ESAT Bibliography Kru-Kz

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Return to A Bibliography of South African South African Theatre and Performance

Krueger, Anton 2003. The drama of hunting and healing: interpreting the rituals of the San. South African Theatre Journal, 17:65-78.

Krueger, Anton 2006a. Intuition/intellect: sex/sensibility. South African Theatre Journal, 20:233-251.

Krueger, Anton 2006b. On the wild, essential energies of the forest: an interview with Brett Bailey. South African Theatre Journal, 20:323-332.

Krueger, Anton 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in post-apatheid South Africa. English Academy Review, 24(1):51-60.

Krueger, Anton 2008. Experiments in freedom : representations of identity in new South African drama ; an investigation into identity formations in some post-apartheid play-texts published in English by South African writers, from 1994-2007. Unpublished doctoral dissertation. Pretoria: University of Pretoria.

Krueger, Anton 2010. Experiments In Freedom: Explorations of Identity in New South African Drama. Newcastle upon Tyne, UK : Cambridge Scholars Pub

Kruger, Alet 2000. Lexical cohesion and register variation in translation : The Merchant of Venice in Afrikaans. Unpublished doctoral dissertation. Pretoria: University of South Africa.

Kruger, Alet 2004. The role of discoursce markers in an Afrikaans stage translation of The Merchant of Venice. Journal of Literary Studies, 20(3-4):302-334.

Kruger, C. et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. S.A. Family Practice, 47(6):60-65.

Krüger, J.A. 2009. The Cherry Orchard transposed to contemporary South Africa: space and identity in cultural contexts. Unpublished master’s thesis. Potchefstroom: Pothchefstroom University for Christian Higher Education.

Kruger, J.J. 1948. Anna van die amateurs. (Anna Neethling-Pohl). Huisgenoot, 32(1368):29. June 11.

Kruger, Jaco 2000. Mitambo: Venda dance theatre. South African Theatre Journal, 14:73-96.

Kruger, Johanna Martiena Katriena 1982. Die “Hoër mag” in die drama met spesiale verwysing na Nederlands en Afrikaans. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Kruger, Loren 1991. Apartheid on display: South Africa performs for New York. Diaspora, 1(2):191-208.

Kruger, Loren 1994. Placing "New Africans" in the "Old" South Africa: drama, modernity, and racial identities in Johannesburg, circa 1935. Modernism/Modernity, 1(2):113-131.

Kruger, Loren 1994. So what’s new?: women and theater in the new South Africa. Theater Magazine, 25(3):46-54.

Kruger, Loren 1995a. National Arts Festival. Theatre Journal, 47(1):123.

Kruger, Loren 1995b. New Africans, neo-colonial theatre and “an African national dramatic movement”. South African Theatre Journal, 9(1):29-51.

Kruger, Loren 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa, in Gainor, J. Ellen (ed.). Imperialism and Theatre. London: Routledge. 148-163.

Kruger, Loren 1995d. The uses of nostalgia: drama, history and liminal moments in South Africa. Modern Drama, 38(1):60-70.

Kruger, Loren 1996a. Acting Africa. Theatre Research International, 21(2):132-140.

Kruger, Loren 1996b. New African drama and national representation in South Africa: notes from the 1930s to the present moment, in Reinelt, Janelle (ed.). Crucibles of Crisis: Performing Social Change. Ann Arbor MI: University of Michigan Press. 123-141.

Kruger, Loren 1997a. An die Nachgeborenen (to future generations). Theater der Zeit, 1997 Yearbook: 25-27.

Kruger, Loren 1997b. The drama of country and city: tribalization, urbanization and theatre under apartheid. Journal of Southern African Studies, 23(4):565.

Kruger, Loren 1999a. The Drama of South Africa: Plays, Pageants and Publics Since 1910. London: Routledge.

Kruger, Loren 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. Research in African Literatures, 30:106-126.

Kruger, Loren 1999c. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch; Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama, by Christopher B. Balme. Reviewed in: Research in African Literatures, 30(4):212-215.

Kruger, Loren 2001. Theatre, crime and the edgy city in post-apartheid Johannesburg. Theatre Journal, 53(2):223-252.

Kruger, Loren 2002. Acting Africa, in Harding, Frances (ed.). The Performance Arts in Africa: A Reader. London: Routledge. 29-77.

Kruger, Loren 2002. Introduction: Scarcity, conspicuous consumption, and performance in South Africa. Theatre Research International, 27(3):231.

Kruger, Loren 2003. Making sense of sensation: enlightenment, embodiment, and the end(s) of modern drama. Modern Drama, 46:80-101

Kruger, Loren 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa, in Conteh-Morgan, John & Olaniyan, Tejumola (eds.). African Drama and Performance. Bloomington: Indiana University Press. 155-175.

Kruger, Loren 2007. "White cities", "diamond Zulus", and the "African contribution to human advancement": African modernities and the world’s fairs. TDR, 51(3):19-45.

