Difference between revisions of "ESAT Bibliography Bat-Bet"

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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Return to [[The ESAT Entries]]
  
  
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[[Philip Bateman|Bateman, Philip]] 1951a. Do we need national theatre? ''Outspan'', 49(1258):37. April 6.
 
[[Philip Bateman|Bateman, Philip]] 1951a. Do we need national theatre? ''Outspan'', 49(1258):37. April 6.
  
[[Philip Bateman|Bateman, Philip]] 1951b. We musn't let hard times kill the theatre. Outspan, 48(1247):21. January 19.
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[[Philip Bateman|Bateman, Philip]] 1951b. We musn't let hard times kill the theatre. ''Outspan'', 48(1247):21. January 19.
  
 
[[Philip Bateman|Bateman, Philip]] 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. ''Outspan'', 51(1332):53. September 5.
 
[[Philip Bateman|Bateman, Philip]] 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. ''Outspan'', 51(1332):53. September 5.
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[[Veronica Baxter|Baxter, Veronica]] 2005. Forum theatre: learning to live with limitations. ''[[South African Theatre Journal]]'', 19:130-142.
 
[[Veronica Baxter|Baxter, Veronica]] 2005. Forum theatre: learning to live with limitations. ''[[South African Theatre Journal]]'', 19:130-142.
  
[[Veronica Baxter|Baxter, Veronica]] & [[James Aitchison|Aitchison, James]] 2006. The playful theatre of [[Nicholas Ellenbogen]]. 1985-1990. ''[[South African Theatre Journal]]'', 20:48-64.
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[[Veronica Baxter|Baxter, Veronica]] and [[James Aitchison|Aitchison, James]] 2006. The playful theatre of [[Nicholas Ellenbogen]]. 1985-1990. ''[[South African Theatre Journal]]'', 20:48-64.
  
[[Veronica Baxter|Baxter, Veronica]] & [[James Aitchison|Aitchison, James]] 2010. Embodying 'lightness' in the new South Africa: the theatre of [[Ellis Pearson]] and [[Bheki Mkhwane]] 1993-2008. ''[[South African Theatre Journal]]'', 24:51-66.
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[[Veronica Baxter|Baxter, Veronica]] and [[James Aitchison|Aitchison, James]] 2010. Embodying 'lightness' in the new South Africa: the theatre of [[Ellis Pearson]] and [[Bheki Mkhwane]] 1993-2008. ''[[South African Theatre Journal]]'', 24:51-66.
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[[Veronica Baxter|Baxter, Veronica]] and [[Katharine E. Low|Low, Katharine E]]. 2017. ''Applied Theatre: Performing Health and Wellbeing''. London: Bloomsbury Publishing.  
  
 
The [[Baxter Theatre]]. 1977. ''[[Scenaria]]'', August/ September:12-13.
 
The [[Baxter Theatre]]. 1977. ''[[Scenaria]]'', August/ September:12-13.
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[[Margot Beard|Beard, Margot]] 2002. King Lear: a production of the North West Arts Drama Youth group, directed by [[Mpumelelo Grootboom]] at the [[Grahamstown Festival]], June/July 2002. ''Shalespeare in Southern Africa'', 14:59-60.
 
[[Margot Beard|Beard, Margot]] 2002. King Lear: a production of the North West Arts Drama Youth group, directed by [[Mpumelelo Grootboom]] at the [[Grahamstown Festival]], June/July 2002. ''Shalespeare in Southern Africa'', 14:59-60.
  
Becker, F.N. 2010. Capitalism and crime: Brechtian economies in the threepenny opera and love, crime and Johannesburg. ''Modern Drama'', 53(2):159-186.
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Becker, Florian Nikolas 2010. Capitalism and crime: Brechtian economies in the ''Threepenny Opera'' and ''[[Love, Crime and Johannesburg]]'' ([[Junction Avenue Theatre Company]]). ''Modern Drama'', 53(2):159-186.
  
 
[[Jacoba W. Bedford|Bedford, Jacoba W.]] 1988. The presence of the past in selected works by [[Pieter-Dirk Uys]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.
 
[[Jacoba W. Bedford|Bedford, Jacoba W.]] 1988. The presence of the past in selected works by [[Pieter-Dirk Uys]]. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.
  
[[Aldo Georg Behrens|Behrens, Aldo Georg]] 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.
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[[Aldo Behrens|Behrens, Aldo Georg]] 1978. ''[[The Glass Menagerie|Speelgoed van glas]]'' [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.
  
[[Aldo Behrens|Behrens]], Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.
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[[Aldo Behrens|Behrens, Aldo]] 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.
  
 
Belasting op die toneel. 1945. ''Huisgenoot'', 30(1225):5. September 14.
 
