Difference between revisions of "ESAT Bibliography Mde-Mes"
Line 11: | Line 11: | ||
− | Mduduzi Hlope | + | Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12. |
− | Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African | + | Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306. |
− | Megan Kruskal. 1985. Scenaria, (52) : 9-12. | + | Megan Kruskal. 1985. Scenaria, (52):9-12. |
− | Meet you at the Natal Playhouse. 1987. Lantern, 36(2): 3-16. | + | Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16. |
− | Meij, | + | Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June. |
− | Meij, | + | Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November. |
− | Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir | + | Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21. |
− | Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir | + | Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116. |
− | Meiring, | + | Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5. |
− | Meiring, | + | Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98:46. |
− | + | Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6):17. | |
− | + | Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8):7. | |
− | |||
− | Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8): 7. | ||
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49. | Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49. | ||
− | + | Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town. | |
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | |||
− | + | Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995. | |
− | + | Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4. | |
− | Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa | + | Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa, in Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African |
− | Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre | + | Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14. |
− | Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa | + | Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299. |
− | Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92 | + | Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119. |
− | Mervis, Margaret 1998. Fiction for development | + | Mervis, Margaret 1998. Fiction for development Zakes Mda’s Ways of Dying. Current Writing, 10(1):39-56. |
− | Mervis, Margaret 1998. The | + | Mervis, Margaret 1998. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146. |
− | Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation | + | Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91. |
Revision as of 11:31, 31 January 2011
Click on the appropriate letters of the alphabet in the sub-list below.
Maa-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Mduduzi Hlope: An analysis of theme in his plays. Reality, 15(6):10-12.
Meersman, Brent 2007. Democracy, capitalism and theatre in the new South Africa. South African Theatre Journal, 21:292-306.
Megan Kruskal. 1985. Scenaria, (52):9-12.
Meet you at the Natal Playhouse. 1987. Lantern, 36(2):3-16.
Meij, A. 1988. “Dramaspel” ‘n Eksperiment gedoen by die Kleuterskool Fonteinbleau. Kleuterklanke, 13(1):31-33. June.
Meij, K. 1978. Is Laat die Kerse Brand te maklik? Klasgids, 13(3-4):9-10. November.
Meiring, E. 1967. Toneel en werklikheid. Tydskrif vir Letterkunde, 5(4):18-21.
Meiring, E. 1990. Beckett en Fugard: Waiting for Godot en Boesman and Lena. Tydskrif vir Letterkunde, 28(4):111-116.
Meiring, M. 1980. Katinka Heyns: activist, innovator and perfectionist. Fair Lady, 16(7):98-102. November 5.
Meiring, Martie. 1998. Fees, feestelik, feesteliker. Insig, 09/98:46.
Melpomene, pseud. 1952a. Theatre at the crossroad. Trek, 16(6):17.
Melpomene, pseud. 1952b. Theatre and economics. Trek, 16(8):7.
Meltzer, Lalou 1978. A response to this…(Replies to Nicolas-Fanourakis below). Speak, 1(2): 48-49.
Merand, Janis 1991. An evaluation of the 1989 popular theatre training programme run by the Community Arts Project. Unpublished honour’s thesis. Cape Town: University of Cape Town.
Merrington, Peter 1995. Heritage, Genealogy, and the Inventing of Union, South Africa 1910. Unpublished paper, conference 1995.
Merrington, Peter 1995. ‘Pageantry and Primitivism’: Dorothea Fairbridge and the Aesthetics of Union. Journal of Southern African Studies, 21:4.
Merrington, Peter 1996. Masques, Monuments, and Masons: The 1910 Pageant of the Union of South Africa, in Wittenberg, Hermann (ed. and introd.); Nas, Loes (ed. and introd.) AUETSA 96, I-II: Southern African
Merrington, Peter 1997. Masques, monuments and masons: the 1910 pageant of the Union of South Africa. Theatre Journal, 19(1):1-14.
Merrington, Peter 1998. Monuments and masons: the 1910 pageant of the Union of South Africa, in Bogaards, Winnifred M. (ed.). Literature of Region and Nation: Proceedings of the 6th International Literature of Region and Nation Conference, 2-7 August 1996. Saint John, NB University of New Brunswick. 278-299.
Mersham, G. & Baker, G. 2002. Industrial theatre as a negotiated dramaturgy. South African Theatre Journal, 16:92-119.
Mervis, Margaret 1998. Fiction for development Zakes Mda’s Ways of Dying. Current Writing, 10(1):39-56.
Mervis, Margaret 1998. The Captain’s Tiger. Reviewed in: Current Writing, 10(2):143-146.
Meskin, Tamar & Van der Walt, Tanya 2007. Approaching Macbeth through representation, participation and facilitation: a theatre-in-education ‘adventure’. South African Theatre Journal, 21:75-91.
Click on the appropriate letters of the alphabet in the sub-list below.
Ma-Mal Mam-Mar Mas-Mcl Mcm-Mda Mde-Mes Met-Miz Mja-Moo Mop-Mot Mou-Moz Mpa-Mz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance