Difference between revisions of "Le Bal Masqué"

From ESAT
Jump to navigation Jump to search
Line 9: Line 9:
 
==Translations and adaptations==
 
==Translations and adaptations==
  
A "side-splitting entertainment" called ''[[The Bal Masqué (Sloppy Sam)]]'' was apparently well known in Cape Town and is ascribed to Ward by F.C.L. Bosman (1980: p. 260). However this is unlikely to be true and it may simply have been another work.
+
A "side-splitting entertainment" called ''[[The Bal Masqué (Sloppy Sam)]]'' was apparently well known in Cape Town in the 1860s and is ascribed to Ward by F.C.L. Bosman (1980: p. 260). However this is unlikely to be true and it may simply have been another work.
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==

Revision as of 07:03, 24 March 2018

Le Bal Masqué ("The masked ball") is a comic opera by Arthur H. Ward ()[], with music by H. Vernon.

Sloppy Sam

The original text

According to Allardyce Nicoll, this was first performed at the Parkhurst Theatre on 16 May, 1898.

Translations and adaptations

A "side-splitting entertainment" called The Bal Masqué (Sloppy Sam) was apparently well known in Cape Town in the 1860s and is ascribed to Ward by F.C.L. Bosman (1980: p. 260). However this is unlikely to be true and it may simply have been another work.

Performance history in South Africa

1867: A "side-splitting entertainment" called The Bal Masqué (Sloppy Sam) was performed by Le Roy and Duret in the Theatre Royal, Cape Town on 8 June, with Othello in Ireland ("semi-serio" opera based on Shakespeare).

1867: The Bal Masqué (Sloppy Sam) repeated by Leroy and Duret in the Theatre Royal, Cape Town on 15 June, with The Rose of Ettrick Vale ().

Sources

Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.

Conradie, Elizabeth. 1934. Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[2]

Conradie, Elizabeth, 1949. Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[3]

P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica

Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: p.

Sydney Paul Gosher. 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.

William Groom. 1899-1900. Drama in Cape Town. Cape Illustrated Magazine, 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.

Temple Hauptfleisch. 1997. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[4]: pp.

Peter Joyce. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.

J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[5], pp.

J.C. Kannemeyer. 1984. ‘’Geskiedenis van die Afrikaanse Literatuur’’2[6]: pp.

Ingmar Koch. 1997. Het ochtendgloren boven Kaapstad. Nederlandse rederijkers in Kaapstad, Tydskrif vir Nederlands & Afrikaans. (4de Jaargang, Nommer 2. Desember)[7]

Loren Kruger 1999. The Drama of South Africa: Plays, Pageants and Publics Since 1910 London: Routledge


P.W. Laidler. 1926. The Annals of the Cape Stage. Edinburgh: William Bryce: p.

Anna Minnaar-Vos 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg, pp. 96-110.

Brian Astbury. 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.


Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

Allardyce Nicoll. 1975. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge University Press[8]


J.A. Worp. 1972. Geschiedenis van het Drama en van het Tooneel in Nederland. Deel 2, Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[9]

Joris Baers (1888-1975): Algemeene Tooneelbibliotheek Een[10]

http://www.domus.ac.za/afrikaans/images/Programme%20in%20DOMUS(2).pdf

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page