Difference between revisions of "Reza de Wet"

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'''THIS ENTRY STILL NEEDS TO BE EDITED'''
 
'''THIS ENTRY STILL NEEDS TO BE EDITED'''
  
(1952-2012) Actress, award-winning playwright, novelist and drama lecturer. Born in Senekal in the Free State, an only child. Her father was a judge in Bloemfontein, where she matriculated at the Hoër Meisieskool Oranje. Her mother involved in amateur operetta and drama. Her classmates thought her a bit enigmatic, but she excelled in drama, performing in the school plays. The school now has an annual drama festival named after her. She studied English and Drama at the [[University of the Orange Free State]] (1971-1973), then completed a BA Honours degree there, before going to do a Performers Diploma at the [[University of Cape Town]] and later an an MA in English literature through the [[University of South Africa]]. During the later study period she also worked for [[PACT]]  and its experimental [[Arena Company]]. It was here she met [[Lindsay Reardon]], whom she later married. In 1982 they moved to Grahamstown, where her daughter Nina was born. They both worked in the drama department at [[Rhodes University]] and Reza  would later become a professor there, retiring in 2007. Died of leukemia at home in Grahamstown in 2012. Though she had written some earlier work in English (notably ''[[Heathcliff and the Dancing Bear]]'', in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights - later produced as De Wet's final directorial production at [[Rhodes University]] as ''[[Heathcliff Goes Home]]''), she premiéred sensationally as a playwright in [[Afrikaans]] with ''[[Diepe Grond]]'' (Lit: “Deep Ground”) at the [[Kampustoneel]]-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*),  Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and [[Yelena]] (S: 1998). These were followed by ** (199*), ** (20**), ** (200*)  and ''[[Breathing In]]'' (2004). On the later productions, worked closely with director designer [[Marthinus Basson]]. The first playwright and only the second author to win the prestigious [[Hertzog Prize]] twice in a row for the same medium (1993, 1996). DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990.
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(1952-2012) Actress, award-winning playwright, novelist and drama lecturer. Born in Senekal in the Free State, an only child. Her father was a judge in Bloemfontein, where she matriculated at the Hoër Meisieskool Oranje. Her mother involved in amateur operetta and drama. Her classmates thought her a bit enigmatic, but she excelled in drama, performing in the school plays. The school now has an annual drama festival named after her. She studied English and Drama at the [[University of the Orange Free State]] (1971-1973), then completed a BA Honours degree there, before going to do a Performers Diploma at the [[University of Cape Town]] and later an an MA in English literature through the [[University of South Africa]]. During the later study period she also worked for [[PACT]]  and its experimental [[Arena Company]]. It was here she met [[Lindsay Reardon]], whom she later married. In 1982 they moved to Grahamstown, where her daughter Nina was born. They both worked in the drama department at [[Rhodes University]] and Reza  would later become a professor there, retiring in 2007. Died of leukemia at home in Grahamstown in 2012. Though she had written some earlier work in English (notably ''[[Heathcliff and the Dancing Bear]]'', in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights - later produced as De Wet's final directorial production at [[Rhodes University]] as ''[[Heathcliff Goes Home]]''), she premiéred sensationally as a playwright in [[Afrikaans]] with ''[[Diepe Grond]]'' (Lit: “Deep Ground”) at the [[Kampustoneel]]-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*),  Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and [[Yelena]] (S: 1998). These were followed by ** (199*), ** (20**), ** (200*)  and ''[[Breathing In]]'' (2004). On the later productions, worked closely with director designer [[Marthinus Basson]]. The first playwright and only the second author to win the prestigious [[Hertzog Prize]] twice in a row for the same medium (1993, 1996). DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at [[Upstairs at the Market]] in 1986. Her A Worm in the Bud was staged in 1990.
  
