Difference between revisions of "ESAT Bibliography Che-Cl"
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Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington. | Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington. | ||
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| + | [[Gibson Alessandro Cima|Cima, Gibson Alessandro]] 2014. ''[[Sarafina!]]'' in Black and White: revival, colour-conscious casting and new social cohesion paradigms. ''[[South African Theatre Journal]]'', 27(3):207-221. | ||
[[Civic Theatre]] at Johannesburg. 1962. ''South African Builder'', 40(8):14-23. | [[Civic Theatre]] at Johannesburg. 1962. ''South African Builder'', 40(8):14-23. | ||
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Chetham-Strode, Warren 1952. Background (dramatic criticism) Helikon, 1(6):73-74. Aug
The children’s theatre in South Africa. 1957. Lantern, 146-130. December.
Chinyowa, Kennedy 2009. Theatrical performance as technology: the case of drama in AIDS education (DramAidE) in South Africa. Studies in Theatre & Performance, 29(1):33-52.
Chinyowa, Kennedy 2010. Communicating Development Through Applied Theatre : Case Study of a Community Theatre Project in South Africa. Saarbrucken : Lambert Academic Pub.
A chronology of SA theatre: 1887-1984 compiled by CESAT. 1985, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 142-155.
Cilliers, J. 1979. Best little powerhouse in Jo’burg. (Dawn Lindberg). Fair Lady, 15(13):62-67. October 19.
Cima, Gibson Alessandro 2012. Postconflict Nostalgia: Postapartheid South African Theatre, 1990-2010. Unpublished doctoral dissertation. University of Washington.
Cima, Gibson Alessandro 2014. Sarafina! in Black and White: revival, colour-conscious casting and new social cohesion paradigms. South African Theatre Journal, 27(3):207-221.
Civic Theatre at Johannesburg. 1962. South African Builder, 40(8):14-23.
Claassen, Jacques 1986. Maude vir Antjie. De Kat, 2(3):50-53.
Claassen, George 1996. News as vaudeville: the dramatic image; news diffusion and demise of cultural literacy through show business. South African Theatre Journal, 10(2):101-115.
Claassen, George 1998. Just the ticket! – my 50 years in show business by Percy Tucker. Reviewed in: South African Theatre Journal, 12(1&2):237-243.
Claassen, J.-M. 2006. Rendering Caesar: thoughts on the translation into English of N.P. van Wyk Louw's Germanicus. Akroterion, 51(2).
Clarence, S. 1992. Theatre for Africa. Environmental Education Bulletin, 122(6):25-29.
Cleary, Beth 2000. The Zulu by Mbongeni Ngema. Reviewed in: Theatre Journal, 52(4):571-572.
Cloete, H. 2007. The influence of Goethe's Faust on N.P. van Wyk Louw's Die Dieper Reg. Journal for Language Teaching, 41(1):
Cloete, L. 1971. Sphinx on Table mountain. [sets for Aïda]. Personality, 55-56. March 14.
Cloete, L. 1977. Sterrewagteater in Bloemfontein. Lantern, 27(1):72-73. May.
Cloete, Mike (ed.). 1974. The first ten years – CAPAB/KRUIK – Die eerste tien jaar. Cape Town: The Standard Press.
Cloete, Nicola 2011. Gendering performance in At her Feet (Nadia Davids). South African Theatre Journal, 25(1):45-53.
Cloete, T.T. 1965. Die stem in die literêre kunswerk - 'n ondersoek na die aanbiedingswyse in die liriese en epiese poësie, verhalende prosa en drama, deur J.C. Kannemeyer. Reviewed in: Tydskrif vir Geesteswetenskappe, 5(4):438-442.
Cloete, T.T. 1966. Vyfling : 'n bundel eenbedrywe van Hertzogpryswenners. Kaapstad: Nasionale Boekhandel.
Cloete, T.T. 1975a. Die begrip intellektueel by N.P. van Wyk Louw, by R. Pretorius. Reviewed in: Tydskrif vir Geesteswetenskappe, 15(3),
Cloete, T.T. 1975b. Henriëtte Grové se Toe Hulle die Vierkleur op Rooigrond Gehys het. [Literary criticism]. Tydskrif vir Letterkunde, 13(4):82-84.
Cloete, T.T. 1984. Die dramatiese vers van Die Laaste Aand, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 105-114.
Clouts, Rita 1956. The Brian Brooke story, 1. Sound, 1(2):20-21.
Clouts, Rita 1956. The Brian Brooke story, 2. Sound, 1(3):20-21.
Clouts, Rita 1956. The Brian Brooke story, 3. Sound, 1(4):5.
Clowes, L. 2008. Masculinity, matrimony and generation: reconfiguring patriarchy in Drum 1951-1983. Journal of Southern African Studies, 34(1):179-192.
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