Difference between revisions of "ESAT Plays 2 I"
(104 intermediate revisions by 5 users not shown) | |||
Line 1: | Line 1: | ||
+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
+ | |||
+ | Return to [[PLAYS I: Original SA plays]] | ||
+ | |||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | |||
+ | Return to [[PLAYS III: Collections]] | ||
+ | |||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
+ | |||
+ | Return to [[The ESAT Entries]] | ||
+ | |||
+ | Return to [[Main Page]] | ||
+ | |||
+ | |||
+ | = Please Note = | ||
+ | |||
+ | ''''' Italian titles beginning with the articles such as “i” or “il” are listed under the following noun, according to normal bibliographic usage.''''' | ||
+ | |||
+ | =The list= | ||
+ | |||
+ | |||
+ | [[I am Herbert]] | ||
+ | |||
+ | [[I Am a Camera]] | ||
+ | |||
+ | [[I Am My Own Wife]] | ||
+ | |||
[[I Capture the Castle]] | [[I Capture the Castle]] | ||
+ | |||
+ | [[I Have Been Here Before]] | ||
+ | |||
+ | [[I Killed the Count]] | ||
[[I Love my Wife]] | [[I Love my Wife]] | ||
+ | |||
+ | [[I Love You, You're Perfect, Now Change]] | ||
+ | |||
+ | [[I Ought to be in Pictures]] | ||
[[I Remember Mama]] | [[I Remember Mama]] | ||
− | [[Ibcheck]] | + | [[I Was King]] |
+ | |||
+ | [[Ibcheck]] (Haworth) | ||
+ | |||
+ | [[Icarus's Mother]] | ||
+ | |||
+ | [[Ici on Parle Français]] (Williams) | ||
[[An Ideal Husband|Ideal Husband, An]] | [[An Ideal Husband|Ideal Husband, An]] | ||
[[Die Idioot|Idioot, Die]] | [[Die Idioot|Idioot, Die]] | ||
+ | |||
+ | [[The Idiot|Idiot, The]] | ||
+ | |||
+ | [[The Idler|Idler, The]] (Pirandello) '''See ''[[Liolà]]''''' | ||
+ | |||
+ | [[Ieder Veege Zyn Eigen Vloer]] (Schröder) | ||
[[Iepekonders]] | [[Iepekonders]] | ||
+ | |||
+ | [[If Men Played Cards as Women Do]] | ||
+ | |||
+ | [[If the Cap Fits]] (Harrington and Yates) | ||
[[Igazi Lam]] | [[Igazi Lam]] | ||
+ | |||
+ | [[iHamlet]] (Shakespeare/[[Robin Malan|Malan]]) | ||
+ | |||
+ | [[Het Ijzeren Masker|Ijzeren Masker, Het]] (Zschokke) '''See ''[[Die Eiserne Larve]]''''' | ||
+ | |||
+ | [[Ik ben naar het Vondelfeest gewees]] (Van der Stempel Jr) | ||
[[Ik Inviteer Mijn Kolonel]] | [[Ik Inviteer Mijn Kolonel]] | ||
+ | |||
+ | [[Ile]] | ||
[[I'll Leave it to you]] | [[I'll Leave it to you]] | ||
[[I'll Ring for more Toast]] | [[I'll Ring for more Toast]] | ||
+ | |||
+ | [[I'm not Rappaport]] | ||
+ | |||
+ | [[I've Eaten my Friend!]] (Saintine, Varin and Boyer/Bridgman) '''See ''[[J'ai Mangé Mon Ami]]''''' | ||
+ | |||
+ | [[Illusions]] | ||
+ | |||
+ | [[The Illustrious Stranger, or Married and Buried|Illustrious Stranger, or Married and Buried, The]] (Kenney and Milligen) | ||
+ | |||
+ | |||
+ | [[L'Imbecille|Imbecille, L']] (Pirandello) | ||
[[The Immoralist|Immoralist, The]] | [[The Immoralist|Immoralist, The]] | ||
Line 28: | Line 99: | ||
[[The Importance of Being Oscar|Importance of Being Oscar, The]] | [[The Importance of Being Oscar|Importance of Being Oscar, The]] | ||
+ | |||
+ | [[Important People]] | ||
+ | |||
+ | [[Improvisation, or, The Shepherd's Chameleon]] | ||
+ | |||
+ | [[In den Kerker van Simancas, 1570]] (Van den Bergh) | ||
[[In die Kloue van Satan]] | [[In die Kloue van Satan]] | ||
+ | |||
+ | [[In One Bed... and Out the Other]] | ||
+ | |||
+ | [[In Praise of Love]] | ||
[[In Praise of Rattigan]] | [[In Praise of Rattigan]] | ||
