Difference between revisions of "ESAT Bibliography Rid-Rol"

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[[F.M. Ringwood|Ringwood, F.M.]] 2010. ''[[Othello]]'': theatre reviews. ''Shakespeare in Southern Africa'', 22:42-54.
  
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[[Richard Rive|Rive, Richard]] 1978. Around the back: ''[[The Orange Earth]]'', by [[Adam Small]]. Reviewed in: ''Speak'', 1(5):54-55.
  
RIJSDIJK, IAN-MALCOLM. 1996. Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133.
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[[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30.
  
Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30.
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[[Sarah Roberts|Roberts, Sarah]]. 2015. The 'Pioneers'. In [[Martin Middeke]], [[Peter Paul Schnierer]] and [[Greg Homann]] (editors).  ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing.
  
ROBERT L ERENSTEIN (ed.), Theatre and Television (Temple Hauptfleisch) South African theatre journal, 5(1):127-131.
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[[Sheila Roberts|Roberts, Sheila]] 1972. Walter Saunders, ''[[Emperor Bolly, or, When the balloon went up]]''. [Literary criticism]. ''Unisa English Studies'', 10(3):85-86. September.
  
Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September.
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[[Sheila Roberts|Roberts, Sheila]] 1980. South African bilingual and multilingual drama of the seventies. ''Canadian Drama'', 6(1):134-150.
  
Roberts, S. 1982. “No lessons learnt”: reading the texta of Fugard’s A lesson from aloes and Master Harold … and the boys. English in Africa, 9(2): 27-33.
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[[Sheila Roberts|Roberts, Sheila]] 1982. “No lessons learnt”: reading the texts of [[Athol Fugard|Fugard]]’s ''[[A Lesson from Aloes|A Lesson From Aloes]]'' and ''[[Master Harold ... and the boys|Master Harold … and the Boys]]''. ''English in Africa'', 9(2):27-33.
  
ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78.
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[[Sheila Roberts|Roberts, Sheila]] 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in [[Sarah Nuttall|Nuttall, Sarah]] & [[Carli Coetzee|Coetzee, Carli]] (eds.). ''Negotiating the Past. The Making of Memory in South Africa''. Cape Town: Oxford University Press.
  
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[[Nan Robertson|Robertson, Nan]]. 1986. "''Woza Afrika!'' spotlights Black South Africans". ''New York Times'' (Theater): July 24, 1986
  
Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press.
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[[Helen Robinson|Robinson, Helen]] 2005. ''Shakespeare at [[Maynardville]]''. Wynberg [South Africa] : Houghton House.
  
Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
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[[Helen Robinson|Robinson, H.]] 2006. [[René Ahrenson]] and [[Cecilia Sonnenberg]]: their contribution to theatre in Cape Town. ''Jewish Affairs'', 61(4):73-78.
  
Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78.
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[[Ninon Roets|Roets, Ninon]] 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
  
Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15.
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[[Frank Rogaly|Rogaly, Frank]] 1947. South African audiences like to laugh. ''Outspan'', 42(1077):29. October 17.
  
Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Johannesburg: Universiteit van die Witwatersrand. (M.A. thesis).
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[[Sydney Martin Rogers|Rogers Sydney Martin]] 1988. Die bydrae wat [[Anna Cloete]] (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.
  
Rogaly, Frank 1947. South African audiences like to laugh. Outspan. 42(1077): 29. October 17.
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[[A.E. Rogoff|Rogoff. A.E.]] 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.
  
Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Pretoria: Universiteit van Pretoria. (B.A. Hons. (Dramakunde) tesis).
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[[C. Rolfes|Rolfes, C.]] 1982. Pascual – olé ! ''Fair Lady'', 18(1):142-148. November 3. (Costume design).
 
 
Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. San Francisco State University. (M.A. thesis).
 
 
 
Rolfes, C. 1982. Pascual – olé ! Fair lady, 18(1) : 142-148. November 3. (kostuumontwerp)
 
  
  
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Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
  
[[ESAT Bibliography Ra-Res|Ra-Res]] [[ESAT Bibliography Ret-Ric|Ret-Ric]] [[ESAT Bibliography Rid-Rol|Rid-Rol]] [[ESAT Bibliography Rom=Rop|Rom-Rop]] [[ESAT Bibliography Ros-Rot|Ros-Rot]] [[ESAT Bibliography Rou-Rz|Rou-Rz]]
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[[ESAT Bibliography Ra-Res|Ra-Res]] [[ESAT Bibliography Ret-Ric|Ret-Ric]] [[ESAT Bibliography Rid-Rol|Rid-Rol]] [[ESAT Bibliography Rom-Rop|Rom-Rop]] [[ESAT Bibliography Ros-Rot|Ros-Rot]] [[ESAT Bibliography Rou-Rz|Rou-Rz]]
  
 
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Latest revision as of 12:48, 31 December 2018

Click on the appropriate letters of the alphabet in the sub-list below.

Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz

To return to any other letter, click on the list below

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Return to A Bibliography of South African South African Theatre and Performance


Ringwood, F.M. 2010. Othello: theatre reviews. Shakespeare in Southern Africa, 22:42-54.

Rive, Richard 1978. Around the back: The Orange Earth, by Adam Small. Reviewed in: Speak, 1(5):54-55.

Rizzo, Frank 2009. You can go home again. American Theatre, 26(1):30.

Roberts, Sarah. 2015. The 'Pioneers'. In Martin Middeke, Peter Paul Schnierer and Greg Homann (editors). The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.

Roberts, Sheila 1972. Walter Saunders, Emperor Bolly, or, When the balloon went up. [Literary criticism]. Unisa English Studies, 10(3):85-86. September.

Roberts, Sheila 1980. South African bilingual and multilingual drama of the seventies. Canadian Drama, 6(1):134-150.

Roberts, Sheila 1982. “No lessons learnt”: reading the texts of Fugard’s A Lesson From Aloes and Master Harold … and the Boys. English in Africa, 9(2):27-33.

Roberts, Sheila 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in Nuttall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa. Cape Town: Oxford University Press.

Robertson, Nan. 1986. "Woza Afrika! spotlights Black South Africans". New York Times (Theater): July 24, 1986

Robinson, Helen 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.

Robinson, H. 2006. René Ahrenson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish Affairs, 61(4):73-78.

Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Rogaly, Frank 1947. South African audiences like to laugh. Outspan, 42(1077):29. October 17.

Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.

Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.

Rolfes, C. 1982. Pascual – olé ! Fair Lady, 18(1):142-148. November 3. (Costume design).



Click on the appropriate letters of the alphabet in the sub-list below.

Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance