Difference between revisions of "ESAT Bibliography Hes-Hol"

From ESAT
Jump to navigation Jump to search
Line 13: Line 13:
  
  
Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en en Friedrich Dürrenmatt se Der besuch der alten Dame. Tydskrif vir letterkunde, 24 : 56-62.
+
Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en Durrenmatt se Der Besuch der alten Damen. Tydskrif vir Letterkunde, 24(3):56-62.
  
Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en Durrenmatt se Der Besuch der alten Damen. Tydskrif vir letterkunde, 24(3) : 56-62.
+
Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 25:38-42.
  
Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 25: 38-42.
+
Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 27(3):90-97.
  
Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 27(3): 90-97.
+
The Hexagon experimental theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10):29-31.
  
The Hexagon experimental theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10) : 29-31.
+
Hey, Joy 1966. One Kind of Phoenix : The Story of Peter Hey. Pietermaritzburg : Shuter and Shooter.
  
Hey, Joy 1966. One kind of phoenix : the story of Peter Hey. Pietermaritzburg : Shuter and Shooter
+
Heyns, M.S. 1967. Die H.B. Thom-teater op Stellenbosch. Lantern, 17(2):36-41.
  
Heyns, M.S. 1967. H.B. Thom-teater op Stellenbosch. Lantern, 17(2): 36-41.
+
Heywood, C. (ed.). 1974. Aspects of South African Literature. London: Heinemann.
 
 
Heywood, C. (ed.). 1974. Aspects of South African Literature. London: Heinemann
 
  
 
Higginson, Craig, Foanna Laurens & Caridad Svich 2004. A triangle of thought. Performance Research, 9(1):76-80.  
 
Higginson, Craig, Foanna Laurens & Caridad Svich 2004. A triangle of thought. Performance Research, 9(1):76-80.  
Line 33: Line 31:
 
Hill, Ronald 1965. Shame Theatre World, 61:13-15.
 
Hill, Ronald 1965. Shame Theatre World, 61:13-15.
  
Hiltermann, Tracey Virginia 1993. The ethnography of visual literacy : a theoretical perspective for the study and teaching of visual discourses. Unpublihed doctoral dissertation. Johannesburg: University of the Witwatersrand.  
+
Hiltermann, Tracey Virginia 1993. The ethnography of visual literacy: a theoretical perspective for the study and teaching of visual discourses. Unpublihed doctoral dissertation. Johannesburg: University of the Witwatersrand.  
  
Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal educational news, 92(3): 12-13.
+
Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal Educational News, 92(3):12-13.
  
History (The) of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5.
+
History of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5.
  
Hlongwane, Ali Khangela 1994. Reflections on a cultural day of artists and workers on 16 April 1989. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 199-202.
+
Hlongwane, Ali Khangela 1994. Reflections on a cultural day of artists and workers on 16 April 1989, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 199-202.
  
Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative drama, 29(3): 415-435.
+
Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative Drama, 29(3):415-435.
  
Hoernlé, A. 1934. The Bantu Dramatic Society of Johannesburg.  Africa: journal of the International African Institute, 7: 223-227.  
+
Hoernlé, A. 1934. The Bantu Dramatic Society of Johannesburg.  Africa: journal of the International African Institute, 7:223-227.  
  
Hoffman, Arthur and Romain, Anna 1980. They built a theatre: The story of the Johannesburg Repertory Society.  Johannesbrug: Ad Donker.
+
Hoffman, Arthur & Romain, Anna 1980. They Built a Theatre: The Story of the Johannesburg Repertory Society.  Johannesbrug: Ad Donker.
  
Hoffman, Rosemary Ursula 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library.
+
Hoffman, Rosemary Ursula 1964. A List of Theatre Performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library.
  
Hofmeyer, I. 1995. Politics and performance : theatre, poetry and song in Southern Africa, edited by L. Gunner. Reviewed in: South African historical journal, 47(32): 292-293.
+
Hofmeyer, I. 1995. Politics and Performance: Theatre, Poetry and Song in Southern Africa, edited by L. Gunner. Reviewed in: South African Historical Journal, 47(32):292-293.
  
Holiday, A. 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in Nutall, Sarah & Coetzee, Carli (eds.). Negotiating the past. The making of memory in South Africa.Cape Town: Oxford University Press.
+
Holiday, A. 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in Nutall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa.Cape Town: Oxford University Press.
  
 
Holloway, Myles 1988a.  An interview with Zakes Mda, South African Theatre Journal, 2(2):81-8
 
Holloway, Myles 1988a.  An interview with Zakes Mda, South African Theatre Journal, 2(2):81-8
Line 59: Line 57:
 
Holloway, Myles 1989a. Discordant voices of a lived reality:  Zakes Mda’s The Hill. South African Theatre Journal, 3(2):33-50.
 
