Billy Buttons, or the Tailor's Ride to Brentford
Billy Buttons, or the Tailor's Ride to Brentford is considered to be the first circus clown act, created by Philip Astley in England in 1768, and later performed by a range of clowns.
Contents
The original text
The original circus act was based on a popular tale of a tailor, an inept equestrian, trying to ride a horse to Brentford to vote in an election. The tailor has tremendous difficulty mounting the horse correctly. When he finally succeeds the horse starts off so fast that he falls off. However, as David Carlyon (2016) points out, the "play" was in fact originally created as "a riding, not clown, act; relying on the popular assumption of tailors as physically inept or cowardly" (p. 175), and was created to utilize Astley's particular skills. Its use as a farce developed from this original, via its use in other circuses by other clowns, then into vaudeville and onto even more formal stages. It is thus often found as an interlude or afterpiece in 19th century productions, usually billed as a farce.
Translations and adaptations
This act has been performed under numerous names (and possibly incarnations) since the original Astley performances in 1768 - though often simply referred to by the name of the character ("Billy Buttons", or later "Billy Button"). Alternative titles used in South Africa include:
Joey Grimaldi's Trip to Brentford (Parker)
Performance history in South Africa
1828: Played in the African Theatre as Billy Button by the Gentlemen Amateur Company (probably a reference to the Garrison Players) during August, as afterpiece to The Poor Gentleman (Colman Jr).
1837: Brought to in Cape Town in 1837, when it was performed by the Automata of W.F.H. Parker as Joey Grimaldi's Trip to Brentford, along with Polander, the dramatic play The Enchanted Turk and The Children in the Wood (Th. Morton).
Sources
http://www.circushistory.org/Day/Day17.htm
http://archive.pba.org/programming/programs/tiaarchives/587/
David Carlyon[1] 2016. The Education of a Circus Clown: Mentors, Audiences, Mistakes. Palgrave Studies in Theatre and Performance History, Springer:Appendix B, p.175.
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [2]: pp.193, 231
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page