Difference between revisions of "ESAT Bibliography Jo-Jz"

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Johannesburg Civic Theatre. 1961. South African engineer, 52(517): 15-17. June.
 
  
Johannesburg junior orchestra and theatre movement: play festival for children by children. 1949. Transvaal educational news. 45(10): 17-18.
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[[Joan Gibson]] 1963. ''Femina and Woman's Life'', (21):44-45.
  
Johannesburg Market theatre. 1976. Restorica, 2: 26-30. August.
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[[Job Stewart]] 1957. ''Theatre News'', 2(3):5.
  
Johannesburg’s new Civic Theatre has many modern features. 1962. South African electrical review and power magazine, 53(530): 19-22. July.
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[[John Kani]], in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 2-9.
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[[John Moalusi Ledwaba]]: drama 1995. 2009. In Watterson, Lore (ed.). ''Standard Bank Young Artist Awards, 25 years''. Randburg [South Africa] : DeskLink Media. 93-94.
  
The Johannesburg Repertory Players and the Alexander Theatre. 1986. Lantern, 35(4) : 70-75.
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[[John Wright]]. 1957. ''Theatre News'', 2(3):3.  
  
Johnson, C. 1982. Drama in education. Education journal, 92(1): 21-26.
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[[John Wright]] and his puppets touring the Union. 1957. ''South Africana'', (9).
  
Johnson, David 1996. Shakespeare and South Africa. Oxford: Clarendon Press.
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[[John Wright]] puppets tour in Union. 1956. ''South Africana'', (2).
  
Johnson, David 1998. From the colonial and post-colonial: Shakespeare and education in Africa. In Loomba, A. & Orkin, M. (eds.). Post-colonial Shakespeares. London: Routledge. p. 218-234.
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[[Charles Johnman|Johnman, Charles]] 1968. A taste of Kabuki. ''[[Teater SA]]'', 1(1),3-4.
  
Johnston, F. 1956. Is Durban tired of theatre? Milady, 11(1): 14-17.
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[[C. Johnson|Johnson, C.]] 1982. Drama in education. ''Education Journal'', 92(1):21-26.
  
Johnston, S. 1997. The actor’s eye: seeing and being seen, by David Downs. Reviewed in: South African theatre journal, 11(1&2): 293-297.
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[[David Johnson|Johnson, David]] 1996. ''Shakespeare and South Africa''. Oxford: Clarendon Press.
  
Joiner, Cheryl M. 1992. Some aspects of movement patterning as an indicator of character with specific reference to the actor. Durban: University of Natal. (MA (Speech & Drama) thesis).
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[[David Johnson|Johnson, David]] 1998. From the colonial and post-colonial: Shakespeare and education in Africa, in [[A. Loomba|Loomba, A.]] & [[M. Orkin|Orkin, M.]] (eds.). ''Post-colonial Shakespeares''. London: Routledge. 218-234.
  
Jones, Basil 2008. Financing Handspring Puppet Company: A South African experience, in Gibbs, James (ed.). 2008. African theatre companies. Woodbridge, Suffolk: James Currey. 94-108.
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[[F. Johnston|Johnston, F.]] 1956. Is Durban tired of theatre? ''Milady'', 11(1):14-17.
  
Jones, H. 1974. Struktuuranalitiese ontleding van ‘n Skip is ons beloof deur George Louw. Klasgids, 9(2): 33-40. August.
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[[S. Johnston|Johnston, S.]] 1997. ''The Actor’s Eye: Seeing and Being Seen'', by [[David Downs]]. Reviewed in: ''[[South African Theatre Journal]]'', 11(1&2):293-297.
.
 
Jones, I. 1951. Arena staging: how we can make a success of it. Outspan, 48(1253): 21. March 2.
 
  
Jones, Laura 1994. Nothing except ourselves: the harsh times and bold theatre of South Africa’s Mbongeni Ngena. New York, NY: Penguin.
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[[Cheryl M. Joiner|Joiner, Cheryl M.]] 1992. Some aspects of movement patterning as an indicator of character with specific reference to the actor. Unpublished master’s thesis. Durban: University of Natal.
  
