Difference between revisions of "Still Waters Run Deep"
| Line 13: | Line 13: | ||
1858: Performed in the [[Harrington Street Theatre]], Cape Town on 18 May by the [[Cape Town Dramatic Club]], with ''[[Medea, or The Best of Mothers, with a Brute of a Husband]]'' (Brough), in addition to a "Highland Fling" by an amateur and a "song in character" by [[J.E.H. English]]. | 1858: Performed in the [[Harrington Street Theatre]], Cape Town on 18 May by the [[Cape Town Dramatic Club]], with ''[[Medea, or The Best of Mothers, with a Brute of a Husband]]'' (Brough), in addition to a "Highland Fling" by an amateur and a "song in character" by [[J.E.H. English]]. | ||
| − | 1862: Performed in the [[Theatre Royal]], Cape Town on 28 July by the [[Cape Town Dramatic Club]], with ''[[Monsieur Tonson]]'' (). | + | 1862: Performed in the [[Theatre Royal]], Cape Town on 28 July by the [[Cape Town Dramatic Club]], with ''[[Monsieur Tonson]]'' (Moncrieff). |
1862: Performed in the [[Theatre Royal]], Cape Town on 23 September by the [[Cape Town Dramatic Club]], with ''[[The Cure]]'' (Anon.), the latter play performed jointly as the [[Cape Town and Royal Alfred Dramatic Club]]. | 1862: Performed in the [[Theatre Royal]], Cape Town on 23 September by the [[Cape Town Dramatic Club]], with ''[[The Cure]]'' (Anon.), the latter play performed jointly as the [[Cape Town and Royal Alfred Dramatic Club]]. | ||
Revision as of 06:25, 28 September 2020
Still Waters Run Deep is a play by Tom Taylor (1817-1880)[1]
Contents
The original text
Based on Charles de Bernard's French novel, Le Gendre, the play was first produced on stage at the Royal Olympic Theatre on May 14, 1855, and published in New York by C. T. De Witt in 1877
Translations and adaptations
Performance history in South Africa
1858: Performed in the Harrington Street Theatre, Cape Town on 11 May by the Cape Town Dramatic Club, with Medea, or The Best of Mothers, with a Brute of a Husband (Brough), with a "Highland Fling" by an amateur. .
1858: Performed in the Harrington Street Theatre, Cape Town on 18 May by the Cape Town Dramatic Club, with Medea, or The Best of Mothers, with a Brute of a Husband (Brough), in addition to a "Highland Fling" by an amateur and a "song in character" by J.E.H. English.
1862: Performed in the Theatre Royal, Cape Town on 28 July by the Cape Town Dramatic Club, with Monsieur Tonson (Moncrieff).
1862: Performed in the Theatre Royal, Cape Town on 23 September by the Cape Town Dramatic Club, with The Cure (Anon.), the latter play performed jointly as the Cape Town and Royal Alfred Dramatic Club.
1863: Performed by Thomas Brazier and a company of amateurs in the Theatre Royal, Cape Town, on 10 October December, with as Living Too Fast, or A Twelvemonth's Honeymoon (Troughton) as afterpiece.
1866: Performed in the Harrington Street Theatre (Theatre Royal) by the Le Roy and Duret Company on 5 May, with Sam's Arrival (Oxenford).
1891-2: Performed by the Geneviève Ward Company during a nine months' tour of South Africa, under the auspices of Luscombe Searelle, featuring Geneviève Ward and W.H. Vernon in the leading roles.
Sources
https://idiomation.wordpress.com/2010/11/15/still-waters-run-deep/
https://en.wikipedia.org/wiki/Tom_Taylor
Facsimile version of the 1877 text by De Witt, The Internet Archive[2]
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.143-147, 392
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
