Difference between revisions of "ESAT Bibliography Pif-Po"
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| − | Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27 | + | Piling and diaphragm wall complete at [[Natal Playhouse]] site. 1983. ''South African Construction World'', 2(1):22-27 |
| − | Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal. | + | [[Charles Moghamberry Pillay|Pillay, Charles Moghamberry]] 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal. |
| − | Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184. | + | [[Kriben Pillay|Pillay, Kriben]] 1998. Finding an identity: South African Indian theatre in Spain. ''South African Theatre Journal'', 12(1&2):178-184. |
| − | Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190. | + | [[Kriben Pillay|Pillay, Kriben]] 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. ''South African Theatre Journal'', 12(1&2):185-190. |
| − | Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville. | + | [[Kribendiren Pillay|Pillay, Kribendiren]] 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville. |
| − | Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29. | + | [[D. Pincus|Pincus, D.]] 1971. Hair today – still hair tomorrow. ''Personality'', 45-49. January 29. |
| − | Pinter, Karoly 1987. Some technical notes on | + | [[Karoly Pinter|Pinter, Karoly]] 1987. Some technical notes on [[Janet Suzman|Suzman]]’s ''Othello''. ''Shakespeare in Southern Africa'', 1:71. |
| − | Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Palyhouse). South African Construction World, 2(12):26-33. | + | [[G.W. Plant|Plant, G.W.]] & [[A. Joss|Joss, A.]] 1984. Ground water control for a deep level basement ([[Natal Palyhouse]]). ''South African Construction World'', 2(12):26-33. |
| − | Plaston: DNS | + | ''[[Plaston: DNS Kind]]''. [Literary criticism]. 1974. ''Tydskrif vir Geesteswetenskappe'', 14:223-226. September. |
| − | Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298. | + | [[Jane Plastow|Plastow, Jane]] 1999. ''Theatre and Society in South Africa: Reflections in a Fractured Mirror'', by [[Hauptfleisch, Temple|Temple Hauptfleisch]]. Reviewed in: ''Theatre Research International'', 24(3):297-298. |
| − | Plastow, Jane 2000. South African Theatre As/And Intervention | + | [[Jane Plastow|Plastow, Jane]] 2000. ''South African Theatre As/And Intervention'', edited by [[Blumberg, Marcia|Marcia Blumberg]] & [[Walder, Dennis|Dennis Walder]]. Reviewed in: ''Modern Drama'', 43(4):653. |
| − | Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3. | + | [[E. Platter|Platter, E.]] 1985. [[Dick, Liz|Liz Dick]] behind the screen. ''Fair Lady'', 20(6):46-49. April 3. |
| − | Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62 | + | Plays and piracy: a discussion. 1965. ''Contrast'', 3(4):53-62. |
| − | |||
| − | + | Plays without critics. 1947. ''Libertas'', 7(3):68-69. | |
| − | + | [[Maurice Podbrey|Podbrey, Maurice]] 1998. [[National Arts Festival|Grahamstad]] se wyedoek. ''Insig'', 08/98:40. | |
| − | + | [[A. Polatinsky|Polatinsky, A.]] 2009. ''[[MacBeki]]'' – a farce to be reckoned with, [[Uys, Pieter-Dirk|Pieter-Dirk Uys]]: theatre review. ''Shakespeare in Southern Africa'', 21(1):81-83. | |
| − | |||
| − | + | [[Karlien Ponelsi|Ponelis, Karlien]] 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch. | |
| − | + | [[M. Pope|Pope, M.]] 1959. Greek drama: ancestor of our own. ''Lantern'', 9:48-50. September. | |
| − | + | [[Vlada Popova|Popova, Vlada]] 2005. Youth development through intercultural performance: a case study from [[Wesbank Arts and Culture Group]], South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape. | |
| − | + | Popular theatre. [health education]. 1979. ''Link'', 15-16. September-December. | |
| − | + | Port Elizabeth [[Opera House]]. 1986. ''Architect & Builder'', 14-17, April. | |
| − | Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45. | + | [[A. Porter|Porter, A.]] 1971. Open air theatre. ''Looking Back'', 11(4):120-123. |
| + | |||
| + | [[R. Poynton|Poynton, R.]] 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. ''Convergence'', 7(1):40-43. | ||
| + | |||
| + | [[R. Poynton|Poynton, R.]] 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. ''Convergence'', 7(2):42-45. | ||
Revision as of 17:42, 14 February 2011
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
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Piling and diaphragm wall complete at Natal Playhouse site. 1983. South African Construction World, 2(1):22-27
Pillay, Charles Moghamberry 1991. A consideration of the relationship between religious ritual and theatre : with special reference to Hindu forms of worship. Unpublished master’s thesis. Durban: University of Natal.
Pillay, Kriben 1998. Finding an identity: South African Indian theatre in Spain. South African Theatre Journal, 12(1&2):178-184.
Pillay, Kriben 1998. The emperor’s new clothes: An exercise in virtual reality – Reflections on the Colston Symposium: New approaches to theatre studies and performance analysis. South African Theatre Journal, 12(1&2):185-190.
Pillay, Kribendiren 1999. Non-dualism: a theoretical and experiential perspective for the practice of educational drama and theatre. Unpublished doctoral dissertation. Durban: University of Durban-Westville.
Pincus, D. 1971. Hair today – still hair tomorrow. Personality, 45-49. January 29.
Pinter, Karoly 1987. Some technical notes on Suzman’s Othello. Shakespeare in Southern Africa, 1:71.
Plant, G.W. & Joss, A. 1984. Ground water control for a deep level basement (Natal Palyhouse). South African Construction World, 2(12):26-33.
Plaston: DNS Kind. [Literary criticism]. 1974. Tydskrif vir Geesteswetenskappe, 14:223-226. September.
Plastow, Jane 1999. Theatre and Society in South Africa: Reflections in a Fractured Mirror, by Temple Hauptfleisch. Reviewed in: Theatre Research International, 24(3):297-298.
Plastow, Jane 2000. South African Theatre As/And Intervention, edited by Marcia Blumberg & Dennis Walder. Reviewed in: Modern Drama, 43(4):653.
Platter, E. 1985. Liz Dick behind the screen. Fair Lady, 20(6):46-49. April 3.
Plays and piracy: a discussion. 1965. Contrast, 3(4):53-62.
Plays without critics. 1947. Libertas, 7(3):68-69.
Podbrey, Maurice 1998. Grahamstad se wyedoek. Insig, 08/98:40.
Polatinsky, A. 2009. MacBeki – a farce to be reckoned with, Pieter-Dirk Uys: theatre review. Shakespeare in Southern Africa, 21(1):81-83.
Ponelis, Karlien 2001. Die invloed van die Plautiniese klug op die moderne klug. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Pope, M. 1959. Greek drama: ancestor of our own. Lantern, 9:48-50. September.
Popova, Vlada 2005. Youth development through intercultural performance: a case study from Wesbank Arts and Culture Group, South Africa. Unpublished master’s thesis. Bellville: University of the Western Cape.
Popular theatre. [health education]. 1979. Link, 15-16. September-December.
Port Elizabeth Opera House. 1986. Architect & Builder, 14-17, April.
Porter, A. 1971. Open air theatre. Looking Back, 11(4):120-123.
Poynton, R. 2006. Improvisational theatre – free stuff – gifts everywhere: business theatre. Convergence, 7(1):40-43.
Poynton, R. 2006b. Improvisational theatre. Part 3 – and thereby hangs a tale : business theatre. Convergence, 7(2):42-45.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
