ESAT Bibliography Bri-Bru
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Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15): 21-22.
Bridges, Tania 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. London: University of London. (MA-thesis).
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.
Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2): 38-41.
Brink, André P. 1971. Censorship – Climate of Fear. Contrast. VII, No.2, (June 1971)
Brink, André P. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, (5): 35-36.
Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre quarterly, 7(28): 71-76.
Brink, André P. 1986. Aspekte van die nuwe drama. Pretoria: Academica.
Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4): 104-105.
Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is dead and the dilemma of political drama in South Africa. Twentieth century literature, 39(4) : 438-454.
Brink, André P. 1996. Ou wynsakke of nuwe leeftog? Insig, 11/96: 45.
Britz, Martha H.S. 1984. Die vergestalting van tyd in die Afrikaanse en Nederlandse drama na sestig. Potchefstroom: Potchefstroom University for Christian Higher education. (D.Litt. thesis).
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare quarterly, 38(4): 479-481.
Brook, Peter 1978. The empty space. Harmondsworth, Penguin.
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090): 26-27. January 16.
Brooke, Brian 1958. The South African theatre industry. International theatre annual, 3: 121-127.
Brooke, Brian 1978. My own personal star: an autobiography. Johannesburg: The Limelight Press.
Brooke, Michael 1985. The Limelight and Contacts. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 129-130.
The Brooke Theatre. 1978. Scenaria, June/July: 6-7.
Brooks, Richard 2006. Not redundant after all [interview with Athol Fugard]. New statesman, 135(4784): 28-29. March 20.
Brophy, Diane 1980. Industrial revolution. Teaterforum, 1(1): 7-10.
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1): 12-18.
Brown, Duncan & Van Dyk, Bruno 1991. Exchanges :South African writing in transition. Pietrmaritzburg, University of Natal.
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current writing, 6(2): 165-180.
Brown, Duncan 1999. Oral literature and performance in Southern Africa. Cape Town: David Philip.
Brown, Lenora Inez 2000. The dramatic art of Athol Fugard: from South Africa to the world, by Albert Wertheim. Reviewed in: American theatre, 17(10): 79-82.
Brown, Phyllida 1991. Meet the puppets that care about condoms." New Scientist 132(1797):13.
Bruchac, Joseph 1988. Lewis Nkosi. In Kirkpatrick, D.L. (ed.) Contemporary dramatists, 4th ed. Chicago, Ill.: St James Press. p. 400-401.
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224): 49-53.
Brustein, Robert 2001. On the Cape Town. New republic, 224(7): 31-32.
Brustein, Robert 2002. The Good Hope of the Cape [Pieter-Dirk Uys]. New republic, 226(5): 27-28.
Brustein, Robert 2003. Fronting [Salaam stories, by Ashraf Johaardien; District Six, by David Kramer; African footprints; Richard Loring]. New republic, 228(6): 25-27.
Brustein, Robert 2005. Robert Brustein on theatre: the saved and the drowned [Anthony Sher]. New Republic, 232(7): 25-26.
Bruton, Sheila 1976. Indaba: let’s talk: short dramas to stimulate discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
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