− | [[In | + | [[In the Case of J. Robert Oppenheimer]] |
+ | |||
+ | [[In the Matter of J. Robert Oppenheimer]] (Kipphardt) | ||
+ | |||
+ | [[In the Ranks]] (Sims and Pettit) | ||
− | [[ | + | [[In the Summer of 1918]] |
− | [[ | + | [[In Theatre Street]] (Lenormand) |
− | [[In | + | [[In Town]] (Ross, Leader and Carr) |
[[In Two Minds]] | [[In Two Minds]] | ||
+ | |||
+ | [[Die Inbreker|Inbreker, Die]] | ||
+ | |||
+ | [[The Inchcape Bell, or The Dumb Sailor Boy|Inchcape Bell, The, or The Dumb Sailor Boy]] (Fitzball) | ||
[[The Incredible Jungle Journey of Fenda Maria|Incredible Jungle Journey of Fenda Maria, The]] | [[The Incredible Jungle Journey of Fenda Maria|Incredible Jungle Journey of Fenda Maria, The]] | ||
Line 47: | Line 136: | ||
[[The Incredible Vanishing|Incredible Vanishing, The]] | [[The Incredible Vanishing|Incredible Vanishing, The]] | ||
− | [[The Indian | + | [[The Indians of the Far West|Indians of the Far West, The]] (Anon) |
+ | |||
+ | [[Der Indienfahrer|Indienfahrer, Der]] (Arresto) | ||
+ | |||
+ | [[Indiscretions]] | ||
+ | |||
+ | [[Die Indringer|Indringer, Die]] | ||
+ | |||
+ | [[The Indian Wants the Bronx|Indian Wants the Bronx, The]] | ||
− | + | [[The Infant of Spain|Infant of Spain, The]] | |
+ | |||
+ | [[Inherit the Wind]] | ||
+ | |||
+ | [[Inkle and Yarico]] (Colman Jr) | ||
+ | |||
+ | [[The Innkeeper of Abbeville, or The Ostler and the Robber|Innkeeper of Abbeville, The, or The Ostler and the Robber]] (Fitzball) | ||
+ | |||
+ | [[The Innocents|Innocents, The]] | ||
[[The Insect Play|Insect Play, The]] | [[The Insect Play|Insect Play, The]] | ||
[[An Inspector Calls|Inspector Calls, An]] | [[An Inspector Calls|Inspector Calls, An]] | ||
+ | |||
+ | [[Intent to Murder]] | ||
+ | |||
+ | [[L'Interieur|Interieur, L']] | ||
+ | |||
+ | [[Intermezzo]] | ||
+ | |||
+ | [[Interview]] | ||
[[Into the Woods]] | [[Into the Woods]] | ||
+ | |||
+ | [[Les Intrigants, ou Assaut de Fourberies|Intrigants, ou Assaut de Fourberies, Les]] (Dumaniant) | ||
+ | |||
+ | [[De intrigue aan het venster]] (Von Kotzebue) | ||
+ | |||
+ | [[Iolanthe]] (Gilbert and Sullivan) | ||
+ | |||
+ | [[Ion]] (Talfourd) | ||
[[Die Ipekonders|Ipekonders, Die]] | [[Die Ipekonders|Ipekonders, Die]] | ||
Line 63: | Line 184: | ||
[[Iphigenia in Tauris]] | [[Iphigenia in Tauris]] | ||
− | [[Is Jy 'n Bokryer?]] | + | [[The Irish Attorney|Irish Attorney, The]] (Bernard) '''See ''[[The Irish Attorney, or Galway Practice in 1770]]''''' |
+ | |||
+ | [[The Irish Attorney, or Galway Practice in 1770|Irish Attorney, The, or Galway Practice in 1770]] (Bernard) | ||
+ | |||
+ | [[The Irish Post|Irish Post, The]] (Planché) | ||
+ | |||
+ | [[The Irish Tiger|Irish Tiger, The]] (Morton) | ||
+ | |||
+ | [[The Irish Tutor, or New Lights|Irish Tutor, or New Lights, The]] (Glengall) | ||
+ | |||
+ | [[The Irish Widow|Irish Widow, The]] (Garrick) | ||
+ | |||
+ | [[The Irishman in London|Irishman in London, The]]'' (Macready) | ||
+ | |||
+ | [[Irma La Douce]] (Monnot and Breffort) | ||
+ | |||
+ | [[The Iron Chest|Iron Chest, The]] (Colman the Younger) | ||
+ | |||
+ | [[The Iron Harp|Iron Harp, The]] | ||
+ | |||
+ | [[Is Jy 'n Bokryer?]] (Laufs and Kraatz) | ||
+ | |||
+ | [[Isadora]] (Searelle) | ||
+ | |||
+ | [[Isidora]] (Searelle) ''See ''[[Isadora]]''''' | ||