Belasting op die toneel. 1945. ''Huisgenoot'', 30(1225):5. September 14.
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[[David Bell|Bell, David]] and [[Johan U. Jacobs|Jacobs, Johan U.]] 2009. ''Ways of writing : critical essays on [[Zakes Mda]]''. Scottsville : University of KwaZulu-Natal Press.
  
 
[[Elizabeth Anne Charlton Bell|Bell, Elizabeth Anne Charlton]] 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.  
 
[[Elizabeth Anne Charlton Bell|Bell, Elizabeth Anne Charlton]] 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.  
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[[Benjy Francis]]: director/actor, in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 156-159.
 
[[Benjy Francis]]: director/actor, in Herber, Avril 1979. ''Conversations: Some People, Some Place, Some Time South Africa''. Johannesburg: Bateleur. 156-159.
  
[[Vane Bennett|Bennett, Vane]] 1885. ''Biographical and memorial Sketch of F.A. Disney Roebuck''. Cape Town: Saul Solomon and Co.
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[[Vane Bennett|Bennett, Vane]] 1885. ''Biographical and Memorial Sketch of Francis Algernon Disney Roebuck, Late Capt. 23rd Royal Welsh Fusiliers''. Cape Town: Saul Solomon and Co.
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Benson, Eugene and Connolly, L.W. 1994 ''Encyclopedia of Post-Colonial Literatures in English''. Routledge (Revised 2004).  
  
[[Mary Benson|Benson, Mary]] 1972. [[Athol Fugard]] and “one little corner of the world”. ''London Magazine'', 11:13140.
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[[Mary Benson|Benson, Mary]] 1972. [[Athol Fugard]] and "one little corner of the world". ''London Magazine'', 11:13140.
  
[[Mary Benson|Benson, Mary]] 1973 [[Athol Fugard]] and “one little corner of the world”. ''Yale / Theatre'', IV, no.1 (Winter 1973):55-62
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[[Mary Benson|Benson, Mary]] 1973 [[Athol Fugard]] and "one little corner of the world". ''Yale / Theatre'', IV, no.1 (Winter 1973):55-62
  
 
[[Mary Benson|Benson, Mary]] 1977. Keeping an appointment with the future: the theatre of [[Athol Fugard]]. ''Theatre Quarterly'', 7(28):77-83.
 
[[Mary Benson|Benson, Mary]] 1977. Keeping an appointment with the future: the theatre of [[Athol Fugard]]. ''Theatre Quarterly'', 7(28):77-83.
  
[[Mary Benson|Benson, Mary]] 1997. ''[[Athol Fugard]] and [[Barney Simon]]: Bare Stage, A Few Props, Great Theatre''. Johannesburg: Ravan Press.
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[[Mary Benson|Benson, Mary]] 1997. ''[[Athol Fugard]] and [[Barney Simon]]: Bare Stage, A Few Props, Great Theatre''. Johannesburg: [[Ravan Press]].
  
 
[[A.D. Bensusan|Bensusan, A.D.]] 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January.
 
[[A.D. Bensusan|Bensusan, A.D.]] 1968. Case for the banning of smoking in theatres. ''Municipal Affairs'', 33(389):31-37. January.
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[[Edmond Bentley|Bentley, Edmond]] 1960. "All the world's a stage": a plea for live theatre in South Africa. ''Talent'', 1(1):10-12.
  
 
[[M. Benz|Benz, M.]] 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3.
 
[[M. Benz|Benz, M.]] 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. ''Brandwag'', 28(5):29. April 3.
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[[Ralph Berold|Berold, Ralph]] et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net.
 
[[Ralph Berold|Berold, Ralph]] et al. 2000. ''Interactive Drama for Environmental Educators''. Howick: Share-net.
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[[Gerrit Besselaar|Besselaar, Gerrit]]. 1914.''Zuid-Afrika in de Letterkunde''. J.H. de Bussy, Amsterdam/ J. Dusseau, Kaapstad.[http://dbnl.nl/tekst/bess001zuid01_01/bess001zuid01_01.pdf]
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Bester, G. and Bester C.A. 2006. Affektiewe faktore wat met drama op sekondere skoolvlak verband hou. ''Journal for Language Teaching'', 40(2):
  
  
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
Return to [[The ESAT Entries]]

Latest revision as of 05:55, 1 July 2020

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Bateman, Genevieve 2006. Creative misreadings : allegory in Tracey Rose's Ciao Bella. Unpublished master’s thesis. Grahamstown: Rhodes University.

Bateman, Philip 1951a. Do we need national theatre? Outspan, 49(1258):37. April 6.

Bateman, Philip 1951b. We musn't let hard times kill the theatre. Outspan, 48(1247):21. January 19.

Bateman, Philip 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloureds to the theatres]. Outspan, 51(1332):53. September 5.

