Difference between revisions of "Billy Matthews"
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| − | ( | + | '''Billy Matthews''' (1894-1985) was an actor, singer and broadcaster. |
| − | + | == Biography == | |
| − | + | Richard William Matthews was born in Penzance, Cornwall on 3 November 1894 and came to South Africa with his parents in 1898. The family settled in Johannesburg, where his father is said to have played the French horn in the Johannesburg Orchestra. Billy himself was a choir boy and in 1907, as a boy soprano, won a gold medal at the local [[Eisteddfod]], an achievement he equalled when, in 1921, he won the men's open solo competition. His first stage appearance was also in 1921 at the [[Palladium Theatre]] in a play directed by [[Muriel Alexander]], followed by a role as Robin Hood in ''[[The Magic Key]]'', opposite [[Anne Immink]]. Subsequently he joined [[The Masqueraders]], a troupe which played the [[Standard Theatre]] for some weeks and then toured the country. He obviously had a fine singing voice and the concerts he gave were well patronised by the mining communities along the Witwatersrand. | |
| − | ( | + | When the [[Associated Scientific & Technical Societies of South Africa]] (ASTS) was granted the first broadcasting license in South Africa (operating from the Stuttafords Building in Rissik Street), Billy Matthews was the first vocalist to be heard on the radio and over the years he appeared in numerous radio plays and concerts. Another first came his way when he appeared in the first South African sound film. In the short ''[[Sarie Marais]]'' ([[Joseph Albrecht]]/1931) he played a Boer prisoner-of-war in Ceylon who, while longing for his girl back home, sings the title song. Nearly 40 years passed before he appeared in two more South African films, namely ''[[Stop Exchange]]'' ([[Howard Rennie]]/1970) and ''[[Taxi!]]'' ([[Joe Stewardson]]/1970). |
| + | |||
| + | In the meantime he was kept busy on radio and on the stage. For the [[Johannesburg Operatic and Dramatic Society]] he featured in ''[[Floradora]]'' (1928), ''[[Tom Jones]]'' (1933), ''[[The Geisha]]'' (1935), ''[[The Desert Song]]'' (1935), ''[[Merrie England]]'' (1936), ''[[The Vagabond King]]'' (1938) and ''[[Spring Quartet]]'' (1960). His [[SABC]] radio work was very diverse, ranging from ''[[Exhibit "A"]]'' (1946), a play directed by [[Jack Bligh]], and Shakespeare's ''[[Richard II]]'' (1950), to playing Mr. Plod in the Noddy series produced by [[Kathleen Davydd]] for the [[SABC Children's Programme]] of the English Service. Later stage appearances included ''[[The Affair]]'' (1963), staged by ''[[Taubie Kushlick]]'', ''[[In the Case of J. Robert Oppenheimer]]'' (1971), directed by [[Leonard Schach]] (both for [[PACT]]), and at the [[Alexander Theatre]] for [[Charles Marowitz]] in his ''[[A Macbeth]]'' (1973). In November 1926 he married Mavis Berryman (1905-1985) and the couple had three children. Curiously, at the time of his marriage his occupation was given as “electrician”. He died on 4 April 1985. | ||
== Sources == | == Sources == | ||
Revision as of 12:12, 2 November 2022
Billy Matthews (1894-1985) was an actor, singer and broadcaster.
Biography
Richard William Matthews was born in Penzance, Cornwall on 3 November 1894 and came to South Africa with his parents in 1898. The family settled in Johannesburg, where his father is said to have played the French horn in the Johannesburg Orchestra. Billy himself was a choir boy and in 1907, as a boy soprano, won a gold medal at the local Eisteddfod, an achievement he equalled when, in 1921, he won the men's open solo competition. His first stage appearance was also in 1921 at the Palladium Theatre in a play directed by Muriel Alexander, followed by a role as Robin Hood in The Magic Key, opposite Anne Immink. Subsequently he joined The Masqueraders, a troupe which played the Standard Theatre for some weeks and then toured the country. He obviously had a fine singing voice and the concerts he gave were well patronised by the mining communities along the Witwatersrand.
When the Associated Scientific & Technical Societies of South Africa (ASTS) was granted the first broadcasting license in South Africa (operating from the Stuttafords Building in Rissik Street), Billy Matthews was the first vocalist to be heard on the radio and over the years he appeared in numerous radio plays and concerts. Another first came his way when he appeared in the first South African sound film. In the short Sarie Marais (Joseph Albrecht/1931) he played a Boer prisoner-of-war in Ceylon who, while longing for his girl back home, sings the title song. Nearly 40 years passed before he appeared in two more South African films, namely Stop Exchange (Howard Rennie/1970) and Taxi! (Joe Stewardson/1970).
In the meantime he was kept busy on radio and on the stage. For the Johannesburg Operatic and Dramatic Society he featured in Floradora (1928), Tom Jones (1933), The Geisha (1935), The Desert Song (1935), Merrie England (1936), The Vagabond King (1938) and Spring Quartet (1960). His SABC radio work was very diverse, ranging from Exhibit "A" (1946), a play directed by Jack Bligh, and Shakespeare's Richard II (1950), to playing Mr. Plod in the Noddy series produced by Kathleen Davydd for the SABC Children's Programme of the English Service. Later stage appearances included The Affair (1963), staged by Taubie Kushlick, In the Case of J. Robert Oppenheimer (1971), directed by Leonard Schach (both for PACT), and at the Alexander Theatre for Charles Marowitz in his A Macbeth (1973). In November 1926 he married Mavis Berryman (1905-1985) and the couple had three children. Curiously, at the time of his marriage his occupation was given as “electrician”. He died on 4 April 1985.
Sources
Dickason, Graeme B. - Cornish immigrants to South Africa
Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm
Woolfson, Malcolm - But the melody lingers on
http://www.imdb.com/name/nm4973533/?ref_=fn_nm_nm_4
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