ESAT Bibliography P-Pea
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P.G. du Plessis. 1985. Taalgenoot, 54(11) : 18.
PACOFS’s Black Theatre Company – the Kopano group. 1988. Scenaria, (88): 25-26.
PACT 1972 Decade. Pretoria: PACT
Die paddas (the frogs): a Greek comedy by Aristophanes. 1977. Scenaria, August/September: 35.
Pakendorf, Gunther. 1994. Dubbele Siening; Resensie van Trits (by Reza de Wet). New Contrast 22/4: 109.
Pakendorf, Gunther. 1997. Opperman se apokaliptiese geskiedenisstuk: Donkerland. New Contrast. 25/4: 109.
Paller, Michael 1988. Visions of Mecca: Athol Fugard. Theater Week, 1(38): 8-13. May 2.
Pappageorge, Amy Abbott 1991. South Africa in transformation: a trigger script as an instrument for revolutionary change. Chapel Hill: University of North Carolina. (M.A. thesis).
Parker, E. 1968. Gilt and velvet [Theatre in Port Elizabeth]. South African panorama, 13(12): 46-49.
Parker, Zoë Ann 2001. Standing up for the nation : an investigation of stand-up comedy in South Africa post-1994, with specific reference to women, power and the body. Durban: University of Natal. (MA (Drama and Performance Studies) thesis).
Parker, Zoë Ann 2002. Standing up for the nation: An inverstigation of stand-up comedy in South Africa post-1994 with specific reference to women’s power and the body. South African theatre journal, 16: 8 – 29.
Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Discussion. Speak, 1(3): 18-20. May-June.
Parr, T. & Hahn, C. 1977. Some thoughts on a deadly theatre. Speak, 1(1): 22-25. December.
Partridge, A.C. 1978. Actor and audience. Scenaria, (8) : 30-31.
Partridge, A. 1978. Modern theatre – introduction: the imponderables and the producer. Scenaria, June/July: 38-39
Pascal, Julia et al. 1984. Black dog. [collection of newspaper reviews for Barney Simon’s play]. London theatre record, 4(18): 757. Aug. 27.
Pearce Brian 1997. A Shakespeare adaptation at the Courtyard theatre. Shakespeare in Southern Africa, 10: 72.
Pearce Brian 1998a. Antony and Cleopatra at the Elizabeth Sneddon Theatre. Shakespeare in Southern Africa, 11: 58.
Pearce, Brian 1998b. The director and the South African theatre. South African theatre journal, 12(1&2): 203-207.
Pearce, Brian 2000, Fifty years of drama at the University of Natal. South African theatre journal, 14:199-201.
Pearce Brian 2001a. Editorial (Why study Shakespeare in South Africa?). Shakespeare in Southern Africa. 13:iii.
Pearce, Brian. 2001b. Elizabeth Sneddon. Shakespeare in Southern Africa, 13: 100.-101.
Pearce, Brian 2001c. Life copying art: Performance as a means of inverting racial and social stereotypes. South African theatre journal, 15:161-168.
Pearce Brian 2002a. Editorial. Shakespeare in Southern Africa, 14:iii.
Pearce, Brian 2002b. Interview with Pieter Scholtz, 17 March 2002. Shakespeare in Southern Africa, 14: 33-42.
Pearce, Brian 2003a. Editorial. Shakespeare in Southern Africa, 15: iii.
Pearce, Brian 2003b. Prospero's African magic: a post-colonial production of The Tempest. Shakespeare in Southern Africa, 15: 39-45.
Pearce, Brian 2003c. Reflections on theatre criticism. South African theatre journal, 17: 245-252.
Pearce, Brian 2003d. Twelfth night directed by Paige Newmark for the Rhodes University Drama Department, presented at Kingswood College, 28th June 2003. Shakespeare in Southern Africa, 15: 103.
Pearce, Brian 2004. "Editorial." Shakespeare in Southern Africa, Jan. 2004: 1.
Pearce, Brian 2005. Obituary: Elizabeth Sneddon. Shakespeare in Southern Africa, 17:
Pearce, Brian 2006. Twelfth night. Shakespeare in Southern Africa, 18: 64-66.
Pearce, Brian 2007. Hamlet/Hamlet deconstructed. Shakespeare in Southern Africa, 19: 82-83.
Pearce, Brian 2009. Coriolanus, Debbie Lutge: theatre review. Shakespeare in Southern Africa, 21(1): 83-84.
Pearlman, E. 1997. The ‘unity of character’ and Shakespeare’s two Caskas. Shakespeare in Southern Africa, 10: 1-12.
Pearson, N. 1967. Subject or child? : book review. Transvaal educational news, 63(5): 11.
Click on the appropriate letters of the alphabet in the sub-list below.
P-Pea Peb-Ph Pia-Pie Pif-Po Pre-Pz
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