ESAT Bibliography Bar-Bas

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Barber, Karin 1987. Theatre and Cultural Struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The Journal of Modern African Studies, 25(3):561-564.

Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405):10-13.

Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie Siegfried Mynhardt. Huisgenoot, 42(2397):24-26. March 8.

Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423):85. September 6.

Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.

Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dood is. Die Suid-Afrikaan, (5):37-38.

Barnard, Chris 1987. By die roudiens van Bartho Smit. Tydskrif vir Letterkunde, 25(1):73.

Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2):14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.

Barnard, Rita 2007. Apartheid and Beyond: South African Writers and the Politics of Place. Oxford: Oxford University Press.

Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Unpublished master’s thesis. Stellenbosch : Universiteit van Stellenbosch.

Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre Journal, 49(1):41-52.

Barnes, Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 169-180.

Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African Theatre Journal, 14:28-45.

Barnes, Hazel 2000. Where do we go from here? Developing women’s playscripts in post-apatheid Southern Africa. Studies in Theatre and Performance, 20(1):31-42.

Barnes, Hazel & Peters, D. 2002. Translating trauma: Using arts therapies with survivors of violence. South African Theatre Journal, 16:157 – 183.

Barnes, Hazel 2005. White man writing women: issues of power, gender and ownership in a collaberative creation. (Greig Coetzee) South African Theatre Journal, 19:93-115.

Barnes, Hazel 2011. Remembering you like something I'd forgotten: Memory, identity and form in current South African theatre-making. Contemporary Theatre Review, 21(1):35-49.

Barnett, J. & Broer, L.D. 1977. Baxter Theatre complex. Planning and Building Developments, 28:19-25. September-October.

Barnett, J. & Broer, L.D. 1977. Baxter Theatre, University of Cape Town. Architect and Builder, 27(11):2-9.

Barnett, Ursula A. 1983. A Vision of Order. A Study of Black South African Literature in English (1914-1980). London: Sinclair Browne.

Barney Simon, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 128-134.

Barney Simon "... a commitment to creativity", in Suttner, Immanuel (ed.). 1997. Cutting Through the Mountain : Interviews with South African Jewish Activists. London: Viking. 117-141.

Barney Simon talks about stagecraft. 1985. Theatre Crafts, 19(8):40, 61-62.

Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Unpublished doctoral dissertation. Los Angeles: University of California.

Barrow, Brian & Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987. Cape Town: The Baxter Theatre.

Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Unpublished master’s thesis. Durban: University of Natal.

Basson, J. 1981. Showroom of the arts [[[State Theatre]], Pretoria]. South African Panorama, 26(8):1-5.

Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.

Basson, Marthinus 2001. Die Toneelstuk, deur Breyten Breytenbach. Reviewed in: Insig, July, 79-80.

Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre: a community drama project for the moral development and empowerment of the youth in Hout Bay. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.




Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance