Difference between revisions of "John Kani"
| Line 9: | Line 9: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | He worked with [[Athol Fugard]] and [[Winston Ntshona]], working on plays such as ''[[The Terrorists]]'' and ''[[The Coat]]'' (196*). Later came ''[[Sizwe Bansi is Dead]]'' (1972) and ''[[The Island]]'' (1973) at [[Space Theatre|The Space]]. | + | He worked with [[Athol Fugard]] and [[Winston Ntshona]], working on plays such as ''[[The Terrorists]]'' and ''[[The Coat]]'' (196*). Later came ''[[Sizwe Bansi is Dead]]'' (1972) and ''[[The Island]]'' (1973) at [[Space Theatre|The Space]]. |
| − | + | ||
| − | |||
== As actor == | == As actor == | ||
Kani continued as actor to become a sought after leading actor in the 1980s, often participating in controversial anti-apartheid work such as the local version of ''[[Master Harold and the boys]]'' ([[Athol Fugard|Fugard]], [[Market Theatre]], 1983). | Kani continued as actor to become a sought after leading actor in the 1980s, often participating in controversial anti-apartheid work such as the local version of ''[[Master Harold and the boys]]'' ([[Athol Fugard|Fugard]], [[Market Theatre]], 1983). | ||
Revision as of 08:39, 21 September 2017
KANI, John Bonisile. (1943-) [1]. Actor, director, playwright and theatre administrator.
Contents
Biography
Youth
He was born in New Brighton, Port Elizabeth on 30 August 1943.
Training and Career
Worked with Athol Fugard since 1965 when he joined the Serpent Players with Winston Ntshona. Professional actor from 1973.
Contribution to SA theatre, film, media and/or performance
He worked with Athol Fugard and Winston Ntshona, working on plays such as The Terrorists and The Coat (196*). Later came Sizwe Bansi is Dead (1972) and The Island (1973) at The Space.
As actor
Kani continued as actor to become a sought after leading actor in the 1980s, often participating in controversial anti-apartheid work such as the local version of Master Harold and the boys (Fugard, Market Theatre, 1983).
He starred in Bobby Heaney’s production of Strindberg’s Miss Julie together with Sandra Prinsloo as Miss Julie and Kani as Jean. It originated at the Baxter and went to the Market in February 1985. He also starred as the first black Othello in South Africa, directed by Janet Suzman for the Market Theatre in 1987. In the late 1980s beginning 1990s he has worked with Fugard again on the latter’s “plays of healing” - most notably as the troubled and kind Master in My Children!, My Africa! (19**) and the guard in Playland (Fugard, 1992). In 2004 he played "Creon" in a new version of Antigone for the Baxter Theatre and in 2005 Claudius in Janet Suzman’s Hamlet (Baxter Theatre).
At the Market Theatre: The Blood Knot; Driving Miss Daisy; The Native Who Caused All the Trouble; Othello; The Lion and the Lamb; Sizwe Bansi is Dead; The Island; Waiting for Godot; The Death of Bessie Smith; My Children!, My Africa!' He starred in Barney Simon’s production of Edward Albee’s The Death of Bessie Smith together with Janet Suzman and Winston Ntshona at the Market in 1979. Sizwe Bansi is Dead was staged at The Market in 1978.
He starred in Beckett’s Waiting for Godot together with Winston Ntshona and Pieter-Dirk Uys. It was directed by Donald Howarth and staged at the Baxter and at the Market in 1980 before leaving for the USA and Britain.
He starred in Bobby Heaney’s productions of Harold Pinter’s One for the Road at the Wits Theatre in 1985. He starred in Janet Suzman’s production of Othello at the Market in September 1987. He directed Kessie Govender’s Kagoos at the Market in 1988. He starred in Alfred Uhry’s Driving Miss Daisy in 1989. He starred in Athol Fugard’s My Children!, My Africa! in 1989. He starred in Playland at the Market in 1992. He starred in Tom Kempinski’s Duet for One in 1994. **
Nothing but the Truth (2002).
Film credits: He has also done a great deal of film and television work, among his most notable performances being leading roles in The Wild Geese, The Grass is Singing, Marigolds in August, Victims of Apartheid, An American Dream, A Dry White Season, Sarafina, Saturday Night at the Palace and a number of international movies. The Wild Geese (1977); The Grass is Singing; Marigolds in August; Victims of Apartheid; An African Dream; Option; A Dry White Season; Saturday Night at the Palace (Won a Taormina Golden Award at the Milan International Festival); Sarafina (movie).
As playwright
He helped create and workshop Sizwe Bansi is Dead (1972) and The Island (1973). He wrote and performed in Nothing but the Truth (2002), Missing (2014).
As a director
His credits include Goree and Blues Africa Café (Matsemela Manaka), Kagoos (Kessie Govender), The Meeting (Jeff Stetson), Nothing but the Truth (Kani, 2002). He directed several commercials.
As administrator
During the latter part of the 1980s Kani was gradually drawn into theatre and cultural adminstration and politics, to become Artistic Director of the Market Theatre after the death of Barney Simon He went on from there to become a member of the board of trustees and to play a prominent part on the boards of PACT, the National Arts Council, the Grahamstown Arts Festival, the Apartheid Museum and similar forums. Executive director of the Market Theatre in Johannesburg until 2003. Kani is (was?) a Trustee and Associate Artistic Director of the Market Theatre Foundation as well as Director of the Market Theatre Laboratory.
Awards, etc
Kani has won numerous awards over the years, including the 1974/5 Tony Award for The Island and Sizwe Bansi is Dead in America. In 1993 he received a special Obie Award in New York for his contribution to theatre.
Among his numerous national and international honours are honorary doctorates from the Universities of Durban Westville and Rhodes, the 2000 Hiroshima Renaissance Merit award for Peace from the Swedish Academy and the 2003 SAB Leadership and Service Award. *** [see PD Uys piece]??**
My Children!, My Africa! (AA [[Vita Award] 1990 for his role as Mr. M.).
He won a Naledi Lifetime Achiever Award, February 2005.
John has received a Merit Award from NAFCOC for his contribution to the advancement of culture in South Africa.
Directed several commercials and won the M-Net Plum Award and was a finalist in the Lourie (Loerie?) Awards.
The main theatre of the Market Theatre complex in Newtown, Johannesburg, has been renamed The John Kani Theatre in his honour.
Sources
Tucker, 1997.
Playland programme notes, 1992.
The Star, 15 February 2005.
Return to
Return to ESAT Personalities K
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
