Difference between revisions of "ESAT Bibliography Bar-Bas"

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[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
 
[[ESAT Bibliography B-Ban|B-Ban]] [[ESAT Bibliography Bar-Bas|Bar-Bas]] [[ESAT Bibliography Bat-Bet|Bat-Bet]] [[ESAT Bibliography Beu-Blo|Beu-Blo]] [[ESAT Bibliography Blu-Blu|Blu-Blu]] [[ESAT Bibliography Bo-Bos|Bo-Bos]] [[ESAT Bibliography Bot-Bre|Bot-Bre]] [[ESAT Bibliography Bri-Bru|Bri-Bru]] [[ESAT Bibliography Bry-By|Bry-By]]  
 
  
 
To return to any other letter, click on the list below
 
To return to any other letter, click on the list below
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
  
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Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.
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Barker, Julie. 1998. After nines: an innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. Vuka SA, 3(2): 7-8.
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Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.
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Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.
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Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.
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Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
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Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dodd is. Die Suid-Afrikaan, (5): 37-38.
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Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25.
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Bespreking en antwoord Teaterforum, 4(1): 124-127.
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Bespreking. Standpunte, 37(6) : 58-64.
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Bespreking. Standpunte, 37(6) : 58-64.
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Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.
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Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)
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Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.
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Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary
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vehicle. In Blumberg, M. and Walder, D. (eds). South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. p. 169-180.
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Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14: 28-45.
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Barnes, Hazel & Peters, D. 2002. Translating trauma:  using arts therapies with survivors of violence.  South African theatre journal, 16: 157 – 183.
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Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.
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Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.
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Barnett, Ursula A. 1983. A vision of order. A study of Black South African literature in English  (1914-1980). London: Sinclair Browne.
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Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.
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Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Los Angeles: University of California. (Ph.D. thesis).
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Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)
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Barrow, Brian & Williams-Short, Yvonne (eds). 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.
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Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Durban: University of Natal. (M.A. thesis).
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Basson, J. 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.
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Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.
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Basson, Marthinus 2001. Tydbom verbloem as ’n  boek. Insig, July 31, 2001.
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Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)
  
  

Revision as of 11:22, 1 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance


Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.

Barker, Julie. 1998. After nines: an innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. Vuka SA, 3(2): 7-8.

Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.

Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.

Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.

Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.

Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dodd is. Die Suid-Afrikaan, (5): 37-38.

Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.

Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.

Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)

Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.

Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle. In Blumberg, M. and Walder, D. (eds). South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. p. 169-180.

Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14: 28-45.

Barnes, Hazel & Peters, D. 2002. Translating trauma: using arts therapies with survivors of violence. South African theatre journal, 16: 157 – 183.

Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.

Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.

Barnett, Ursula A. 1983. A vision of order. A study of Black South African literature in English (1914-1980). London: Sinclair Browne.

Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.

Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Los Angeles: University of California. (Ph.D. thesis).

Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)

Barrow, Brian & Williams-Short, Yvonne (eds). 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.

Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Durban: University of Natal. (M.A. thesis).

Basson, J. 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.

Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.

Basson, Marthinus 2001. Tydbom verbloem as ’n boek. Insig, July 31, 2001.

Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)


Click on the appropriate letters of the alphabet in the sub-list below.

B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By


To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance