ESAT Bibliography Coa-Col
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Coetser, A. 1984. Kontekstuele vrae [en antwoorde] oor Ontmoeting by Dwaaldrif van Henriëtte Grové. Klasgids, 19(1) – (2).
Coetser, Johannes Lodewikus 1985. Die allegorie in die Afrikaanse drama. Pretoria: Universiteit van Suid-Afrika. (M.A. thesis).
Coetser, J.L. 1991. Dat die klip kan heers: Pieter Fourie se Die koggelaar. Literator, 12(3):45-58.
Coetser, J.L. 1994. Die dieper reg (N.P. van Wyk Louw): Royce, regsidee, resepsie. Literator, 15(2): 35-53.
Coetser, Johan. 1998. Drie Susters Twee (by Reza de Wet) (book review). Tydskrif vir Letterkunde. xxxvi/2: 97.
Coetser, Johan. 1998. Die Dramateks as Handleiding (Marisa Keuris, 1996) (book review). Tydskrif vir Letterkunde. xxxvi/2: 99.
Coetser, J.L. 1999. Die drama in Afrikaans: ‘n bewegende sentrum? Tydskrif vir Letterkunde. xxxvii/2: 44.
Coetser, J.L. 1999. Afrikaanse drama en toneel oor die Anglo-Boereoorlog, 1900-1920: Aspekte van identiteit . Tydskrif vir Nederlands en Afrikaans, 6(2) : 131-149.
Coetser, J.L. 2003. 'n Herinnering aan brokke toneelgeskiedenis : boekresensies Literator, 24(1) : 172-176.
Coetser, J.L. 2006. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel deur D. Botha. Reviewed in: Literator, 27(2):159-161.
Coetser, J.L. 2008. Gemeenskapstoneel deur Robert J. Pearce: aspekte van bewussyn (‘n eerste verkenning). South African theatre journal, 22: 166-189.
Coetser, J.L. 2003. “So little of it left”: remembrance, occasion and event in Afrikaans theatre. South African theatre journal, 17: 8-36.
Coetser, J.L. 2006. Standaardwerk oor Suid-Afrikaanse toneelgeskiedenis: boekresensie. Literator, 27(2): 159-161
Coetser, J.L. 2009. Kaburu: ‘n drama vir die verhoog deur D. Opperman. Reviewed in Tydskrif vir geesteswetenskappe, 49(4): 740-741.
Coetzee, A.J. 1971. ATKV huldig die dramaturg Beukes. Taalgenoot, 40(11): 7. October.
Coetzee, A.J. 1978. Verlede: gedagtenis en noodlot in die dramas van Pieter Fourie. Standpunte, 31(4): 52-60. August.
Coetzee, Ampie 1984. Woord en daad, teken en saak, teks en handeling: Pavane van André P. Brink. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 83-92.
Coetzee, Erika 1990. Stereotypes in contemporary South African cultural discourses. Stellenbosch: University of Stellenbosch. (MA-thesis.)
Coetzee, Gerda. 1995. Feesvier is nog nie teaterkultuur. Insig, 08/95: 42.
Coetzee, Marié-Heleen 2000 Playing sticks: an exploration of Zulu stick fighting as performance. South African theatre journal, 14: 97-113.
Coetzee, Marié-Heleen 2001 Paddy Crean International Stage Combat Congress/Workshop, Canada. South African theatre journal, 15: 158-160.
Coetzee, Marié-Heleen, Munro M & De Boer A. 2004. Deeper sites through various lines: LMS and whole-brain learning in body/voice training for performers in the HET band. South African Theatre Journal, 18: 135-158
Coetzee, Marié-Heleen 2009. (Re)storying the self: exploring identity through performative inquiry. South African theatre journal, 23: 94-115.
Coetzee, P.J. 1978. Literêrteoretiese beginsels wat dialog beheers in die drama, met verwysing na D.J. Opperman se Periandros van Korinthe. Unie, 75: 71-76. August.
Coetzee, P.J. 1983. Enkele gesigspunte oor die voorgeskrewewerk, Die pluimsaad waai ver – N.P. van Wyk Louw (Bitter begin). Unie, 80: 31-34.
Coetzee, Yvette 1998 Visibly invisible: How shifting the conventions of the traditionally invisible puppeteer allows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in Ubu and the Truth Commission. South African theatre journal, 12(1&2): 35-51.
Cole, Catherine M. 2001. Africans on stage: studies in ethnological show business ed by Bernth Lindfors and The drama of South Africa: plays, pageants and publics by Loren Kruger. Reviewed in Theatre journal, 53(1): 179-181.
Cole, Catherine M. 2004. Theatres of truth, acts of reconciliation: the TRC in South Africa. In Conteh-Morgan, John & Olaniyan, Tejumola (eds). African drama and performance. Bloomington: Indiana University Press. p. 219-226.
Cole, Catherine M. 2007. Performance, transitional justice, and the law: South Africa’s Truth and Reconciliation Commission. Theatre Journal, 59(2): 167-187.
Cole, Catherine 2008. The rewind cantata. Theater, 38(3): 84-109.
Colleran, Jeanne Marie 1988. The dissenting writer in South Africa: a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer. Columbus, OH: Ohio State University. (Ph.D. thesis).
Colleran, Jeanne 1990. A place with the pigs: Athol Fugard’s Afrikaner parable. Modern drama, 33(1): 82-92.
Colleran, Jeanne 1995a. Athol Fugard and the problematics of the liberal critique. Modern drama, 38(3): 389-407.
Colleran, Jeanne 1995b. Re-situating Fugard: re-thinking revolutionary theatre. South African theatre journal, 9(2): 39-49.
Colleran, Jeanne 1998. South African theatre in the United States: the allure of the familiar and of the exotic. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 221-236.
Colleran, Jeanne 1999. Lessons from a fair country. In Blumberg, Marcia & Walder, Dennis (eds). South African theatre as/and intervention. Amsterdam: Rodopi. p. 113-123.
Collins, F. 1968. Barbara Kinghorn. Personality, 14-19. June 20.
Collins, F. 1971. Leonard Schach: backroom boy of the theatre. Personality, 55-56. February 26.
Collins, Jane 1999. King Lear in South Africa: an interview with director James Whyle. Shakespeare bulletin, 17(1): 35-37.
Click on the appropriate letters of the alphabet in the sub-list below.
Ca-Cha Che-Cl Coa-Col Com-Cop Cor-Cri Cro-Cz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