 
Other plays are  
 
Other plays are  
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''[[On the lake]]'' ([[Grahamstown Festival]], 2001)
 
''[[On the lake]]'' ([[Grahamstown Festival]], 2001)
  
''[[Verleiding]]'', a piece with [[Antoinette Kellermann]] and [[Heike Gehring]], ([[Woordfees]], 2005)  
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''[[Verleiding]]'', a piece with [[Antoinette Kellerman]] and [[Heike Gehring]], ([[Woordfees]], 2005)  
  
 
''[[Die Blou Uur]]'' (The Blue Hour) [[Aardklop]], 2008
 
''[[Die Blou Uur]]'' (The Blue Hour) [[Aardklop]], 2008
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In addition to her plays, De Wet wrote a novel in Afrikaans (''[[Stil Mathilda]]'', 1995).
 
In addition to her plays, De Wet wrote a novel in Afrikaans (''[[Stil Mathilda]]'', 1995).
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DE WET, Reza (1952-) Actress, award-winning playwright, novelist and drama lecturer. Born in Free State, studied Drama and English at the UOFS and UCT. Acted for the Market Theatre, married Lindsay Reardon and from 1980 taught at Rhodes University Drama Department, Grahamstown. Premiéred as playwright with Diepe Grond (Lit: “Deep Ground”) at the Kampustoneel-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*),  Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and Yelena (S: 1998). These were followed by ** (199*), ** (20**), ** (200*)  and Breathing In (2004). On the later productions, worked closely with director designer Marthinus Basson. The first playwright and only the second author to win the prestigious Hertzog Prize twice in a row for the same medium (1993, 1996). DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990.
 +
born in Senekal in the Free State. She was an only child. Her father was a judge in Bloemfontein. She matriculated at the Hoër Meisieskool Oranje, where her classmates thought her a bit enigmatic. She excelled in drama and the school has an annual drama festival named after her. She achieved an MA in English literature through the University of South Africa and taught in the drama department at Rhodes University, where she became a professor, for more than 20 years before retiring in 2007.
 +
Die See (The Sea), was performed at the Klein Karoo National Arts Festival in April last year, and in which she acted for the first time in 20 years, she announced that she had written everything she wanted to write and would not be writing any more. In late October last year she was diagnosed with a particularly aggressive form of leukaemia.
 +
In addition to her plays, De Wet wrote a novel called Heathcliff Goes Home, in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights.
 +
De Wet is survived by her husband Lindsay Reardon and daughter Nina.
 +
  
  

Revision as of 16:57, 11 July 2012

THIS ENTRY STILL NEEDS TO BE EDITED

(1952-2012) Actress, award-winning playwright, novelist and drama lecturer. Born in Senekal in the Free State, an only child. Her father was a judge in Bloemfontein, where she matriculated at the Hoër Meisieskool Oranje. Her mother involved in amateur operetta and drama. Her classmates thought her a bit enigmatic, but she excelled in drama, performing in the school plays. The school now has an annual drama festival named after her. She studied English and Drama at the University of the Orange Free State (1971-1973), then completed a BA Honours degree there, before going to do a Performers Diploma at the University of Cape Town and later an an MA in English literature through the University of South Africa. During the later study period she also worked for PACT and its experimental Arena Company. It was here she met Lindsay Reardon, whom she later married. In 1982 they moved to Grahamstown, where her daughter Nina was born. They both worked in the drama department at Rhodes University and Reza would later become a professor there, retiring in 2007. Died of leukemia at home in Grahamstown in 2012. Though she had written some earlier work in English (notably Heathcliff and the Dancing Bear, in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights - later produced as De Wet's final directorial production at Rhodes University as Heathcliff Goes Home), she premiéred sensationally as a playwright in Afrikaans with Diepe Grond (Lit: “Deep Ground”) at the Kampustoneel-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*), Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and Yelena (S: 1998). These were followed by ** (199*), ** (20**), ** (200*) and Breathing In (2004). On the later productions, worked closely with director designer Marthinus Basson. The first playwright and only the second author to win the prestigious Hertzog Prize twice in a row for the same medium (1993, 1996). DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990.

