ESAT Bibliography Bar-Bas
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Barber, Karin 1987. Theatre and Cultural Struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The Journal of Modern African Studies, 25(3):561-564.
Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405):10-13.
Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie Siegfried Mynhardt. Huisgenoot, 42(2397):24-26. March 8.
Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423):85. September 6.
Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dood is. Die Suid-Afrikaan, (5):37-38.
Barnard, Chris 1987. By die roudiens van Bartho Smit. Tydskrif vir Letterkunde, 25(1):73.
Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2):14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.
Barnard, Rita 2007. Apartheid and Beyond: South African Writers and the Politics of Place. Oxford: Oxford University Press.
Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Unpublished master’s thesis. Stellenbosch : Universiteit van Stellenbosch.
Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre Journal, 49(1):41-52.
Barnes, Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 169-180.
Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African Theatre Journal, 14:28-45.
Barnes, Hazel 2000. Where do we go from here? Developing women’s playscripts in post-apatheid Southern Africa. Studies in Theatre and Performance, 20(1):31-42.
Barnes, Hazel & Peters, D. 2002. Translating trauma: Using arts therapies with survivors of violence. South African Theatre Journal, 16:157 – 183.
Barnes, Hazel 2005. White man writing women: issues of power, gender and ownership in a collaberative creation. (Greig Coetzee) South African Theatre Journal, 19:93-115.
Barnes, Hazel 2011. Remembering you like something I'd forgotten: Memory, identity and form in current South African theatre-making. Contemporary Theatre Review, 21(1):35-49.
Barnett, J. & Broer, L.D. 1977. Baxter Theatre complex. Planning and Building Developments, 28:19-25. September-October.
Barnett, J. & Broer, L.D. 1977. Baxter Theatre, University of Cape Town. Architect and Builder, 27(11):2-9.
Barnett, Ursula A. 1983. A Vision of Order. A Study of Black South African Literature in English (1914-1980). London: Sinclair Browne.
Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Unpublished doctoral dissertation. Los Angeles: University of California.
Barrow, Brian & Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987. Cape Town: The Baxter Theatre.
Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Unpublished master’s thesis. Durban: University of Natal.
Basson, J. 1981. Showroom of the arts [[[State Theatre]], Pretoria]. South African Panorama, 26(8):1-5.
Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.
Basson, Marthinus 2001. Die Toneelstuk, deur Breyten Breytenbach. Reviewed in: Insig, July, 79-80.
Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre: a community drama project for the moral development and empowerment of the youth in Hout Bay. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
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