Difference between revisions of "Before Breakfast"
(3 intermediate revisions by the same user not shown) | |||
Line 9: | Line 9: | ||
Performed for the [[Cape Town Repertory Theatre Society]] in 1928, featuring [[Dorothy Teubes]]. | Performed for the [[Cape Town Repertory Theatre Society]] in 1928, featuring [[Dorothy Teubes]]. | ||
− | ==Translations and adaptations of | + | ==Translations and adaptations of O'Neill's play== |
− | Adapted in 1952 as an opera, ''[[Dark Sonnet]]'', by Scottish composer Erik Chisholm (1904–1965) | + | Adapted in 1952 as an opera, ''[[Dark Sonnet]]'', by Scottish composer [[Erik Chisholm]] (1904–1965) |
==Performance history of the opera, ''[[Dark Sonnet]]'', in South Africa== | ==Performance history of the opera, ''[[Dark Sonnet]]'', in South Africa== | ||
− | 2004: Presented by Cape Town Opera in a double bill with Chisolm's ''[[The Pardoner’s Tale]]'' (5–7 February | + | 1952: Presented by [[University of Cape Town Opera Company]], conducted by [[Erik Chisholm]] and directed by [[Gregorio Fiasconaro]]. |
+ | |||
+ | 2004: Presented by [[Cape Town Opera]] in a double bill with Chisolm's ''[[The Pardoner’s Tale]]'' (5–7 February | ||
===Sources=== | ===Sources=== |
Latest revision as of 16:37, 26 February 2024
Before Breakfast: A Play in One Act, by Eugene O'Neill (1888-1953).
Contents
Original text
Published New York: Frank Shay, 1916.
Performance history of the play in South Africa
Performed for the Cape Town Repertory Theatre Society in 1928, featuring Dorothy Teubes.
Translations and adaptations of O'Neill's play
Adapted in 1952 as an opera, Dark Sonnet, by Scottish composer Erik Chisholm (1904–1965)
Performance history of the opera, Dark Sonnet, in South Africa
1952: Presented by University of Cape Town Opera Company, conducted by Erik Chisholm and directed by Gregorio Fiasconaro.
2004: Presented by Cape Town Opera in a double bill with Chisolm's The Pardoner’s Tale (5–7 February
Sources
The Mime, 1(2), 1928.
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Return to B in Plays 1 Original SA Plays
Return to B in Plays 2 Foreign Plays
Return to South_African_Theatre/Plays
Return to Main Page