Difference between revisions of "Black Dog-Inj'emnyama!"

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by [[Barney Simon]] and Company. A multilingual, workshopped play which juxtaposes the lives of a group of unrelated individuals during the 1976 Soweto uprising and the renewed unrest of 1984-5, in order to reflect on the unrest and responses to it.  First performed at the [[Market Theatre]] in 1984, first published in Barney Simon et al.  ''[[Born in the RSA: Four Workshopped Plays]]'' ([[Witwatersrand University Press]], 1997). Black Dog Inj’emnyama created by Barney Simon. The play was performed at the [[Baxter Theatre]] (a Market Theatre Company production), with [[Kurt Egelhof]], [[Marie Human]], [[John Ledwaba]], [[Neil McCarthy]], [[Gcina Mhlope]], [[James Mthoba]]. The Company presented this play at [[Market Theatre|Upstairs]] at the Market in 1984 before going to the [[Edinburgh Festival]].  
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''[[Black Dog-Inj'emnyama!]]'' is a multilingual, workshopped play by [[Barney Simon]] and Company.  
  
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Also found as '''''[[Black Dog / Inj'emnyama]]''''' and even '''''[[Black Dog]]'''''.
  
Return to [[ESAT Plays 1 B|B]]
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== The original text ==
  
Return to [[South_African_Theatre/Plays|South African Theatre Plays]]
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The seeds of the play were apparently sown by ''[[Rehearsal in Progress]]'', a play text by [[Brendon Butler]] about being a parabat during the border war,  that had won the [[Amstel Playwright of the Year]][https://en.wikipedia.org/wiki/Amstel_Playwright_of_the_Year_Award] Special Merit Award, in 1983. [[Neil McCarthy]]  describes how [[Barney Simon]] started with this text, but then soon abandoned it to create his own multilingual, workshopped play which juxtaposes the lives of a group of unrelated individuals during the 1976 Soweto uprising and the renewed unrest of 1984-5, in order to reflect on the unrest and responses to it. 
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It was first published in [[Barney Simon]] ''et al'', ''[[Born in the RSA: Four Workshopped Plays]]'' ([[Witwatersrand University Press]], 1997).
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==Translations and adaptations==
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== Performance history in South Africa ==
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1984: First performed at the [[Market Theatre|Upstairs]] at the [[Market Theatre]] in 1984, directed by [[Barney Simon]] with [[Kurt Egelhof]], [[Marie Human]], [[John Ledwaba]], [[Neil McCarthy]], [[Gcina Mhlope]], [[James Mthoba]].
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1984: Performed by the original cast at the Edinburgh Festival[http://en.wikipedia.org/wiki/Edinburgh_Festival]
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1984: Performed by the original cast at the [[Baxter Theatre]] (as a [[Market Theatre Company]] production).
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2006: A [[Market Theatre]] production of the play was directed by [[Clare Stopford]], staged in the Barney Simon Theatre, June 2006.
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2015: Produced by the [[University of Cape Town]]’s Drama Department in [[Arena Theatre]] at [[UCT]] in honour of youth month, and repeated at the [[Baxter Flipside]] on 18 to 27 June in collaboration with the [[Baxter Theatre Centre]]. Directed by [[Clare Stopford]] with student cast including [[Khathu Ramabulana]], [[Clarissa Roodt]], [[Kai Brummer]], [[Cleo Raatus]], [[Sihle Mnqwazana]] and [[Tankiso Mamabolo]], with original set design by [[Sasha Eilers]].
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== Sources ==
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[[Pat Schwartz]], 1988.
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''[[Black Dog / Inj'emnyama]]'' at the Baxter,[[Artslink]].co.za News 06/17/2015[http://www.artlink.co.za/news_article.htm?contentID=38186]
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[[Neil McCarthy]] ''in'' [[Irene Stephanou]] and [[Leila Henriques]]. 2011. ''The World in an Orange: Creating Theatre with Barney Simon''. Seven Stories Press.
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Theatre programme (Market Theatre 2006) held by [[NELM]]: [Collection: MARKET THEATRE]: 2007. 32. 9. 26. 7.
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[The ESAT Entries]]
  
 
Return to [[Main Page]]
 
Return to [[Main Page]]

Latest revision as of 07:18, 4 June 2019

Black Dog-Inj'emnyama! is a multilingual, workshopped play by Barney Simon and Company.

Also found as Black Dog / Inj'emnyama and even Black Dog.

The original text

The seeds of the play were apparently sown by Rehearsal in Progress, a play text by Brendon Butler about being a parabat during the border war, that had won the Amstel Playwright of the Year[1] Special Merit Award, in 1983. Neil McCarthy describes how Barney Simon started with this text, but then soon abandoned it to create his own multilingual, workshopped play which juxtaposes the lives of a group of unrelated individuals during the 1976 Soweto uprising and the renewed unrest of 1984-5, in order to reflect on the unrest and responses to it.

It was first published in Barney Simon et al, Born in the RSA: Four Workshopped Plays (Witwatersrand University Press, 1997).

Translations and adaptations

Performance history in South Africa

1984: First performed at the Upstairs at the Market Theatre in 1984, directed by Barney Simon with Kurt Egelhof, Marie Human, John Ledwaba, Neil McCarthy, Gcina Mhlope, James Mthoba.

1984: Performed by the original cast at the Edinburgh Festival[2]

1984: Performed by the original cast at the Baxter Theatre (as a Market Theatre Company production).

2006: A Market Theatre production of the play was directed by Clare Stopford, staged in the Barney Simon Theatre, June 2006.

2015: Produced by the University of Cape Town’s Drama Department in Arena Theatre at UCT in honour of youth month, and repeated at the Baxter Flipside on 18 to 27 June in collaboration with the Baxter Theatre Centre. Directed by Clare Stopford with student cast including Khathu Ramabulana, Clarissa Roodt, Kai Brummer, Cleo Raatus, Sihle Mnqwazana and Tankiso Mamabolo, with original set design by Sasha Eilers.

Sources

Pat Schwartz, 1988.

Black Dog / Inj'emnyama at the Baxter,Artslink.co.za News 06/17/2015[3]

Neil McCarthy in Irene Stephanou and Leila Henriques. 2011. The World in an Orange: Creating Theatre with Barney Simon. Seven Stories Press.

Theatre programme (Market Theatre 2006) held by NELM: [Collection: MARKET THEATRE]: 2007. 32. 9. 26. 7.

Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page