Difference between revisions of "ESAT Bibliography Bat-Bet"
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[[Lynette Bell|Bell, Lynette]] 1978. An approach to theatre make-up. ''Scenaria'', December/January: 41. | [[Lynette Bell|Bell, Lynette]] 1978. An approach to theatre make-up. ''Scenaria'', December/January: 41. | ||
| − | [[Veronica Penkin Belling|Belling, Veronica Penkin]] 2004. A Yiddish actor in Port Elizabeth | + | [[Veronica Penkin Belling|Belling, Veronica Penkin]] 2004. A Yiddish actor in Port Elizabeth ([[Henry Ariel]]). ''Jewish Affairs'', 59(1):40-42. |
[[Veronica Penkin Belling|Belling, Veronica Penkin]] 2006. Yiddish theatre in South Africa. ''Jewish Affairs'', 61(4):5-16. | [[Veronica Penkin Belling|Belling, Veronica Penkin]] 2006. Yiddish theatre in South Africa. ''Jewish Affairs'', 61(4):5-16. | ||
| Line 58: | Line 58: | ||
[[Johannes Jacobus Petrus Beneke|Beneke, Johannes Jacobus Petrus]] 1984. ''[[Christine]]'': model van die flitsvertelling, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 51-63. | [[Johannes Jacobus Petrus Beneke|Beneke, Johannes Jacobus Petrus]] 1984. ''[[Christine]]'': model van die flitsvertelling, in [[Charles Malan|Malan, Charles]] (ed.) ''Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater''. Johannesburg: Perskor. 51-63. | ||
| − | Bennett, Vane 1885. ''Biographical and memorial Sketch of F.A. Disney Roebuck''. Cape Town: Saul Solomon and Co. | + | [[Vane Bennett|Bennett, Vane]] 1885. ''Biographical and memorial Sketch of F.A. Disney Roebuck''. Cape Town: Saul Solomon and Co. |
| − | Benson, Mary 1973 Athol Fugard and “one little corner of the world”. ''Yale / Theatre'', IV, no.1 (Winter 1973):55-62 | + | [[Mary Benson|Benson, Mary]] 1973 [[Fugard, Athol|Athol Fugard]] and “one little corner of the world”. ''Yale / Theatre'', IV, no.1 (Winter 1973):55-62 |
| − | Benson, Mary | + | [[Mary Benson|Benson, Mary]] 1977. Keeping an appointment with the future: the theatre of [[Fugard, Athol|Athol Fugard]]. ''Theatre Quarterly'', 7(28):77-83. |
| − | Benson, Mary 1997. ''Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre''. Johannesburg: Ravan Press. | + | [[Mary Benson|Benson, Mary]] 1997. ''[[Fugard, Athol|Athol Fugard]] and [[Simon, Barney|Barney Simon]]: Bare Stage, A Few Props, Great Theatre''. Johannesburg: Ravan Press. |
| − | Bensusan, A.D. 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January. | + | [[A.D. Bensusan|Bensusan, A.D.]] 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January. |
| − | Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3. | + | [[M. Benz|Benz, M.]] 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3. |
| − | Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town. | + | [[Anita Berk|Berk, Anita]] 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town. |
| − | Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand. | + | [[Daphne Bernstein|Bernstein, Daphne]] 1972. The History of the [[Standard Theatre]], Johannesburg, with special reference to the contribution of [[Rayne, Leonard|Leonard Rayne]]. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand. |
| − | Berold, Ralph et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net. | + | [[Ralph Berold|Berold, Ralph]] et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net. |
Revision as of 14:16, 17 December 2010
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Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University.
Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258):37. April 6.
Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5.
Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4.
Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal.
Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72.
Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64.
The Baxter Theatre. 1977. Scenaria, August/ September:12-13.
Baxter Theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September.
Baxter’s first five years. 1982. Scenaria, (32):17-19.
Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60.
Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.
Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.
Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14.
Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.
Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.
Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth (Henry Ariel). Jewish Affairs, 59(1):40-42.
Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish Affairs, 61(4):5-16.
Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.
Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27.
Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.
Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63.
Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.
Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973):55-62
Benson, Mary 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-83.
Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press.
Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January.
Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3.
Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town.
Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.
Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