+ | |||
+ | [[The Island of Slaves|Island of Slaves, The]] | ||
[[Isn't It Romantic]] | [[Isn't It Romantic]] | ||
+ | |||
+ | [[Iste Gallus Bene Cantat, of Is Het Hy Wel?]] (Anon) | ||
+ | |||
+ | [[It Runs in the Family]] | ||
+ | |||
+ | [[It Won't Be a Stylish Marriage]] | ||
+ | |||
+ | [[It's Autumn Now]] | ||
[[It's a Boy!]] | [[It's a Boy!]] | ||
+ | [[It's Called the Sugar Plum]] | ||
+ | |||
+ | [[Ivanhoe, or The Jewess of York]] (Scott/Moncrieff) | ||
+ | |||
+ | [[Ivanhoe, or The Knight Templar]] (Scott and Farley) | ||
+ | |||
+ | =Return to= | ||
+ | |||
+ | Return to [[South_African_Theatre/Plays|South African Stage Plays]] | ||
+ | |||
+ | Return to [[PLAYS I: Original SA plays]] | ||
+ | Return to [[PLAYS II: Foreign plays]] | ||
+ | Return to [[PLAYS III: Collections]] | ||
+ | Return to [[PLAYS IV: Pageants and public performances]] | ||
− | Return to [[ | + | Return to [[The ESAT Entries]] |
Return to [[Main Page]] | Return to [[Main Page]] |
Latest revision as of 06:20, 16 July 2019
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page
Please Note
Italian titles beginning with the articles such as “i” or “il” are listed under the following noun, according to normal bibliographic usage.
The list
I Love You, You're Perfect, Now Change
Ibcheck (Haworth)
Ici on Parle Français (Williams)
Idler, The (Pirandello) See Liolà
Ieder Veege Zyn Eigen Vloer (Schröder)
If Men Played Cards as Women Do
If the Cap Fits (Harrington and Yates)
Ijzeren Masker, Het (Zschokke) See Die Eiserne Larve
Ik ben naar het Vondelfeest gewees (Van der Stempel Jr)
I've Eaten my Friend! (Saintine, Varin and Boyer/Bridgman) See J'ai Mangé Mon Ami
Illustrious Stranger, or Married and Buried, The (Kenney and Milligen)
Imbecille, L' (Pirandello)
Importance of Being Earnest, The
Importance of Being Irish, The
Importance of Being Oscar, The
Improvisation, or, The Shepherd's Chameleon
In den Kerker van Simancas, 1570 (Van den Bergh)
In One Bed... and Out the Other
In the Case of J. Robert Oppenheimer
In the Matter of J. Robert Oppenheimer (Kipphardt)
In the Ranks (Sims and Pettit)
In Theatre Street (Lenormand)
In Town (Ross, Leader and Carr)
Inchcape Bell, The, or The Dumb Sailor Boy (Fitzball)
Incredible Jungle Journey of Fenda Maria, The
Indians of the Far West, The (Anon)
Indienfahrer, Der (Arresto)
Inkle and Yarico (Colman Jr)
Innkeeper of Abbeville, The, or The Ostler and the Robber (Fitzball)
Intrigants, ou Assaut de Fourberies, Les (Dumaniant)
De intrigue aan het venster (Von Kotzebue)
Iolanthe (Gilbert and Sullivan)
Ion (Talfourd)
Irish Attorney, The (Bernard) See The Irish Attorney, or Galway Practice in 1770
Irish Attorney, The, or Galway Practice in 1770 (Bernard)
Irish Post, The (Planché)
Irish Tiger, The (Morton)
Irish Tutor, or New Lights, The (Glengall)
Irish Widow, The (Garrick)
Irishman in London, The (Macready)
Irma La Douce (Monnot and Breffort)
Iron Chest, The (Colman the Younger)
Is Jy 'n Bokryer? (Laufs and Kraatz)
Isadora (Searelle)
Isidora (Searelle) See Isadora
Iste Gallus Bene Cantat, of Is Het Hy Wel? (Anon)
It Won't Be a Stylish Marriage
Ivanhoe, or The Jewess of York (Scott/Moncrieff)
Ivanhoe, or The Knight Templar (Scott and Farley)
Return to
Return to South African Stage Plays
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to The ESAT Entries
Return to Main Page