Door Yver Vruchtbaar

During the first half of the 19th century we find three (possibly linked) companies using this motto in the Cape region.

Cape Town 1826-1827

Dutch amateur company founded by J.G. Tredoux, after breaking away from Tot Nut en Vermaak with some of its members. Their first performance was on September 9 1826 *(Het Schandmerk, or De Twee Galeiboeven (Boire, Camouche & Poujol, translated by De Quack). Last performance 31 March 1827.

Stellenbosch 1833 - 1838

An organisation by the same name surfaced in Stellenbosch, 1833 - 1838, possibly initiated by someone from the former company, but this is merely a speculation. The group staged the first theatre performance in in Stellenbosch in the Turf Clubhouse there in 1829 (the play performed was De Verstrooying). It went on to stage similar productions to the Cape Town company, and played an integral part in Stellenbosch’s theatre heydays under the patronage of D.J. van Ryneveld. Other productions included Charlotte Blandford, of De Wedergevonden Vader (Engelman) and De Dochter van Pharao (Kotzebue) on 28 September 1833;

This group was apparently forced to close by the same puritanical crusade which led to the demise of the African Theatre in 1835.

Cape Town 1843-1844

In 1843 a group under this name is once again advertised in Sam Sly's Journal, Cape Town, where they performed Bianko of De Onzichtbare Man (as their third offering of the year, apparently). The next month they did De Wonder Doctor.

In 1844 the group apparently amalgamated with Tot Nut en Vermaak, to form Het Privaat Hollandsch Toneelievend Gezelschap, a company which remained the only Dutch company in the Cape until 1847, performing under both mottos (i.e. Tot Nut en Vermaak and Door Yver Vruchtbaar). [MN, JH]