Bateman, Philip 1952b. Will National theatre silence the critics? Outspan, 50(1297):25. January 4.

Baxter, Veronica 1992. Popular performance in South Africa in the 1980s. Unpublished master’s thesis. Durban: University of Natal.

Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African Theatre Journal, 14:55-72.

Baxter, Veronica 2005. Forum theatre: learning to live with limitations. South African Theatre Journal, 19:130-142.

Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African Theatre Journal, 20:48-64.

Baxter, Veronica and Aitchison, James 2010. Embodying 'lightness' in the new South Africa: the theatre of Ellis Pearson and Bheki Mkhwane 1993-2008. South African Theatre Journal, 24:51-66.

Baxter, Veronica and Low, Katharine E. 2017. Applied Theatre: Performing Health and Wellbeing. London: Bloomsbury Publishing.

The Baxter Theatre. 1977. Scenaria, August/ September:12-13.

Baxter Theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6):54-63. September.

Baxter’s first five years. 1982. Scenaria, (32):17-19.

Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpumelelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14:59-60.

Becker, Florian Nikolas 2010. Capitalism and crime: Brechtian economies in the Threepenny Opera and Love, Crime and Johannesburg (Junction Avenue Theatre Company). Modern Drama, 53(2):159-186.

Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. Unpublished master’s thesis. Potchefstroom: Potchefstroom University for C.H.E.

Behrens, Aldo Georg 1978. Speelgoed van glas [Tennessee Williams] : 'n aanbieding in die opvoedkundige teater. Unpublished master’s thesis.Potchefstroom: Potchefstroom University for C.H.E.

Behrens, Aldo 1985. Dominante en determinante in die ensceneringsproses. Unpublished doctoral dissertation. Potchefstroom: Potchefstroom University for C.H.E.

Belasting op die toneel. 1945. Huisgenoot, 30(1225):5. September 14.

Bell, David and Jacobs, Johan U. 2009. Ways of writing : critical essays on Zakes Mda. Scottsville : University of KwaZulu-Natal Press.

Bell, Elizabeth Anne Charlton 1984. Speech and drama as a secondary school subject : an analysis of selected problem areas with reference to South Africa and England. Unpublished master’s thesis. Durban: University of Natal.

Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.

Belling, Veronica Penkin 2004. A Yiddish actor in Port Elizabeth (Henry Ariel). Jewish Affairs, 59(1):40-42.

Belling, Veronica Penkin 2006. Yiddish theatre in South Africa. Jewish Affairs, 61(4):5-16.

Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.

Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353):15. February 27.

Beneke, Johannes Jacobus Petrus 1980. Die dramatiese funksie van die flits. Unpublished doctoral dissertation. Johannesburg: Rand Afrikaans University.

Beneke, Johannes Jacobus Petrus 1984. Christine: model van die flitsvertelling, in Malan, Charles (ed.) Spel en Spieël. Besprekings van die Moderne Afrikaanse Drama en Teater. Johannesburg: Perskor. 51-63.

Benjy Francis: director/actor, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 156-159.

Bennett, Vane 1885. Biographical and Memorial Sketch of Francis Algernon Disney Roebuck, Late Capt. 23rd Royal Welsh Fusiliers. Cape Town: Saul Solomon and Co.

Benson, Eugene and Connolly, L.W. 1994 Encyclopedia of Post-Colonial Literatures in English. Routledge (Revised 2004).

Benson, Mary 1972. Athol Fugard and "one little corner of the world". London Magazine, 11:13140.

Benson, Mary 1973 Athol Fugard and "one little corner of the world". Yale / Theatre, IV, no.1 (Winter 1973):55-62

Benson, Mary 1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre Quarterly, 7(28):77-83.

Benson, Mary 1997. Athol Fugard and Barney Simon: Bare Stage, A Few Props, Great Theatre. Johannesburg: Ravan Press.

Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal Affairs, 33(389):31-37. January.

Bentley, Edmond 1960. "All the world's a stage": a plea for live theatre in South Africa. Talent, 1(1):10-12.

Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5):29. April 3.

Berk, Anita 2001. Female bodies as text : disobedient representations of the witch. Unpublished master’s thesis. Cape Town: University of Cape Town.

Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with special reference to the contribution of Leonard Rayne. Unpublished bachelor’s essay. Johannesburg: University of the Witwatersrand.

Berold, Ralph et al. 2000. Interactive Drama for Environmental Educators. Howick: Share-net.

Besselaar, Gerrit. 1914.Zuid-Afrika in de Letterkunde. J.H. de Bussy, Amsterdam/ J. Dusseau, Kaapstad.[1]

Bester, G. and Bester C.A. 2006. Affektiewe faktore wat met drama op sekondere skoolvlak verband hou. Journal for Language Teaching, 40(2):



Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Return to The ESAT Entries