Jooste, G.A. 1983. Plaston: dns kind: mens en wetenskap. Klasgids, 18(1): 58-65.
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[[Basil Jones|Jones, Basil]] 2008. Financing [[Handspring Puppet Company]]: A South African experience, in [[James Gibbs|Gibbs, James]] (ed.). ''African Theatre Companies''. Woodbridge, Suffolk: James Currey. 94-108.
  
Jooste, S. 1950. Nasionale toneel. Brandwag 11(644): 12-17.
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[[H. Jones|Jones, H.]] 1974. Struktuuranalitiese ontleding van ''[[‘n Skip Is Ons Beloof]]'', deur [[George Louw]]. ''Klasgids'', 9(2):33-40. August.
  
Johnson, D. 1996. Shakespeare in South Africa. Oxford: Clarendon Press.
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[[I. Jones|Jones, I.]] 1951. Arena staging: how we can make a success of it. ''Outspan'', 48(1253):21. March 2.
  
Joseph, Christopher Odhiambo 2004. Volksblad Kunstefees (Bloemfontein) 2004 – An outsider’s view. South African Theatre Journal, 18:242-245.
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[[Laura Jones|Jones, Laura]] 1994. ''Nothing Except Ourselves: The Harsh Times and Bold Theatre of South Africa’s [[Mbongeni Ngema]]''. New York, NY: Penguin.
  
Joseph, Christopher Odhiambo 2007. Africa! (Re)source of theatre – the  50th International Federation for Theatre Research (IFTR) Conference, Stellenbosch, 10-14 July 2007. South African theatre journal, 21:368-370.
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[[G.A. Jooste|Jooste, G.A.]] 1983. ''[[Plaston: DNS Kind]]'': mens en wetenskap. ''Klasgids'', 18(1):58-65.
  
Joubert, Anél 2006. Die tegniek van geen tegniek. 'n ondersoek na kontak improvisasie in Suid-Afrika, met spesiale verwysing na die werk van Lanon Prigge en Samantha Pienaar. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbsoch.
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[[S. Jooste|Jooste, S.]] 1950. Nasionale toneel. ''Brandwag'', 11(644):12-17.
  
Joubert, Gideon Jacobus 1972. W.E.G. Louw as toneelkritikus. Pretoria: Universiteit van Pretoria. (M.Dram. thesis).
+
Jordaan, B.T. 1985. Die man-vrou-verhouding in die dramas van [[Bartho Smit]]. Unpublished masters thesis. Pretoria: Unisa.
  
Joubert, Gideon Jacobus 1974. Rigtings en figure in die toneelkritiek van Suid-Afrika, 1963-1972. Unpublished doctoral dissertation. Pretoria: University of Pretoria.  
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Jordan, John O. 1993. Life in the theater: autobiography, politics, and romance in ''[[Master Harold...and the boys|Master Harold... and the boys]]''. ''Twentieth Century Literature'', 39(4):461-472.
  
Julian, Ria 1985. No life lived in the sun can be a failure: Athol Fugard in interview. Drama: the quarterly theatre review. 40(156): 5-8.
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Jordan, M.M. 2010. ''[[Romeo and Juliette]]'': Shakespeare for schools. ''Shakespeare In Southern Africa'' 22(1):39-40.
  
Julius Caesar Macmillan communicative Shakespeare series: book review. 1994. Crux, 28(1): 26.
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[[Christopher Odhiambo Joseph|Joseph, Christopher Odhiambo]] 2004. [[Volksblad Kunstefees]] (Bloemfontein) 2004 – An outsider’s view. ''[[South African Theatre Journal]]'', 18:242-245.
  
