Difference between revisions of "ESAT Bibliography Wem-Wil"
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| + | Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside [[H.I.E. Dhlomo]]'s ''[[The Girl Who Killed to Save]]'' (1). ''Research in African Literatures'', 36(1):51+. | ||
| + | |||
| + | Wenzel, Marita 2003. Appropriating space and transcending boundaries in ''The Africa House'' by Christina Lamb and ''Ways of Dying'' by [[Zakes Mda]]. ''[[Journal of Literary Studies]]'', 19(3-4):316=330. | ||
[[Albert Wertheim|Wertheim, Albert]] 1986. The darkness of bondage, the freedom of light: [[Athol Fugard]]’s ''[[The Road to Mecca]]''. ''Essays in Theatre'', 5(1):15-25. | [[Albert Wertheim|Wertheim, Albert]] 1986. The darkness of bondage, the freedom of light: [[Athol Fugard]]’s ''[[The Road to Mecca]]''. ''Essays in Theatre'', 5(1):15-25. | ||
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[[Albert Wertheim|Wertheim, Albert]] 2000. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World''. Bloomington: Indiana University Press. | [[Albert Wertheim|Wertheim, Albert]] 2000. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World''. Bloomington: Indiana University Press. | ||
| − | [[I. Wessels|Wessels, I.]] 1976. Toegewyd en afgerond – dis [[Wilna Snyman|Wilna]]. ''Sarie Marais'', 27(23):109-111. May 5. | + | [[I. Wessels|Wessels, I.]] 1976. Toegewyd en afgerond – dis [[Wilna Snyman|Wilna]]. ''[[Sarie Marais]]'', 27(23):109-111. May 5. |
| − | [[I. Wessels|Wessels, I.]] 1978. [[Anna Neethling-Pohl]], ‘n porttret. ''Sarie'', 29(20):42-46. April 5. | + | [[I. Wessels|Wessels, I.]] 1978. [[Anna Neethling-Pohl]], ‘n porttret. ''[[Sarie]]'', 29(20):42-46. April 5. |
| − | [[L | + | [[L. Weston|Weston, L.]] 1954. They keep our theatre alive. ''[[Spotlight]]'', 6-9. September. |
[[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland. | [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland. | ||
| Line 32: | Line 35: | ||
[[Kevin J. Wetmore|Wetmore, Kevin J.]] 2005. ''[[Exits and Entrances]]'', by [[Athol Fugard]]; ''[[Nothing But the Truth]]'' by [[John Kani]]. Reviewed in: ''Theatre Journal'', 57(2):269-272. | [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2005. ''[[Exits and Entrances]]'', by [[Athol Fugard]]; ''[[Nothing But the Truth]]'' by [[John Kani]]. Reviewed in: ''Theatre Journal'', 57(2):269-272. | ||
| − | [[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''Huisgenoot'', 25(959):22. Augustus 9. | + | [[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''[[Huisgenoot]]'', 25(959):22. Augustus 9. |
| − | [[R. Whitaker|Whitaker, R.]] 1981. Dimoetes to ''[[Dimetos]]'': the evolution of myth: (literary criticism of Fugard’s Dimetos). ''English Studies in Africa'', 24:45-59. | + | [[R. Whitaker|Whitaker, R.]] 1981. Dimoetes to ''[[Dimetos]]'': the evolution of myth: (literary criticism of Fugard’s ''[[Dimetos]]''). ''[[English Studies in Africa]]'', 24:45-59. |
| − | [[R.D. Whales|Whales, R.D.]] 1974. Young playmakers. ''South African Panorama'', 19(3):36-37. March. | + | [[R.D. Whales|Whales, R.D.]] 1974. Young playmakers. ''[[South African Panorama]]'', 19(3):36-37. March. |
| − | [[L. White|White, L.]] 1982. Power and the Praise Poem. ''Journal of Southern African Studies'', 9:1. | + | [[L. White|White, L.]] 1982. Power and the Praise Poem. ''[[Journal of Southern African Studies]]'', 9:1. |
[[L. White|White, L.]] 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University African Studies Series No. 1. | [[L. White|White, L.]] 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: Birmingham University African Studies Series No. 1. | ||
| Line 44: | Line 47: | ||
[[Landag White|White, Landeg]] and [[Tim Couzens|Couzens, Tim]] 1984. ''Literature and Society in South Africa''. Cape Town: Maskew Miller Longman. | [[Landag White|White, Landeg]] and [[Tim Couzens|Couzens, Tim]] 1984. ''Literature and Society in South Africa''. Cape Town: Maskew Miller Longman. | ||