Other plays are Concealment (2004) The Brothers, Broers (2006) On the lake (Grahamstown Festival, 2001)

Verleiding, a piece with Antoinette Kellerman and Heike Gehring, (Woordfees, 2005)

Die Blou Uur (The Blue Hour) Aardklop, 2008 Die See (The Sea), was performed at the Klein Karoo National Arts Festival in April 2011. Her last play *** was performed post-humously *** in 2012.

As director De Wet did, among other plays, Arthur Miller's The Crucible(, 1989) and August Strindberg's Ghost Sonata for the Rhodes University Drama Department. Her final directing job at Rhodes was her own play Heathcliff Goes Home (2007).

In addition to her plays, De Wet wrote a novel in Afrikaans (Stil Mathilda, 1995).

DE WET, Reza (1952-) Actress, award-winning playwright, novelist and drama lecturer. Born in Free State, studied Drama and English at the UOFS and UCT. Acted for the Market Theatre, married Lindsay Reardon and from 1980 taught at Rhodes University Drama Department, Grahamstown. Premiéred as playwright with Diepe Grond (Lit: “Deep Ground”) at the Kampustoneel-festival in Pretoria (1982). (S: Market Theatre, 1985, P:1987, Tr: Dearth.) Produced a steady stream of neo-Gothic (“Afrikaner Gothic”) works: Vrystaat Trilogie (“Free State Trilogy” – P: 1991) contained: Diepe Grond (S 198*), Op Dees Aarde (lit. “On this earth”, S: 1986) and Nag Generaal (“Goodnight General” – S: 1988?*). Then two English plays: In a Different Light (S: 1988) and Worm in the Bud (S: 1988, S: 1990, P: 1995). Returned to Afrikaans with the trilogy Trits: Mis, Mirakel en Drif (P: 1993), contains: Mis (a complex title which can refer to any or all of “Fog”, “Dung”, “to miss a target” or “the Catholic Mass” – S: 1993 - Winner Fleur du Cap Award for Best New Indigenous Script 1993), Mirakel (lit. “miracle” – S: 1994) and Drif (Lit. both “a ford in a river” or “passion” – S: 1994 Winner Fleur du Cap Award for Best New Indigenous Script 1994). After a novel (**** 1994), returned to a performance text for the First Physical Theatre Company, (S: 199*), then the first of her Chekhov works, the superb Drie Susters Twee (“Three Sisters Two” - S: 1997, P: 1996. Winner Fleur du Cap Award for Best New Indigenous Script 1997) and Yelena (S: 1998). These were followed by ** (199*), ** (20**), ** (200*) and Breathing In (2004). On the later productions, worked closely with director designer Marthinus Basson. The first playwright and only the second author to win the prestigious Hertzog Prize twice in a row for the same medium (1993, 1996). DE WET, Reza. Her Diepe Grond starring Dawid Minnaar, Susan Coetzer, Gys de Villiers and Doris Simula under Lucille Gillwald’s direction was staged at Upstairs at the Market in 1986. Her A Worm in the Bud was staged in 1990. born in Senekal in the Free State. She was an only child. Her father was a judge in Bloemfontein. She matriculated at the Hoër Meisieskool Oranje, where her classmates thought her a bit enigmatic. She excelled in drama and the school has an annual drama festival named after her. She achieved an MA in English literature through the University of South Africa and taught in the drama department at Rhodes University, where she became a professor, for more than 20 years before retiring in 2007. Die See (The Sea), was performed at the Klein Karoo National Arts Festival in April last year, and in which she acted for the first time in 20 years, she announced that she had written everything she wanted to write and would not be writing any more. In late October last year she was diagnosed with a particularly aggressive form of leukaemia. In addition to her plays, De Wet wrote a novel called Heathcliff Goes Home, in which she explores the life of Emily Brontë's brooding hero before he arrived at Wuthering Heights. De Wet is survived by her husband Lindsay Reardon and daughter Nina.



Sources

Go to South African Theatre/Bibliography

See also

http://www.argief.litnet.co.za/cgi-bin/giga.cgi?cmd=cause_dir_news_item&news_id=64476&cause_id=1270


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