Jurgens, Heather L. 1968. Children's theatre: cheep like birds? Theatre SA: Quarterly for South African Theater, 1 (1): 12-13.
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[[Christopher Odhiambo Joseph|Joseph, Christopher Odhiambo]] 2007. Africa! (Re)source of theatre – the  50th International Federation for Theatre Research (IFTR) Conference, Stellenbosch, 10-14 July 2007. ''[[South African Theatre Journal]]'', 21:368-370.
  
Jusa, John 2007. Challenging the structures of power : an introduction to Citizen Theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.
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[[Anél Joubert|Joubert, Anél]] 2006. Die tegniek van geen tegniek. 'n ondersoek na kontak improvisasie in Suid-Afrika, met spesiale verwysing na die werk van [[Lanon Prigge]] en [[Pienaar, Samantha|Samantha Pienaar]]. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbsoch.
Just the ticket? 1972. Financial mail, 44:37. April 7.
 
  
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[[Deon Joubert|Joubert, Gideon Jacobus]] 1972. [[W.E.G. Louw]] as toneelkritikus. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.
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[[Deon Joubert|Joubert, Gideon Jacobus]] 1974. Rigtings en figure in die toneelkritiek van Suid-Afrika, 1963-1972. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
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[[Joyce Grant]] 1957. ''Theatre News'', October:3.
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[[Peter Joyce|Joyce, Peter]]. 1999. ''A Concise Dictionary of South African Biography''. Cape Town: Francolin Publishers.
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[[Peter Joyce|Joyce, Peter]]. 2000. ''South Africa in the 20th century: Chronicles of an Era'' [[Struik Publishers]]
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[[Ria Julian|Julian, Ria]] 1985. No life lived in the sun can be a failure: [[Athol Fugard]] in interview. ''Drama: The Quarterly Theatre Review''. 40(156):5-8.
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[[Heather L. Jurgens|Jurgens, Heather L.]] 1968. Children's Theatre: cheep like birds? ''[[Teater SA|Theatre SA]]: Quarterly for South African Theatre'', 1 (1):12-13.
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[[Heather L. Jurgens|Jurgens, Heather L.]] 1969. Play-writing in South Africa. ''[[Teater SA]]'', 1(3):5-7.
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[[Heather Jurgens|Jurgens, Heather]] 1969. Play-writing in South Africa, II. ''[[Teater SA]]'', 1(4):6-8. ([[Athol Fugard]], [[H.W.D. Manson]])
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[[Heather Jurgens|Jurgens, Heather]] 1969. Unaccommodated man. ''[[Teater SA]]'', 1(4):3-5. (''[[King Lear]]'')
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[[John Jusa|Jusa, John]] 2007. Challenging the structures of power : an introduction to Citizen Theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.
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[[Jan Juta|Juta, Jan]]. 1972. ''Background in Sunshine: Memories of South Africa''. New York: Charles Scribner and
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Sons.
  
 
Click on the appropriate letters of the alphabet in the sub-list below.  
 
Click on the appropriate letters of the alphabet in the sub-list below.  

Latest revision as of 16:41, 16 November 2020

Click on the appropriate letters of the alphabet in the sub-list below.

Ja-Ji Jo-Jz

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Joan Gibson 1963. Femina and Woman's Life, (21):44-45.

Job Stewart 1957. Theatre News, 2(3):5.

John Kani, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 2-9.

John Moalusi Ledwaba: drama 1995. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 93-94.

John Wright. 1957. Theatre News, 2(3):3.

John Wright and his puppets touring the Union. 1957. South Africana, (9).

John Wright puppets tour in Union. 1956. South Africana, (2).

Johnman, Charles 1968. A taste of Kabuki. Teater SA, 1(1),3-4.

Johnson, C. 1982. Drama in education. Education Journal, 92(1):21-26.

Johnson, David 1996. Shakespeare and South Africa. Oxford: Clarendon Press.

Johnson, David 1998. From the colonial and post-colonial: Shakespeare and education in Africa, in Loomba, A. & Orkin, M. (eds.). Post-colonial Shakespeares. London: Routledge. 218-234.

Johnston, F. 1956. Is Durban tired of theatre? Milady, 11(1):14-17.

