Difference between revisions of "ESAT Bibliography Rid-Rol"

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RIJSDIJK, IAN-MALCOLM. 1996. Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133.
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[[Frank Rizzo|Rizzo, Frank]] 2009. You can go home again. ''American Theatre'', 26(1):30.
  
Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30.
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[[S. Roberts|Roberts, S.]] 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. ''Unisa English Studies'', 10(3):85-86. September.
  
ROBERT L ERENSTEIN (ed.), Theatre and Television (Temple Hauptfleisch) South African theatre journal, 5(1):127-131.
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[[S. Roberts|Roberts, S.]] 1982. “No lessons learnt”: reading the texts of [[Athol Fugard|Fugard]]’s ''[[A Lesson From Aloes]]'' and ''[[Master Harold … and the Boys]]''. ''English in Africa'', 9(2):27-33.
  
Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September.
+
[[S. Robins|Robins, S.]] 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in [[Sarah Nuttall|Nuttall, Sarah]] & [[Carli Coetzee|Coetzee, Carli]] (eds.). ''Negotiating the Past. The Making of Memory in South Africa''. Cape Town: Oxford University Press.
  
Roberts, S. 1982. “No lessons learnt”: reading the texta of Fugard’s A lesson from aloes and Master Harold … and the boys. English in Africa, 9(2): 27-33.
+
[[Helen Robinson|Robinson, Helen]] 2005. ''Shakespeare at [[Maynardville]]''. Wynberg [South Africa] : Houghton House.
  
ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78.
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[[H. Robinson|Robinson, H.]] 2006. [[Rene Ahrnson]] and [[Cecilia Sonnenberg]]: their contribution to theatre in Cape Town. ''Jewish Affairs'', 61(4):73-78.
  
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[[Ninon Roets|Roets, Ninon]] 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.
  
Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press.
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[[Frank Rogaly|Rogaly, Frank]] 1947. South African audiences like to laugh. ''Outspan'', 42(1077):29. October 17.
  
Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
+
[[Sydney Martin Rogers|Rogers Sydney Martin]] 1988. Die bydrae wat [[Anna Cloete]] (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.
  
Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78.
+
[[A.E. Rogoff|Rogoff. A.E.]] 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.
  
Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15.
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[[C. Rolfes|Rolfes, C.]] 1982. Pascual – olé ! ''Fair Lady'', 18(1):142-148. November 3. (Costume design).
 
 
Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Johannesburg: Universiteit van die Witwatersrand. (M.A. thesis).
 
 
 
Rogaly, Frank 1947. South African audiences like to laugh. Outspan. 42(1077): 29. October 17.
 
 
 
Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Pretoria: Universiteit van Pretoria. (B.A. Hons. (Dramakunde) tesis).
 
 
 
Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. San Francisco State University. (M.A. thesis).
 
 
 
Rolfes, C. 1982. Pascual – olé ! Fair lady, 18(1) : 142-148. November 3. (kostuumontwerp)
 
  
  

Revision as of 15:50, 16 February 2011

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Rizzo, Frank 2009. You can go home again. American Theatre, 26(1):30.

Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English Studies, 10(3):85-86. September.

Roberts, S. 1982. “No lessons learnt”: reading the texts of Fugard’s A Lesson From Aloes and Master Harold … and the Boys. English in Africa, 9(2):27-33.

Robins, S. 1998. Silence in my father's house: memory, nationalism, and narratives of the body, in Nuttall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa. Cape Town: Oxford University Press.

Robinson, Helen 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.

Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish Affairs, 61(4):73-78.

Roets, Ninon 1974. Die ontwikkeling van die Afrikaanse drama sedert 1955. Unpublished master’s thesis. Johannesburg: University of the Witwatersrand.

Rogaly, Frank 1947. South African audiences like to laugh. Outspan, 42(1077):29. October 17.

Rogers Sydney Martin 1988. Die bydrae wat Anna Cloete (Norval) tot die ontwikkeling van die Suid-Afrikaanse toneel vanaf 1935 tot 1988 gelewer het. Unpublished honours thesis. Pretoria: University of Pretoria.

Rogoff. A.E. 1990. Unsilenced stages: the oppression and survival of South African theatre under censorship. Unpublished master’s thesis. San Francisco State University.

Rolfes, C. 1982. Pascual – olé ! Fair Lady, 18(1):142-148. November 3. (Costume design).



Click on the appropriate letters of the alphabet in the sub-list below.

Ra-Res Ret-Ric Rid-Rol Rom-Rop Ros-Rot Rou-Rz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance