Difference between revisions of "Pamela"

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[[Pamela]] is the name of a character created by the novelist Samuel Richardson, immortalized in his novel of the same name, about whom a number of literary and other works, including a number of plays, films and so on,  have been written and produced. ''[[Pamela]]'' is often used as a shortened title for the works in question.
  
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==The original text==
  
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The original work to introduce the character, '''''Pamela, or Virtue Rewarded'''''[https://en.wikipedia.org/wiki/Pamela;_or,_Virtue_Rewarded], is a celebrated epistolary novel by Samuel Richardson (1689-1761)[https://en.wikipedia.org/wiki/Samuel_Richardson], first published in 1740.
  
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==Translations and adaptations==
  
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There have been many stage versions of the novel, beginning with a number of Italian and French texts, many of them adaptations or re-conceptions of the original, others sequels, etc. 
  
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(On more on this, see for example: Thomas Keymer and Peter Sabor. 2005. '''''Pamela''' in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland'', Cambridge University Press)
  
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Below are some of the theatre texts of importance in South African theatre.
  
A drama in 3 acts , freely adapted in French from  Carlo Goldoni's stage version of Samuel Richardson's English novel ''Pamela , or, Virtue Rewarded'' (1740). The French version was by Benoït Pelletier Volméranges and Cubières-Palmézeaux. Full original French title: ''Paméla mariée, ou le Triomphe des épouses''. Published in Paris by Barba, 1804.
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It was adapted for the stage by Carlo Goldoni (1707–1793)[https://en.wikipedia.org/wiki/Carlo_Goldoni] as ''[[La Pamela]]'', interestingly enough a straight comedy rather than a commedia del'arte version.  
  
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The Goldoni text was first translated into English by John Nourse as ''[[Pamela, a Comedy]]'', performed and published in a bilingual version in 1756.
  
== Performance history in South Africa ==
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''[[Paméla Mariée, ou Le Triomphe des Épouses]]'' ("Pamela married, of the triumph of virtue") is a three-act play French version by Benoît Pelletier-Volméranges (1756-1824) and Michel de Cubières (Michel de Cubières de Palmézeaux , 1752-1820)[https://fr.wikipedia.org/wiki/Michel_de_Cubi%C3%A8res], based on Goldoni's play. It was first performed in Paris, at the Théâtre de l'Ancien Opéra, in 1804 and published in Paris by Barba in the same year.
  
1825: Performed in [[Dutch]] translation of the French version by [[Tot Nut en Vermaak]] in the [[Amateur Theatre]] on 16 April 1825,  with ''[[De Grijze Man, of De Rondborstige]]'' (Baudouin and Poujol).  
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The French version by Pelletier-Volméranges and Cubières-Palmézaux was in its turn translated into [[Dutch]] by an anonymous author as ''[[Pamela, of De Zegepraal der Onschuld]]'', and published in Amsterdam by Abraham Mars in 1805. This apopears to have been the first version of a "Pamela"  play to be done in South Africa.
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== Performance history of ''[[Pamela]]'' in South Africa ==
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1825: Performed in [[Dutch]] translation as ''[[Pamela, of De Zegepraal der Onschuld]]'' by [[Tot Nut en Vermaak]] in the [[Amateur Theatre]] on 16 April,  with ''[[De Grijze Man, of De Rondborstige]]'' (Baudouin and Poujol).
  
 
== Sources ==
 
== Sources ==
[[F.C.L. Bosman|Bosman]], 1928: pp 235
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Go to [[South African Theatre/Bibliography]]
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Facsimile version of the original French publication by Barba, Warwick Digital Collections[http://contentdm.warwick.ac.uk/cdm/ref/collection/empire/id/25717]
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Facsimile version of the 1805 [[Dutch]] text, Google E-book[https://books.google.co.za/books?id=4pJiAAAAcAAJ&pg=RA1-PR5&lpg=RA1-PR5&dq=Pamela+of+De+Zegepraal+de+Onschuld&source=bl&ots=DcQAfXbWvc&sig=JPNezxzvW_sKe2pZZ8aarA8LAA8&hl=af&sa=X&ved=0ahUKEwjlkr-Q6fHMAhXsB8AKHbwZBq0Q6AEIGTAA#v=onepage&q=Pamela%20of%20De%20Zegepraal%20de%20Onschuld&f=false]
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http://global.britannica.com/topic/Pamela-A-Comedy
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Thomas Keymer and Peter Sabor. 2005. '''''Pamela''' in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland'', Cambridge University Press[
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J.A. Worp. 1972 ''Geschiedenis van het Drama en van het Tooneel in Nederland'' (Deel 2: p. 449)[http://www.dbnl.org/tekst/worp001gesc02_01/worp001gesc02_01_0028.php]
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[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 235.
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Go to [[ESAT Bibliography]]
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Plays 2 P|P]] in Plays II Foreign Plays
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
  
Return to [[South_African_Theatre/Plays]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
  
 
Return to [[The ESAT Entries]]
 
Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 06:12, 2 February 2017

Pamela is the name of a character created by the novelist Samuel Richardson, immortalized in his novel of the same name, about whom a number of literary and other works, including a number of plays, films and so on, have been written and produced. Pamela is often used as a shortened title for the works in question.

The original text

The original work to introduce the character, Pamela, or Virtue Rewarded[1], is a celebrated epistolary novel by Samuel Richardson (1689-1761)[2], first published in 1740.

Translations and adaptations

There have been many stage versions of the novel, beginning with a number of Italian and French texts, many of them adaptations or re-conceptions of the original, others sequels, etc.

(On more on this, see for example: Thomas Keymer and Peter Sabor. 2005. Pamela in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland, Cambridge University Press)

Below are some of the theatre texts of importance in South African theatre.

It was adapted for the stage by Carlo Goldoni (1707–1793)[3] as La Pamela, interestingly enough a straight comedy rather than a commedia del'arte version.

The Goldoni text was first translated into English by John Nourse as Pamela, a Comedy, performed and published in a bilingual version in 1756.

Paméla Mariée, ou Le Triomphe des Épouses ("Pamela married, of the triumph of virtue") is a three-act play French version by Benoît Pelletier-Volméranges (1756-1824) and Michel de Cubières (Michel de Cubières de Palmézeaux , 1752-1820)[4], based on Goldoni's play. It was first performed in Paris, at the Théâtre de l'Ancien Opéra, in 1804 and published in Paris by Barba in the same year.

The French version by Pelletier-Volméranges and Cubières-Palmézaux was in its turn translated into Dutch by an anonymous author as Pamela, of De Zegepraal der Onschuld, and published in Amsterdam by Abraham Mars in 1805. This apopears to have been the first version of a "Pamela" play to be done in South Africa.

Performance history of Pamela in South Africa

1825: Performed in Dutch translation as Pamela, of De Zegepraal der Onschuld by Tot Nut en Vermaak in the Amateur Theatre on 16 April, with De Grijze Man, of De Rondborstige (Baudouin and Poujol).

Sources

Facsimile version of the original French publication by Barba, Warwick Digital Collections[5]

Facsimile version of the 1805 Dutch text, Google E-book[6]

http://global.britannica.com/topic/Pamela-A-Comedy

Thomas Keymer and Peter Sabor. 2005. Pamela in the Marketplace: Literary Controversy and Print Culture in Eighteenth-Century Britain and Ireland, Cambridge University Press[

J.A. Worp. 1972 Geschiedenis van het Drama en van het Tooneel in Nederland (Deel 2: p. 449)[7]

F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [8]: pp. 235.

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page