Difference between revisions of "Kita Redelinghuys"
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| − | (Also written Kita Redelinghuijs at times) (19**-19**) | + | [[Kita Redelinghuys]] (Also written Kita Redelinghuijs at times) (19**-) Actress. |
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| + | == Biography == | ||
| + | Married to dramatist [[Bartho Smit]] in 19**. She later developed an alcohol problem and disappeared from the scene. Many believe [[Bartho Smit]]’s finest play, ''[[Christine]]'', is in part based on his complex relationship with Kita. | ||
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| + | === Youth === | ||
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| + | === Training === | ||
| + | She received her training in Paris and London. She returned to South Africa in 1957. | ||
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| + | === Career === | ||
| + | Started out as an amateur actress with [[Volksteater]]. She joined the [[NTO]] in 1957 and since 1963 she worked for [[PACT]]. | ||
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| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| + | Played the “coloured” mother “Bertha” to great acclaim in [[Lewis Sowden]]’s ''[[The Kimberley Train]]'' (1958), ''[[Les Fourberies de Scapin|Die Jakkalsstreke van Scapino]]'' (1958), “Joan” in Shaw’s ''[[St Joan]]'' ([[NTO]], 1959), ''[[Herr Sleeman kommer|Meneer Sleeman Kom]]'' (1963). | ||
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| + | Other productions include [[Huit Femmes|Agt Vroue]], [[Der Zerbrochene Krug|Die Gebreekte Kruik]], [[Arms and the Man|Soldate-vryers]] (1965), [[Pa, Maak vir my 'n Vlieër Pa]], [[Exit the KingDie Koning Sterf]], [[Uncle Vanya|Oom Wanja]] ([[PACT]] 1967), [[Die Skuld van Oedipus]], [[Modes van Agter, Skuld van Voor]], [[Rhinoceros|Die Renosters]], [[La vita che ti diedi|Die Lewe wat ek jou Gegee het]], [[Monserrat]], [[Bruidjie Dit en Bruidjie Dot]], [[Modes van Agter, Skuld van Voor]], [[Sagmoedige Neelsie]], [[Dödsdansen|Dodedans]]. | ||
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| + | == Awards, etc == | ||
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== Sources == | == Sources == | ||
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[[PACT]] Report 1963/1964 | [[PACT]] Report 1963/1964 | ||
| − | Return to [[ESAT Personalities R]] | + | |
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Personalities R]] | ||
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 15:12, 16 June 2016
Kita Redelinghuys (Also written Kita Redelinghuijs at times) (19**-) Actress.
Contents
Biography
Married to dramatist Bartho Smit in 19**. She later developed an alcohol problem and disappeared from the scene. Many believe Bartho Smit’s finest play, Christine, is in part based on his complex relationship with Kita.
Youth
Training
She received her training in Paris and London. She returned to South Africa in 1957.
Career
Started out as an amateur actress with Volksteater. She joined the NTO in 1957 and since 1963 she worked for PACT.
Contribution to SA theatre, film, media and/or performance
Played the “coloured” mother “Bertha” to great acclaim in Lewis Sowden’s The Kimberley Train (1958), Die Jakkalsstreke van Scapino (1958), “Joan” in Shaw’s St Joan (NTO, 1959), Meneer Sleeman Kom (1963).
Other productions include Agt Vroue, Die Gebreekte Kruik, Soldate-vryers (1965), Pa, Maak vir my 'n Vlieër Pa, Exit the KingDie Koning Sterf, Oom Wanja (PACT 1967), Die Skuld van Oedipus, Modes van Agter, Skuld van Voor, Die Renosters, Die Lewe wat ek jou Gegee het, Monserrat, Bruidjie Dit en Bruidjie Dot, Modes van Agter, Skuld van Voor, Sagmoedige Neelsie, Dodedans.
Awards, etc
Sources
Du Toit, 1988;
Tucker, 1997 [TH, JH]
PACT Report 1963/1964
Return to
Return to ESAT Personalities R
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
