Difference between revisions of "The Boots at the Swan"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
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+ | 1862: Performed in the [[Theatre Royal]], Cape Town, by [[Sefton Parry]] and company on 27 February, with ''[[The Green Bushes]]'' (), as a benefit for [[John Howard]]. | ||
== Sources == | == Sources == |
Revision as of 06:51, 6 May 2018
The Boots at the Swan is an original burletta in one act by Charles Selby (1802?-1863)[].
Contents
The original text
First performed at the New Strand Theatre, London, on 6 June 1842. Published by T.H. Lacy in London, 1842[?]
Translations and adaptations
Performance history in South Africa
1862: Performed in the Theatre Royal, Cape Town, by Sefton Parry and company on 27 February, with The Green Bushes (), as a benefit for John Howard.
Sources
Facsimile version of the Lacy edition of the original text, Hathi Trust Digital Library[1]
Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [2]: pp.
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.
Conradie, Elizabeth. 1934. Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[3]
Conradie, Elizabeth, 1949. Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[4]
P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: p.
Sydney Paul Gosher. 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.
William Groom. 1899-1900. Drama in Cape Town. Cape Illustrated Magazine, 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.
Temple Hauptfleisch. 1997. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[5]: pp.
Peter Joyce. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.
J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[6], pp.
J.C. Kannemeyer. 1984. ‘’Geskiedenis van die Afrikaanse Literatuur’’2[7]: pp.
Ingmar Koch. 1997. Het ochtendgloren boven Kaapstad. Nederlandse rederijkers in Kaapstad, Tydskrif vir Nederlands & Afrikaans. (4de Jaargang, Nommer 2. Desember)[8]
Loren Kruger 1999. The Drama of South Africa: Plays, Pageants and Publics Since 1910 London: Routledge
P.W. Laidler. 1926. The Annals of the Cape Stage. Edinburgh: William Bryce: p.
Anna Minnaar-Vos 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg, pp. 96-110.
Brian Astbury. 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.
Allardyce Nicoll. 1975. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge University Press[9]
J.A. Worp. 1972. Geschiedenis van het Drama en van het Tooneel in Nederland. Deel 2, Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[10]
Joris Baers (1888-1975): Algemeene Tooneelbibliotheek Een[11]
http://www.domus.ac.za/afrikaans/images/Programme%20in%20DOMUS(2).pdf
Go to ESAT Bibliography
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