| − | [[Audrey Whitehouse|Whitehouse, Audrey]] 1985. [[Port Elizabeth Shakespearean Festival]]: the first 25 years. ''Education and Culure'', 8(3):8-10. | + | [[Audrey Whitehouse|Whitehouse, Audrey]] 1985. [[Port Elizabeth Shakespearean Festival]]: the first 25 years. ''[[Education and Culure]]'', 8(3):8-10. |
| + | |||
| + | [[Wilmien Wicomb|Wicomb, Wilmien]] & [[Paul Cilliers|Cilliers, Paul]] 2004. Die soektog na die etiese moment in die teater. ''[[South African Theatre Journal]]'', 18:159-183. | ||
| + | |||
| + | [[Zoë Wicomb|Wicomb, Zoë]] 2005. My name is HannaH: Arthur Nortje Memorial Lecture. (''[[Kanna, hy kô Hystoe]]'') ''[[English Academy Review]]'', 22(1): | ||
| + | |||
| + | [[R. Wiehahn|Wiehahn, R.]] 1964. ''[[Marionet aan die Muur]]'', by H. de Klerk. Reviewed in: ''[[Tydskrif vir Geesteswetenskappe]]'' 4(3): | ||
| + | |||
| + | [[R. Wiehahn|Wiehahn, R.]] 1982. [[Bartho Smit]], in ''Perspektief en Profiel'', edited by P.J. Nienaber. 5th ed. Johannesburg: [[Perskor]]. | ||
[[Ivor Wilkens|Wilkens, Ivor]] and [[Hans Strydom|Strydom, Hans]] 1980. ''Die Super Afrikaners''. Johannesburg: Ball. | [[Ivor Wilkens|Wilkens, Ivor]] and [[Hans Strydom|Strydom, Hans]] 1980. ''Die Super Afrikaners''. Johannesburg: Ball. | ||
| Line 54: | Line 65: | ||
[[Jos Willems|Willems, Jos]] (ed.). 1966. ''Die [[H.B. Thom Theatre|H.B. Thom-teater]], Universiteit van Stellenbosch''. Stellenbosch: Pro Ecclesia. | [[Jos Willems|Willems, Jos]] (ed.). 1966. ''Die [[H.B. Thom Theatre|H.B. Thom-teater]], Universiteit van Stellenbosch''. Stellenbosch: Pro Ecclesia. | ||
| − | [[J.J. Williams|Williams, J.J.]] 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. ''Critical Arts'', 10(1):107. | + | [[Hein Willemse|Willemse, Hein]] 2012. Huldeblyk: [[Willie Adams]] (1951-2012). ''[[Tydskrif vir Letterkunde]]'', 49(2}:160-162. |
| + | |||
| + | [[Jan Willemsen|Willemsen, Jan]] 1946. Waarlik, Mnr Huguenet! ''[[Trek]]'', 10(16):15. | ||
| + | |||
| + | [[Cecil Williams|Williams, Cecil]] 1951. Profile of Gwen Ffrangcon Davies. ''[[Trek]]'', 15(12):6-7. | ||
| + | |||
| + | [[Clifford Williams|Williams, Clifford]] 1955. Theatre goes to the dorps. ''[[Milady]]'', 19(7):24. | ||
| + | |||
| + | [[J.J. Williams|Williams, J.J.]] 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. ''[[Critical Arts]]'', 10(1):107. | ||
| + | |||
| + | [[Owen Williams|Williams, Owen]] 1965. Theatre in South Africa. ''[[Contrast]]'', 4(1) 59-68. | ||
| + | |||
| + | [[Owen Williams|Williams, Owen]] 1969. Theatre fermenting. ''[[Times]]'', 27 October:xvi. | ||
| + | |||
| + | [[Owen Williams|Williams, Owen]] 1970. Boycitts, censorship, middle-class tastes are drawbacks of South African theatre. ''[[Cape Argus]]'', 28 March. | ||
| + | |||
| + | [[Pat Williams|Williams, Pat]] 2017. ''King Kong: Our Knot of Time and Music''. Cape Town: [[Jonathan Ball Publishers]]. | ||
| − | [[ | + | [[Guy Willoughby|Willoughby, Guy]] 1995. Abroad on the boards: a new-look [[Fiona Ramsay]] faces the international limelight. ''[[Style]]'', 17(7): 64-67. |
| − | [[ | + | "[[Wilma Stockenström]]", in [[Avril Herber|Herber, Avril]] 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 142-144. |
| − | [[ | + | [[Alexander Wilmot|Wilmot, A.]] and [[John Centlivres Chase|Chase, John Centlivres]]. 1869 ''History of the Colony of the Cape of Good Hope''. ("From its discovery to the year 1819" by A. Wilmot; "From 1820 to 1868" by John Centlivres Chase). London: Longmans, Green Reader and Dyer/Cape Town: Juta and Co. |
| − | [[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. Outspan, 48(1274):22. July 27. | + | [[E. de B. Wilmot|Wilmot, E. de B.]] 1951. [[Johannesburg Repertory Theatre|Rep]]’s new theatre has everything. ''[[Outspan]]'', 48(1274):22. July 27. |
Latest revision as of 08:45, 29 September 2021
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Return to A Bibliography of South African South African Theatre and Performance
Wenzel, Jennifer 2005. Voices of spectral and textual ancestors: reading Tiyo Soga alongside H.I.E. Dhlomo's The Girl Who Killed to Save (1). Research in African Literatures, 36(1):51+.
