Difference between revisions of "Deborah"
| (22 intermediate revisions by the same user not shown) | |||
| Line 10: | Line 10: | ||
It was directly translated into French as '''''[[Debora]]''''' by Léon Halévy (published in 1860) and into Italian as ''[[Deborah]]'' by | It was directly translated into French as '''''[[Debora]]''''' by Léon Halévy (published in 1860) and into Italian as ''[[Deborah]]'' by | ||
| + | |||
| + | The most famous and popular adaptation seems to have been '''''[[Leah, the Forsaken]]''''', a play in five acts by Augustin Daly (1838-1899)[https://en.wikipedia.org/wiki/Augustin_Daly] (also found as '''''[[Leah the Forsaken, or The Jewish Maiden's Wrongs]]''''' and often referred to simply as '''''[[Leah]]'''''). Daly, like Mosenthal, renamed the main character and tapped into the trappings of Victorian melodrama. His play is often billed as an original play and was first performed in New York in 1862, followed by a run in the Adelphi Theatre, London during 1863-4. It would become immensely popular, having been performed on occasion well into the 21st century[https://www.nytimes.com/2017/02/21/theater/leah-the-forsaken-review.html]. | ||
Two other English versions of the Mosenthal play opened in 1864: '''''[[Deborah, or The Jewish Outcast]]''''', written by an unnamed author, opened at the Grecian Theatre, Hoxton, in February while '''''[[Deborah, the Forsaken, or The Jewish Maiden's Wrong!]]''''' (on occasion '''''[[Leah the Forsaken, or The Jewish Maiden's Wrongs]]'''''), by Charles Smith Cheltnam (1823-1912)[], opened at the Princes Theatre Glasgow on 18 May 1863, then played at the Royal Victoria Theatre in Waterloo in July, becoming almost as well-known as Daly's version. | Two other English versions of the Mosenthal play opened in 1864: '''''[[Deborah, or The Jewish Outcast]]''''', written by an unnamed author, opened at the Grecian Theatre, Hoxton, in February while '''''[[Deborah, the Forsaken, or The Jewish Maiden's Wrong!]]''''' (on occasion '''''[[Leah the Forsaken, or The Jewish Maiden's Wrongs]]'''''), by Charles Smith Cheltnam (1823-1912)[], opened at the Princes Theatre Glasgow on 18 May 1863, then played at the Royal Victoria Theatre in Waterloo in July, becoming almost as well-known as Daly's version. | ||
| − | + | A play known simply as '''''[[The Jewess]]''''', and performed in South Africa in 1901-2, may also have been a version of either Mosenthal's play (or one of the versions by Daly or Cheltnam), or else a version of Grillparzer's ''[[Die Jüdin von Toledo]]'' (1851)[https://en.wikipedia.org/wiki/The_Jewess_of_Toledo#:~:text=The%20Jewess%20of%20Toledo%20(German,la%20Fermosa%2C%20a%20Jewish%20woman.]. | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | == | + | == Performance history of all versions of the Rebecca/Deborah/Leah story in South Africa == |
| − | + | 1867: Daly's play was first performed in South Africa as ''[[Leah the Forsaken, or The Jewish Maiden's Wrongs]]'' by "[[Le Roy's Original Company]]" in the [[Theatre Royal]], Cape Town on 18 and 25 February, with ''[[The Legend of St Croix]]'' ("A gentleman of Port Elizabeth"). | |
| − | ''[[Leah, | + | 1875: Performed as ''[[Leah, or The Forsaken]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 5 April, with Roebuck and [[Miss Berenger]] in the leading roles. Also played was ''[[The Illustrious Stranger]]'' (Kenney and Milligen). |
| − | + | 1875: Performed as ''[[Leah, or The Forsaken]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 16 April, with ''[[Poor Pillicoddy]]'' (Morton). | |
| − | + | 1875: Performed as ''[[Leah]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 28 June, accompanied by ''[[Perfection, or The Lady of Munster]]'' (Bayly) and a recital of Edgar Allan Poe's ''The Raven'' by [[Sutton Vane]]. | |
| − | |||
| − | + | 1875: Performed as ''[[Leah, or The Jewish Maiden]]'' by [[Disney Roebuck]] and his company in the [[Bijou Theatre]], Cape Town, on 24 July. The afterpiece of the evening was apparently ''[[The Illustrious Stranger]]'' (Reece) , but the entry for this date in [[F.C.L. Bosman]] (1980:p.325) is rather confusing, giving the afterpiece as ''[[Brown and the Brahmins]]'' '''or''' ''[[Captain Pop and the Princess Pretty eyes]]'' (sic!) '''or''' ''[[The Illustrious Stranger]]''" - i.e. giving the whole of the burlesque's pedigree. | |
| − | + | 1876: Performed as ''[[Leah]]'' on 22 June in the [[Theatre Royal]], Burg Street, Cape Town, by the [[Disney Roebuck]] company, with ''[[Robert Macaire]]'' (Byron) and a ballet. | |
| − | + | 1877: Performed as ''[[Leah, the Forsaken]]'' in the [[Theatre Royal]], Cape Town, on 26 November by the [[Disney Roebuck]] company, with ''[[A Kiss in the Dark]]'' (Buckstone). | |
1878: ''[[Leah, the Forsaken]]'' performed on 30 and 31 August by the [[Smith and Thatcher Company]] in the [[Athenaeum Hall]], Cape Town, with [[Ada Ward]], [[Henry Smith]] and [[Richard Thatcher]]. (The second evening included a "screaming race" on the bill.) | 1878: ''[[Leah, the Forsaken]]'' performed on 30 and 31 August by the [[Smith and Thatcher Company]] in the [[Athenaeum Hall]], Cape Town, with [[Ada Ward]], [[Henry Smith]] and [[Richard Thatcher]]. (The second evening included a "screaming race" on the bill.) | ||
| Line 49: | Line 46: | ||
https://www.worldcat.org/title/deborah/oclc/614407116 | https://www.worldcat.org/title/deborah/oclc/614407116 | ||
| + | |||
| + | Review: 'Leah, the Forsaken' is an 1862 Drama With Modern Resonance" ''New York Times'', February 21, 2017 [https://www.nytimes.com/2017/02/21/theater/leah-the-forsaken-review.html] | ||
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | [[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.) | ||
Latest revision as of 06:11, 9 September 2021
Deborah is a German play by Salomon Hermann (von) Mosenthal (1821-1877)[1]
Contents
The original text
Based on the story of the travails of the Jewess "Rebecca" in Sir Walter Scott's famous novel Ivanhoe, Mosenthal's German version was first performed in Budapest and Vienna in 1849 and in Berlin in 1850. Published in Pesth (Pest, Hungary) by Heckenast and in Leipzig by Wigand in 1850.
