ESAT Bibliography Gru-Gz

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Grundy, Kenneth 1993. The politics of the National Arts Festival. Occasional Paper No 34. Grahamstown: Rhodes University Institute for Social and Economic Research.

Grundy, Kenneth 1994. Quasi-state censorship in South Africa: the performing arts councils and polticized theatre. Journal of arts management, law and society, 24(3): 241-257.

Guillemaut, Alf 1996. Market theatret. ProScen, 20(4): 6-11.

Guillemaut, Alf 1997. Tarzan – en teaterarbetare med rätt att fixa. [Tarzan – a theatre-worker with license to fix]. ProSen, 21(2) : 9-11.

Guldimann, Colette 1996. The (black) male gaze: Mbongeni Ngema’s Sarafina! South African theatre journal, 10(2): 85-99.

Gunner, E. 1989. Orality and literacy: dialogue and silence. In Barber, K. & De Moraes Farias, P.F. (eds). Discourse and its disguises: the interpretation of African oral texts. Birmingham: Birmingham University Press. p.49-56.

Gunner, L. (ed.). 1994. Politics and performance: theatre, poetry and song in South Africa. Johannesburg: Witwatersrand University Press.

Gunner, Liz 1995. Remaking the warrior? The role of orality in the liberation struggle and in post-apartheid South Africa. Currrent Writing, 7(2):19-30.

Gunner Liz 2005. Supping with the devil: Zulu radio drama under Apartheid—the case of Alexius Buthelezi. Social Identities 11(2):161-169.

Gunundu, O.T. 1994. Space in Xhosa drama: a study of 4 texts. Bloemfontein: University of the Orange Free State. (B.A. (Hons.) thesis).

Gurtin, W. 1950. Lecture on drama. Farmer, 39(15): 22. April 14.

Gussow, Mel. 1982. Profile: Witness (Athol Fugard). New Yorker 20 Dec, pp.47-94.

Gutsche, Thelma 1940a. Afrikaans theatre. Forum. 3(25): 17. September 14.

Gutsche, Thelma 1940b. Afrikaans theatre. Forum. 3(27): 17. September 28.

Gutsche, Thelma 1940c. Effects of the war. Forum.3(35): 17. November 23.

Gutsche, Thelma 1940d. Leontine Sagan continues to make bricks without straw. Forum. 3(38): 18-19. December 14.

Gutsche, Thelma 1940e. Renaissance of theatre in South Africa. [Dwen Ffrangcon-Davies in Major Barbara produced by Leontine Sagan]. Forum. 3(29): 17. October 12.

Gutsche, Thelma 1940f. Shakespeare [Twelfth night] captivates public: amateurs rise to histrionic heights. Forum. 3(38): 18. December 14.

Gutsche, Thelma 1940g. Theatre left to languish [for want of theatres]. Forum. 3(32): 17. November 2.

Gutsche, Thelma 1940h. Two important arrivals for the stage [Henry Mollison and Lina Basquette in Private lives]. Forum. 2(48): 19.February 24.

Gutsche, Thelma 1940i. War and amateur theatricals. [Group theatre, Johannesburg repertory players]. Forum. 2(47): 22. February 17.

Gutsche, Thelma 1941a. Army entertainment. Forum. 4(39): 17. December 27.

Gutsche, Thelma 1941b. Audiences applaud “Puppet’s party” by M. Mason. Forum. 4(33): 18. November 15.

Gutsche, Thelma 1941c. Children take the stage [Alice in Wonderland]/ Forum.4(38): 18. December 20.

Gutsche, Thelma 1941d. End of a tour. Forum. 4(31)18. November 1.

Gutsche, Thelma 1941e. New shows and a new theatre. Forum.4(32):18. November 8.

Gutsche, Thelma 1942a. Afrikaans drama. Forum. 4(40):18. January 3.

Gutsche, Thelma. 1942b. Afrikaans stage production receives a beneficial opportunity. Forum. 4(45): 19. February 7.

Gutsche, Thelma 1946. The English speaking theatre in South Africa. In : South African panorama : introducing South Africa, her art, culture, and peoples. Johannesburg : Literary Guild. 21ff.

Gutsche, Thelma 1947. Hamlet produced in Afrikaans. Outspan. 41(1057): 26-27. March 30.

Gutsche, Thelma 1970. Theatrical history. Standard encyclopedia of South Africa, 10: 475-481. Cape Town: Nasou.

Gutsche, Thelma. 1973. Survey. In Lennox-Short, Alan English and South Africa. Cape Town: Nasou. p. 83-85.

Gwala, M. 1974. (ed) Black Review 1973. Durban: Black Community Programmes.

Gwala, M.P. 1973. Towards a national theatre. South African outlook. 103: 131-133.

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