Wenzel, Marita 2003. Appropriating space and transcending boundaries in The Africa House by Christina Lamb and Ways of Dying by Zakes Mda. Journal of Literary Studies, 19(3-4):316=330.
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The Road to Mecca. Essays in Theatre, 5(1):15-25.
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The Island. Themes in Drama, 9:229-237.
Wertheim, Albert 1995. Euripides in South Africa: Medea and Demea. Comparative Drama, 29(3):334-347.
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African Theatre Journal, 10(1):94-100.
Wertheim, Albert 2000. The Dramatic Art of Athol Fugard: From South Africa to the World. Bloomington: Indiana University Press.
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. Sarie Marais, 27(23):109-111. May 5.
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20):42-46. April 5.
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
Wetmore, Kevin J. 2005. Exits and Entrances, by Athol Fugard; Nothing But the Truth by John Kani. Reviewed in: Theatre Journal, 57(2):269-272.
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot, 25(959):22. Augustus 9.
Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: (literary criticism of Fugard’s Dimetos). English Studies in Africa, 24:45-59.
Whales, R.D. 1974. Young playmakers. South African Panorama, 19(3):36-37. March.
White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1.
White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1.
White, Landeg and Couzens, Tim 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.
Whitehouse, Audrey 1985. Port Elizabeth Shakespearean Festival: the first 25 years. Education and Culure, 8(3):8-10.
Wicomb, Wilmien & Cilliers, Paul 2004. Die soektog na die etiese moment in die teater. South African Theatre Journal, 18:159-183.
Wicomb, Zoë 2005. My name is HannaH: Arthur Nortje Memorial Lecture. (Kanna, hy kô Hystoe) English Academy Review, 22(1):
Wiehahn, R. 1964. Marionet aan die Muur, by H. de Klerk. Reviewed in: Tydskrif vir Geesteswetenskappe 4(3):
Wiehahn, R. 1982. Bartho Smit, in Perspektief en Profiel, edited by P.J. Nienaber. 5th ed. Johannesburg: Perskor.
Wilkens, Ivor and Strydom, Hans 1980. Die Super Afrikaners. Johannesburg: Ball.
Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano, 54(2):193.
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2:69-70.
Willems, Jos (ed.). 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch: Pro Ecclesia.
Willemse, Hein 2012. Huldeblyk: Willie Adams (1951-2012). Tydskrif vir Letterkunde, 49(2}:160-162.
Willemsen, Jan 1946. Waarlik, Mnr Huguenet! Trek, 10(16):15.
Williams, Cecil 1951. Profile of Gwen Ffrangcon Davies. Trek, 15(12):6-7.
Williams, Clifford 1955. Theatre goes to the dorps. Milady, 19(7):24.
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts, 10(1):107.
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) 59-68.
Williams, Owen 1969. Theatre fermenting. Times, 27 October:xvi.
Williams, Owen 1970. Boycitts, censorship, middle-class tastes are drawbacks of South African theatre. Cape Argus, 28 March.
Williams, Pat 2017. King Kong: Our Knot of Time and Music. Cape Town: Jonathan Ball Publishers.
Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.
"Wilma Stockenström", in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 142-144.
Wilmot, A. and Chase, John Centlivres. 1869 History of the Colony of the Cape of Good Hope. ("From its discovery to the year 1819" by A. Wilmot; "From 1820 to 1868" by John Centlivres Chase). London: Longmans, Green Reader and Dyer/Cape Town: Juta and Co.
Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274):22. July 27.
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