Translations and adaptations
Besides many other theatrical works based on Ivanhoe, there were a number of English, French and Italian works inspired by Rebecca's story and Mosenthal's play.
It was directly translated into French as Debora by Léon Halévy (published in 1860) and into Italian as Deborah by
The most famous and popular adaptation seems to have been Leah, the Forsaken, a play in five acts by Augustin Daly (1838-1899)[2] (also found as Leah the Forsaken, or The Jewish Maiden's Wrongs and often referred to simply as Leah). Daly, like Mosenthal, renamed the main character and tapped into the trappings of Victorian melodrama. His play is often billed as an original play and was first performed in New York in 1862, followed by a run in the Adelphi Theatre, London during 1863-4. It would become immensely popular, having been performed on occasion well into the 21st century[3].
Two other English versions of the Mosenthal play opened in 1864: Deborah, or The Jewish Outcast, written by an unnamed author, opened at the Grecian Theatre, Hoxton, in February while Deborah, the Forsaken, or The Jewish Maiden's Wrong! (on occasion Leah the Forsaken, or The Jewish Maiden's Wrongs), by Charles Smith Cheltnam (1823-1912)[], opened at the Princes Theatre Glasgow on 18 May 1863, then played at the Royal Victoria Theatre in Waterloo in July, becoming almost as well-known as Daly's version.
A play known simply as The Jewess, and performed in South Africa in 1901-2, may also have been a version of either Mosenthal's play (or one of the versions by Daly or Cheltnam), or else a version of Grillparzer's Die Jüdin von Toledo (1851)[4].
Performance history of all versions of the Rebecca/Deborah/Leah story in South Africa
1867: Daly's play was first performed in South Africa as Leah the Forsaken, or The Jewish Maiden's Wrongs by "Le Roy's Original Company" in the Theatre Royal, Cape Town on 18 and 25 February, with The Legend of St Croix ("A gentleman of Port Elizabeth").
1875: Performed as Leah, or The Forsaken by Disney Roebuck and his company in the Bijou Theatre, Cape Town, on 5 April, with Roebuck and Miss Berenger in the leading roles. Also played was The Illustrious Stranger (Kenney and Milligen).
1875: Performed as Leah, or The Forsaken by Disney Roebuck and his company in the Bijou Theatre, Cape Town, on 16 April, with Poor Pillicoddy (Morton).
1875: Performed as Leah by Disney Roebuck and his company in the Bijou Theatre, Cape Town, on 28 June, accompanied by Perfection, or The Lady of Munster (Bayly) and a recital of Edgar Allan Poe's The Raven by Sutton Vane.
1875: Performed as Leah, or The Jewish Maiden by Disney Roebuck and his company in the Bijou Theatre, Cape Town, on 24 July. The afterpiece of the evening was apparently The Illustrious Stranger (Reece) , but the entry for this date in F.C.L. Bosman (1980:p.325) is rather confusing, giving the afterpiece as Brown and the Brahmins or Captain Pop and the Princess Pretty eyes (sic!) or The Illustrious Stranger" - i.e. giving the whole of the burlesque's pedigree.
1876: Performed as Leah on 22 June in the Theatre Royal, Burg Street, Cape Town, by the Disney Roebuck company, with Robert Macaire (Byron) and a ballet.
1877: Performed as Leah, the Forsaken in the Theatre Royal, Cape Town, on 26 November by the Disney Roebuck company, with A Kiss in the Dark (Buckstone).
1878: Leah, the Forsaken performed on 30 and 31 August by the Smith and Thatcher Company in the Athenaeum Hall, Cape Town, with Ada Ward, Henry Smith and Richard Thatcher. (The second evening included a "screaming race" on the bill.)
Sources
Nadia Valman. 2007. The Jewess in Nineteenth-Century British Literary Culture, Cambridge University Press: p.34-39[5]
Jonathan M. Hess. 2018. Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage, University of Pennsylvania Press.
https://fr.wikipedia.org/wiki/Salomon_Hermann_Mosenthal
https://en.wikipedia.org/wiki/Augustin_Daly
https://www.worldcat.org/title/deborah/oclc/614407116
Review: 'Leah, the Forsaken' is an 1862 Drama With Modern Resonance" New York Times, February 21, 2017 [6]
D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1932. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.221-2, 323-340, 350, 359, 363, 372.
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
