Difference between revisions of "Nellie du Toit"
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== Biography == | == Biography == | ||
| − | + | She died in Stellenbosch in August 2018. | |
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| − | + | ==Training== | |
| − | + | Her full-time music studies took place at the [[South African College of Music]] in Cape Town, from 1950 to 1952, with drama training under [[Leonard Schach]] and [[Rosalie van der Gucht]]. The latter training was particularly useful in her work as an opera singer. | |
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| + | Du Toit's repertoire of operas sung in student performances (1950-1953) included: ''[[Beatrice et Benedict]]'' (Hero); ''[[The Telephone]]'' (Lucy); ''[[The Medium]]'' (Monica); ''[[La serva padrona]]'' (Serpina); ''[[Gianni Schicchi]]'' (Lauretta); ''[[Suor Angelica]]'' (Angelica); ''[[Dido and Aeneas]]'' (Dido); ''[[Il segreto di Susanna]]'' (Susanna). | ||
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| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| + | |||
| + | Making her career almost exclusively in South Africa, she became one of South Africa's most illustrious opera singers of the 1960's and 1970s. In addition she proved to be a highly sought after voice teacher for over 40 years. | ||
| + | |||
| + | While on tour in the United Kingdom in 1953-1954, du Toit performed in ''[[Così fan tutte]]'' (as Fiordiligi); ''[[Le nozze di Figaro]]'' (as Susanna); and ''[[La cenerentola]]'' (as Clorinde). | ||
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| + | Her repertoire of opera roles in South Africa (from 1957 to 1986) was as follows: | ||
| + | * ''[[Asterion]]'' (Prinses) | ||
| + | * ''[[Norma]]'' (Norma) | ||
| + | * ''[[Carmen]]'' (Micaëla) | ||
| + | * ''[[Lucia di Lammermoor]]'' (Lucia) | ||
| + | * ''[[Martha]]'' (Lady Harriet Durham) | ||
| + | * ''[[Andrea Chénier]]'' (Madeleine) | ||
| + | * ''[[Faust]]'' (Marguerite) | ||
| + | * ''[[Jenůfa]]'' (Jenůfa) | ||
| + | * ''[[In the drought]]'' (Elsie) | ||
| + | * ''[[Der Wildschütz]]'' (Baronin Freimann) | ||
| + | * ''[[Le nozze di Figaro]]'' (Contessa Almaviva) | ||
| + | * ''[[Don Giovanni]]'' (Donna Annna) | ||
| + | * ''[[Die Zauberflöte]]'' (Pamina) | ||
| + | * ''[[Die Zauberflöte]]'' (Königin der Nacht) | ||
| + | * ''[[Madama Butterfly]]'' (Cio-Cio-San) | ||
| + | * ''[[Turandot]]'' (Liù) | ||
| + | * ''[[La bohème]]'' (Mimì) | ||
| + | * ''[[La bohème]]'' (Musetta) | ||
| + | * ''[[Tosca]]'' (Tosca) | ||
| + | * ''[[Prodaná nevěsta]]'' (Mařenka) | ||
| + | * ''[[Der Rosenkavalier]]'' (Marschallin) | ||
| + | * ''[[Il trovatore]]'' (Leonora) | ||
| + | * ''[[La traviata]]'' (Violetta) | ||
| + | * ''[[Otello]]'' (Desdemona) | ||
== Sources == | == Sources == | ||
Revision as of 19:13, 25 March 2024
Nellie du Toit (1929-2018) is a well-known South African soprano.
Contents
Biography
She died in Stellenbosch in August 2018.
Training
Her full-time music studies took place at the South African College of Music in Cape Town, from 1950 to 1952, with drama training under Leonard Schach and Rosalie van der Gucht. The latter training was particularly useful in her work as an opera singer.
Du Toit's repertoire of operas sung in student performances (1950-1953) included: Beatrice et Benedict (Hero); The Telephone (Lucy); The Medium (Monica); La serva padrona (Serpina); Gianni Schicchi (Lauretta); Suor Angelica (Angelica); Dido and Aeneas (Dido); Il segreto di Susanna (Susanna).
Contribution to SA theatre, film, media and/or performance
Making her career almost exclusively in South Africa, she became one of South Africa's most illustrious opera singers of the 1960's and 1970s. In addition she proved to be a highly sought after voice teacher for over 40 years.
While on tour in the United Kingdom in 1953-1954, du Toit performed in Così fan tutte (as Fiordiligi); Le nozze di Figaro (as Susanna); and La cenerentola (as Clorinde).
Her repertoire of opera roles in South Africa (from 1957 to 1986) was as follows:
- Asterion (Prinses)
- Norma (Norma)
- Carmen (Micaëla)
- Lucia di Lammermoor (Lucia)
- Martha (Lady Harriet Durham)
- Andrea Chénier (Madeleine)
- Faust (Marguerite)
- Jenůfa (Jenůfa)
- In the drought (Elsie)
- Der Wildschütz (Baronin Freimann)
- Le nozze di Figaro (Contessa Almaviva)
- Don Giovanni (Donna Annna)
- Die Zauberflöte (Pamina)
- Die Zauberflöte (Königin der Nacht)
- Madama Butterfly (Cio-Cio-San)
- Turandot (Liù)
- La bohème (Mimì)
- La bohème (Musetta)
- Tosca (Tosca)
- Prodaná nevěsta (Mařenka)
- Der Rosenkavalier (Marschallin)
- Il trovatore (Leonora)
- La traviata (Violetta)
- Otello (Desdemona)
Sources
Alexandra Xenia Sabina Mossolow[1]. 2003. The career of South African soprano Nellie du Toit, born 1929. Unpublished Masters thesis. University of Stellenbosch.[2]
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