Brown and the Brahmins, or Captain Pop and The Princess Pretty-eyes!

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Brown and the Brahmins, or Captain Pop and The Princess Pretty-eyes! is an "oriental burlesque" by Robert Reece

Usually referred to simply as Brown and the Brahmins.


The original text

Published in London by T.H. Lacy, 1869.

1875: Billed as "An Ashantee Dance and Chorus" and presented by "a band of coloured boys picked from the the streets of Cape Town" directed by Mr Elton and presented as an afterpiece to Leah, or The Jewish Maiden (Mosenthal?), under the auspices of Disney Roebuck on 24 July. The novelty of seeing coloured folk on the stage for the first time combined with their "extrvagant contortions of body and limb and grotesque action" apparently set audiences in a furore, though the idea was well received by The Argus on July 27 and the play was repeated a number of times in this season.

1875: Presented again under the auspices of Disney Roebuck on 26 July, with Lady Audley's Secret,

1875: Repeated on 28 July, as afterpiece to Black-Ey'd Susan (Burnand).



Translations and adaptations

Performance history in South Africa

Sources

Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.

Conradie, Elizabeth. 1934. Hollandse skrywers uit Suid-Afrika. Deel 1 (1652-1875) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[2]

Conradie, Elizabeth, 1949. Hollandse skrywers uit Suid-Afrika. Deel 2 (1875-1905) 'n Kultuur-historische studie. Pretoria, J.H. de Bussy and Cape Town H.A.U.M..[3]

P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica

Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: p.

Sydney Paul Gosher. 1988. A historical and critical survey of the South African one-act play written in English. Unpublished doctoral dissertation. Pretoria: University of South Africa.

William Groom. 1899-1900. Drama in Cape Town. Cape Illustrated Magazine, 10(4): 478-481, 517-520, 547-552, 580-584, 640-643, 670-672, 706-708.

Temple Hauptfleisch. 1997. Theatre and Society in South Africa: Reflections in a Fractured Mirror. Pretoria: Van Schaik[4]: pp.

Peter Joyce. 1999. A Concise Dictionary of South African Biography. Cape Town: Francolin Publishers.

J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[5], pp.

J.C. Kannemeyer. 1984. ‘’Geskiedenis van die Afrikaanse Literatuur’’2[6]: pp.

Ingmar Koch. 1997. Het ochtendgloren boven Kaapstad. Nederlandse rederijkers in Kaapstad, Tydskrif vir Nederlands & Afrikaans. (4de Jaargang, Nommer 2. Desember)[7]

Loren Kruger 1999. The Drama of South Africa: Plays, Pageants and Publics Since 1910 London: Routledge


P.W. Laidler. 1926. The Annals of the Cape Stage. Edinburgh: William Bryce: p.

Anna Minnaar-Vos 1969. Die Spel Gaan Voort: Die Verhaal van Hendrik en Mathilde Hanekom. Kaapstad: Tafelberg, pp. 96-110.

Brian Astbury. 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.


Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

Allardyce Nicoll. 1975. A History of English Drama 1660-1900: Late 19th Century Drama 1850-1900 Cambridge University Press[8]

J.A. Worp. 1972. Geschiedenis van het Drama en van het Tooneel in Nederland. Deel 2, Digitale Bibliotheek voor de Nederlandse Letteren (DBNL)[9]

Joris Baers (1888-1975): Algemeene Tooneelbibliotheek Een[10]

http://www.domus.ac.za/afrikaans/images/Programme%20in%20DOMUS(2).pdf

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