Kruger, Loren 2008. Letter from Johannesburg: performance and urban fabrics in the inner city. Theater, 38(1):4-17.

Kruger, Loren 2008. National Arts Festival. Theatre Journal, 60(1):117-120.

Kruger, Loren 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, South Africa. Theatre Journal, 61(1):147-148.

Kruger, M.S. 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.

Kruger, M.S. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.

Kruger, Marie 2000. English pantomime: reflections on a dynamic tradition. South African Theatre Journal, 14:146-173.

Kruger, Marie 2003. Pantomime in South Africa: the British tradition and the local flavour. South African Theatre Journal, 17:129-152.

Kruger, Marie 1995. The “Tambootie Plays”, by Pieter Scholtz. Reviewed in: South African Theatre Journal, 9(1):118-126.

Kruger, Marie 2006. The power of double vision: tradition and social intervention in African puppet performance. New Theatre Quarterly, 22(4):324-336.

Kruger, Marie 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. South African Theatre Journal, 21:64-74.

Kruger, Marie 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. South African Theatre Journal, 22:25-43.

Kruger, N. 1951a. Huidige N.T.O. toer – Die Vrek en The Cocktail Party. Helikon, 1(1):17-19. October.

Kruger, N. 1951b. Nasionale Toneelorganisasie reis met Die Vrek. Staatsamptenaar, 31(5):36-39. May.

Kruger, N. 1951c. Nasionale Toneelorganisasie word al meer ’n kultuurkrag. Lantern, 1:150-151. June.

Kruger, N. 1952a. Jongste aktiwiteite van die N.T.O. Lantern, 2:294-298.

Kruger, N. 1952b N.T.O. en die Van Riebeeck Fees. Inspan, 11(5):22. February.

Kruger, N. 1952c. Ons toneel en die stigting van die Nasionale Toneelorganisasie. Helikon, 1(3): 29-34. February.

Kruger, N. 1952d. Toneelfees soos nog nooit tevore nie: N.T.O. voed die vertroue. (Opvoerings van The Dam, The Ball at the Castle, Die Jaar van die Vuuros en As Ons Twee Eers Getroud Is). Helikon, 1(5):92-100. June.

Kruger, N. 1952e. Vier prysdramas vir die Van Riebeeck-Fees aangebied: die Nasionale Toneelorganisasie bereik ’n hoogtepunt. Lantern, 1:520-523. May.

Kruger, N. 1952f. Die Vrek het die meeste geld ingebring: na vyf jaar kan N.T.O. roem op prestasies. Huisgenoot, 37(1588):22-24. August 29.

Kruger, N. 1952g. Die Vrek, The Cocktail Party en die Nasionale Toneelorganisasie se planne vir 1952. Lantern, 1:520-523. May.

Kruger, N. 1953. N.T.O. bied Molière en Shakespeare aan. Staatsamptenaar, 33(6):44-45.

Kruger, N. 1954. Nasionale Toneelorganisasie. Staatsamptenaar, 34(12):63.

Kruger, N. 1955. Vanjaar se verskeidenheid deur die N.T.O. aangebied. Taalgenoot, 24(4):16-17.

Kruger, N. 1956. N.T.O. bied aan nege stukke in een jaar. Lantern, 5:282-286. February.

Kruger, N. 1957a. Eerste stadskouburg in Suid-Afrika deur N.T.O. geopen. Taalgenoot, 26(11):16-18.

Kruger, N. 1957b. N.T.O. het op sy beste stukke die meeste verloor. Huisgenoot, 4(1852):6-7. September 16.

Kruger, N. 1957c Tiende verjaardag van N.T.O. Lantern, 7:72-76. October.

Kruger, N. 1958a. N.T.O. Lantern, 8:182-188. December.

Kruger, N. 1958b. Pioneers of the Afrikaans theatre: the Hanekoms (Hendrik Hanekom, Mathilde Hanekom). South African Panorama, 3(3):34-36.

Kruger, N. 1959a. Nasionale Toneelorganisasie . Staatsamptenaar, 34(12):63.

Kruger, N. 1959b. Nasionale Toneelorganisasie . Lantern, 9:192-197.

Kruger, N. 1961. 1960 was ‘n groot jaar vir die N.T.O. Lantern, 10:280-287.

Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. Afrika-Post, 14(1):56-61.

Kunst in Zuid-Afrika. 1969. Pretoria: Departement van Inligting.

Kuschlik, Taubie 1946. South African audiences have become more alive to the living theatre. Outspan, 391(1013):47-49. July 26.

Kwetana , W.M. 1984. Unyawo Alunampumlo (by Z.R. Gqomo. Literary criticism). South African Journal of African Languages, supplement 2:87-97.

Click on the appropriate letters of the alphabet in the sub-list below.

K-Kem Ken-Kez Kh-Kl Kn-Kro Kru-Kz

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Return to A Bibliography of South African South African Theatre and Performance