Holloway, Myles 1989a. Discordant voices of a lived reality:  Zakes Mda’s The Hill. South African Theatre Journal, 3(2):33-50.
  
Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s  early plays. English Academy review, 6: 28-41.
+
Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s  early plays. English Academy Review, 6:28-41.
  
Holloway, Myles 1992. The Crisis of Liberalism in South African Theatre. In: Westerley 3:41-47.
+
Holloway, Myles 1992. The crisis of liberalism in South African theatre. Westerley, 3:41-47.
  
Holloway, Myles 1993. Creative co-operation: a critical survey of workshop theatre in South Africa, South African Theatre Journal, 7(1): 17-31.
+
Holloway, Myles 1993. Creative co-operation: a critical survey of workshop theatre in South Africa, South African Theatre Journal, 7(1):17-31.
  
Holloway, Myles 1997.  Music Hall in Johannesburg: 1886 1896. South African Theatre Journal, 11(1&2): 15-53.
+
Holloway, Myles 1997.  Music Hall in Johannesburg: 1886-1896. South African Theatre Journal, 11(1&2):15-53.
  
Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare survey, 55:271-284.
+
Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare Survey, 55:271-284.
  
  

Revision as of 12:13, 18 January 2011

Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en Durrenmatt se Der Besuch der alten Damen. Tydskrif vir Letterkunde, 24(3):56-62.

Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 25:38-42.

Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir Letterkunde, 27(3):90-97.

The Hexagon experimental theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10):29-31.

Hey, Joy 1966. One Kind of Phoenix : The Story of Peter Hey. Pietermaritzburg : Shuter and Shooter.

Heyns, M.S. 1967. Die H.B. Thom-teater op Stellenbosch. Lantern, 17(2):36-41.

Heywood, C. (ed.). 1974. Aspects of South African Literature. London: Heinemann.

Higginson, Craig, Foanna Laurens & Caridad Svich 2004. A triangle of thought. Performance Research, 9(1):76-80.

Hill, Ronald 1965. Shame Theatre World, 61:13-15.

Hiltermann, Tracey Virginia 1993. The ethnography of visual literacy: a theoretical perspective for the study and teaching of visual discourses. Unpublihed doctoral dissertation. Johannesburg: University of the Witwatersrand.

Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal Educational News, 92(3):12-13.

History of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5.

Hlongwane, Ali Khangela 1994. Reflections on a cultural day of artists and workers on 16 April 1989, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 199-202.

Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative Drama, 29(3):415-435.

Hoernlé, A. 1934. The Bantu Dramatic Society of Johannesburg. Africa: journal of the International African Institute, 7:223-227.

Hoffman, Arthur & Romain, Anna 1980. They Built a Theatre: The Story of the Johannesburg Repertory Society. Johannesbrug: Ad Donker.

Hoffman, Rosemary Ursula 1964. A List of Theatre Performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library.

Hofmeyer, I. 1995. Politics and Performance: Theatre, Poetry and Song in Southern Africa, edited by L. Gunner. Reviewed in: South African Historical Journal, 47(32):292-293.

Holiday, A. 1998. Forgiving and forgetting: the Truth and Reconciliation Commission, in Nutall, Sarah & Coetzee, Carli (eds.). Negotiating the Past. The Making of Memory in South Africa.Cape Town: Oxford University Press.

Holloway, Myles 1988a. An interview with Zakes Mda, South African Theatre Journal, 2(2):81-8

Holloway, Myles Kenton 1988b. Zakes Mda's plays : the art of the text in the context of politics. Unpublished master’s thesis. Durban: University of Natal.

Holloway, Myles 1989a. Discordant voices of a lived reality: Zakes Mda’s The Hill. South African Theatre Journal, 3(2):33-50.

Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s early plays. English Academy Review, 6:28-41.

Holloway, Myles 1992. The crisis of liberalism in South African theatre. Westerley, 3:41-47.

Holloway, Myles 1993. Creative co-operation: a critical survey of workshop theatre in South Africa, South African Theatre Journal, 7(1):17-31.

Holloway, Myles 1997. Music Hall in Johannesburg: 1886-1896. South African Theatre Journal, 11(1&2):15-53.

Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare Survey, 55:271-284.


Click on the appropriate letters of the alphabet in the sub-list below.

H-Hat Hau Haw-Her Hes-Hol Hom-How Hug-Hun Hut Hy-Hz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance