Difference between revisions of "Lyric Opera Company"

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(also known simply as '''The Lyric Company''') Professional opera company, performed ''[[Dorothy]]'' (Stephenson and Cellier) at the opening of the [[Cape Town Opera House]], 31 August 1893.  Members included Miss [[Leonara Braham]] (from the London Savoy Theatre) and [[Grant Fallowes]].  The company toured South Africa.  Gave performances of excellent standard.   
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Lyric Opera Company (also known simply as '''[[The Lyric Company]]''') was a professional opera company, led by messrs [[A. Bonamici]] and [[Edgar Perkins]].   
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Members of the company included Miss [[Leonara Braham]] (from the London Savoy Theatre) and [[Grant Fallowes]].  The company toured South Africa, giving performances of excellent standard.
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They performed the opera ''[[Dorothy]]'' (Stephenson and Cellier) at the opening of the [[Cape Town Opera House]], 31 August 1893, and would over the following years put on such standard operatic works as ''[[Lucia di Lammermoor]]'' (Donizetti), ''[[La Favorita]]'' (Donizetti), ''[[Cavalleria Rusticana]]'' (Rossini), ''[[The Barber of Seville]]'' (Beaumarchais/Rossini), ''[[Carmen]]'' (Bizet), ''[[Rigoletto]]'' (Verdi), ''[[Gioconda]]'' (Verdi) and ''[[Ernani]]'' (Verdi). 
  
 
== Sources ==
 
== Sources ==

Revision as of 06:51, 27 March 2018

Lyric Opera Company (also known simply as The Lyric Company) was a professional opera company, led by messrs A. Bonamici and Edgar Perkins.

Members of the company included Miss Leonara Braham (from the London Savoy Theatre) and Grant Fallowes. The company toured South Africa, giving performances of excellent standard.

They performed the opera Dorothy (Stephenson and Cellier) at the opening of the Cape Town Opera House, 31 August 1893, and would over the following years put on such standard operatic works as Lucia di Lammermoor (Donizetti), La Favorita (Donizetti), Cavalleria Rusticana (Rossini), The Barber of Seville (Beaumarchais/Rossini), Carmen (Bizet), Rigoletto (Verdi), Gioconda (Verdi) and Ernani (Verdi).

Sources

Jill Fletcher, 1994

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