Johnston, S. 1997. The Actor’s Eye: Seeing and Being Seen, by David Downs. Reviewed in: South African Theatre Journal, 11(1&2):293-297.

Joiner, Cheryl M. 1992. Some aspects of movement patterning as an indicator of character with specific reference to the actor. Unpublished master’s thesis. Durban: University of Natal.

Jones, Basil 2008. Financing Handspring Puppet Company: A South African experience, in Gibbs, James (ed.). African Theatre Companies. Woodbridge, Suffolk: James Currey. 94-108.

Jones, H. 1974. Struktuuranalitiese ontleding van ‘n Skip Is Ons Beloof, deur George Louw. Klasgids, 9(2):33-40. August.

Jones, I. 1951. Arena staging: how we can make a success of it. Outspan, 48(1253):21. March 2.

Jones, Laura 1994. Nothing Except Ourselves: The Harsh Times and Bold Theatre of South Africa’s Mbongeni Ngema. New York, NY: Penguin.

Jooste, G.A. 1983. Plaston: DNS Kind: mens en wetenskap. Klasgids, 18(1):58-65.

Jooste, S. 1950. Nasionale toneel. Brandwag, 11(644):12-17.

Jordaan, B.T. 1985. Die man-vrou-verhouding in die dramas van Bartho Smit. Unpublished masters thesis. Pretoria: Unisa.

Jordan, John O. 1993. Life in the theater: autobiography, politics, and romance in Master Harold... and the boys. Twentieth Century Literature, 39(4):461-472.

Jordan, M.M. 2010. Romeo and Juliette: Shakespeare for schools. Shakespeare In Southern Africa 22(1):39-40.

Joseph, Christopher Odhiambo 2004. Volksblad Kunstefees (Bloemfontein) 2004 – An outsider’s view. South African Theatre Journal, 18:242-245.

Joseph, Christopher Odhiambo 2007. Africa! (Re)source of theatre – the 50th International Federation for Theatre Research (IFTR) Conference, Stellenbosch, 10-14 July 2007. South African Theatre Journal, 21:368-370.

Joubert, Anél 2006. Die tegniek van geen tegniek. 'n ondersoek na kontak improvisasie in Suid-Afrika, met spesiale verwysing na die werk van Lanon Prigge en Samantha Pienaar. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbsoch.

Joubert, Gideon Jacobus 1972. W.E.G. Louw as toneelkritikus. Unpublished master’s thesis. Pretoria: Universiteit van Pretoria.

Joubert, Gideon Jacobus 1974. Rigtings en figure in die toneelkritiek van Suid-Afrika, 1963-1972. Unpublished doctoral dissertation. Pretoria: University of Pretoria.

Joyce Grant 1957. Theatre News, October:3.

Joyce, Peter. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.

Joyce, Peter. 2000. South Africa in the 20th century: Chronicles of an Era Struik Publishers

Julian, Ria 1985. No life lived in the sun can be a failure: Athol Fugard in interview. Drama: The Quarterly Theatre Review. 40(156):5-8.

Jurgens, Heather L. 1968. Children's Theatre: cheep like birds? Theatre SA: Quarterly for South African Theatre, 1 (1):12-13.

Jurgens, Heather L. 1969. Play-writing in South Africa. Teater SA, 1(3):5-7.

Jurgens, Heather 1969. Play-writing in South Africa, II. Teater SA, 1(4):6-8. (Athol Fugard, H.W.D. Manson)

Jurgens, Heather 1969. Unaccommodated man. Teater SA, 1(4):3-5. (King Lear)

Jusa, John 2007. Challenging the structures of power : an introduction to Citizen Theatre. Unpublished master’s thesis. Cape Town: University of Cape Town.

Juta, Jan. 1972. Background in Sunshine: Memories of South Africa. New York: Charles Scribner and Sons.

Click on the appropriate letters of the alphabet in the sub-list below.

Ja-Ji Jo-Jz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance