in 'n eksklusiewe onderhoud aan Filma. 1945. Filma, 2(7):30-32.
Maree, Cathy 1998. Resistance and remembrance: theatre during and after dictatorship and apartheid. South African Theatre Journal, 12(1&2):11-33.
Maree, Cathy 1998. Theatre and the struggle of memory against forgetting in Spain, Latin America and South Africa (including Die Jogger, by André P. Brink). Journal of Literary Studies, 14(3/4):299-321.
Maree, G. 2003. You strike for a woman, you strike a rock! : paradox in worker performances and women's rights. Anthropology Southern Africa, 26(3/4):150-158.
Margaret Inglis. 1958. Femina and Woman's Life, November 27:65.
Marguerite Isabel Murray Collection [manuscript]. 1925-1983.
"Marié du Toit". 1968. Personality, 14-18. July 4.
"Marius Weyers", in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur Press. 168-173.
Marius Weyers and South African theatre. 1980. Scenaria, (18):9-10.
Marks, Jonathan 1973. Interview with Athol Fugard. Yale / Theatre 4(1):64 – 72.
Marlin-Curiel, Stephanie 1998. When I was asked to write this piece about ARTNOW....(organizer's commentary on ARTNOW arts/performance demonstration, Capital Mall, Washington, D.C., April 1997). The Drama Review, 42(1):126-127.
Marlin-Curiel, Stephanie 2001. A little too close to the truth: anxieties of testimony and confession in Ubu and the Truth Commission and A Story I Am About To Tell. South African Theatre Journal, 15:77-106.
Marlin-Curiel, Stephanie 2001. Rave new world: trance-mission, trance-nationalism, and trans-scendence in the ‘new’ South Africa. The Drama Review, 45(3):149-168.
Marlin-Curiel, Stephanie 2002. The long road to healing: from the TRC to TfD. Theatre Research International, 27:275-288.
Marneweck, Aja 2004a. Maladamatjuate and the theatre of difference: staging the female body in South Africa. Unpublished master’s thesis. Cape Town: University of Cape Town.
Marneweck, Aja 2004b. Staging stereotype and performing the exotic erotic: an interrogation of desire in the texts of Parks and Kennedy. South African Theatre Journal, 18:50-64.
Marneweck, Aja 2006. Visual theatre moves Out the Box: developing puppetry in South Africa. South African Theatre Journal, 20:290-295.
Marquard, Davis 1949. Amateur actors can now go to school in South Africa. Outspan, 45(1171):29. August 5.
Marshall, Ken 1979. Marketing the theatre, in Hay-Whitton, Don (ed.). International Symposium of the South African Institute of Theatre Technology (1979: "Theatre - the fun house and its management" : a report of the proceedings at the International Symposium of the South African Institute of Theatre Technology (SAITT) held at the Nico Malan Theatre Centre, Cape Town, from 30 July to 3 August 1979. South African Institute of Theatre Technology. Section 3, 1-13.
Marthinus Basson: drama 1989. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 50-51.
Martin, Bob 2008. Highlights & Footlights : A Tribute to South African Stage and Screen, by photographer Bob Martin. Cape Town: Double Storey Books.
Martin, C. 2006. Bodies of evidence. TDR: The Drama Review, 50(3):7-15.
Martin, Denis-Constant. 1999. Coon Carnival. New Year in Cape Town, Past and Present. Cape Town: David Phillip Publishers.
Martin, Marilyn. 1985.
Marx, Lesley 1996. Underworld RSA. South African Theatre Journal, 10(2).
Marx, Lesley 1998. Slouching towards Bethlehem : Ubu and the Truth Commission. African Studies, 57(2):209-220.
Marx, Lesley 2014. ‘How much does anyone need to know about Eugène Marais?’ The Guest and Die Wonderwerker. South African Theatre Journal, 27(3):247-264.
Marx, Usula 1955. Art at Stellenbosch. Stellenbosse Student. 22-25. (Theatre, p. 24)
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
