Difference between revisions of "Raka"

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(Created page with "by N.P. van Wyk Louw. A dramatic poem, seen by many as a visionary metaphor for the battle between good and evil, or even for civilization in Africa.** ‘’Raka’’ has b...")
 
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by [[N.P. van Wyk Louw]]. A dramatic poem, seen by many as a visionary metaphor for the battle between good and evil, or even for civilization in Africa.** ‘’Raka’’ has been performed numerous times in various ways in the country. Often simply as a dramatised verse reading (e.g by ** in **), though the most notable version was perhaps [[Frank Staff]]'s seminal ballet, choreographed for [[PACOFS]] (??8) in 197*?. In many ways it was the harbinger of a truly South African tradition in ballet. Pe4rformed many times in various ways, inclduding **, ** the [[George Arts Festival]] (2001, with [[Christo Davids]]) .
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''[[Raka]]'' is an [[Afrikaans]] dramatic poem by [[N.P. van Wyk Louw]].  
An adaptation by [[Niel le Roux]]. Another version by [[André Letoit]]: ''[[Raka – Die Musical (Vry Vertaling van die Bacchae)]]''.
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Seen by many as a visionary metaphor for the battle between good and evil, or even for civilization in Africa.
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''[[Raka]]'' has been performed numerous times in various ways in the country. Often simply as a dramatised verse reading (e.g by ** in **), though  
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In many ways the most notable version was perhaps [[Frank Staff]]'s seminal ballet (1967), the harbinger of a truly South African tradition in ballet. Performed many times in various ways by a range of companies, including the [[Cape Town City Ballet]] (choreographed by [[Veronica Paeper]]), the [[George Arts Festival]] (2001, with [[Christo Davids]]) .
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A stage adaptation has been done by [[Niel le Roux]]. The title was used by [[André Letoit]] for another kind odf adaptation, called ''[[Raka – Die Musical (Vry Vertaling van die Bacchae)]]'' ("Raka The Musical. A free adapatation of the bacchae"): .
  
  

Revision as of 17:52, 14 October 2018

Raka is an Afrikaans dramatic poem by N.P. van Wyk Louw.

Seen by many as a visionary metaphor for the battle between good and evil, or even for civilization in Africa.

Raka has been performed numerous times in various ways in the country. Often simply as a dramatised verse reading (e.g by ** in **), though

In many ways the most notable version was perhaps Frank Staff's seminal ballet (1967), the harbinger of a truly South African tradition in ballet. Performed many times in various ways by a range of companies, including the Cape Town City Ballet (choreographed by Veronica Paeper), the George Arts Festival (2001, with Christo Davids) .

A stage adaptation has been done by Niel le Roux. The title was used by André Letoit for another kind odf adaptation, called Raka – Die Musical (Vry Vertaling van die Bacchae) ("Raka The Musical. A free adapatation of the bacchae"): .


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