ESAT Bibliography Lin-Loo
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Lincoln, D. 1974. Taking off into Space. Personality, 50-53. June 28.
Lindenberg, Ernst 1961. Leipoldt contra Smith? Standpunte, 14(6):67.
Lindenberg, Ernst 1962. Duister Leipoldt. Standpunte, 15(4-5):48-55.
Lindeque, Lydia 1941. Trek Op die Skerm. Pretoria : Van Schaik.
Lindeque, Lydia 1947. Ons gehoor is soldate. Brandwag, 10(509) – 11(521). July 4 – September 26.
Lindeque, Lydia 1952. Our town should each have a national theatre. Outspan, 50(1300):33-35. January 25.
Linder, Cynthia 1971. (Four plays: Counsellors, Potluck and Irish Stew, Magnus, The Festival by H.W.D. Manson). [Literary criticism]. Contrast, 7(3):90-96. November.
Lindfors, Bernth 1979. A Zulu view of Victorian London Munger Africana Library Notes: 48
Lindfors, Bernth 1999a. Charles Dickens and the Zulus, in Lindfors, Bernth (ed.). Africans on stage : studies in ethnological show business. Bloomington, Ind.: Indiana University Press. 62-80.
Lindfors, Bernth 1999b. The rise and fall of Mbongeni Ngema: the AIDS play, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 181-191.
Linscott, A.P. 1936. An evening of one-act plays (Guild Players). South African Opinion, 3(16):10. May 29.
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1936. South African Opinion,
Linscott, A.P. 1937. South African Opinion,
Linscott, A.P. 1937. South African Opinion, See Naples and Die (Harold Kahn, Jewish Guild). South African Opinion, 3(10):17.
Linscott, A.P. 1937. South African Opinion,
Lister, Mary, De Jager, Brian & Kettle, Adrian (eds.). 1997. 50 Years of the Cape Town Gilbert and Sullivan Society. Cape Town: Cape Town Gilbert and Sullivan Society.
Litkie, Celeste Avril 2003. Selected Black African dramatists south of the Zambezi. Unpublished doctoral dissertation. Stellenbosch: University of Stellenbosch.
The Little Theatre presents Coming of age : drama, opera, ballet, mime, Tuesday 18th August 1931 to Tuesday 23rd December 1952. 1952. Cape Town: University of Cape Town.
Liu, Yao-kun 1994. Woza Albert! : a play of the age : an introduction for a Chinese readership. Unpublished master’s thesis. Durban: University of Natal.
Liu, Yao-kun 1997. A voice to the voiceless : on the development of black drama in South Africa. Unpublished doctoral dissertation. Pretoria: University of Pretoria.
Liu, Yao-kun 1999. Woza Albert! – a play of the age, in Smit, J.A. (ed.). The Dancing Dwarf From the Land of Spirits. Durban: CSSALL. 170-185.
Liu, Yao-kun 2001. uNosilimela - an African epic and mythology, in Lokangaka, Losambi & Sarinjeive D. (eds.). Pre-colonial and Post-colonial Theatre in Africa. Claremont, South Africa: New Africa Education. 60-71.
Liu, Yao-kun 2003. Zakes Mda’s We Shall Sing for the Fatherland: an illustration of African life using European dramatic modes. English in Africa, 30(1):123-124.
Liu, Yao-kun 2004. An experimental theatre laboratory - on Fugard's play The Coat. South African Theatre Journal, 18:39-49.
Living literature. 1972. South African Panorama, 17(9):48-49. [Coloured people theatre].
Lodge, J.O. 1976. Baxter Theatre in construction. Planning and Building Developments, 20:70-71. May-June.
Lombard, Chris Johannes 1974. 'n Ondersoek na die jeugtoneel met betrekking tot die eietydse adolessent. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Lombard, Chris 1985. Die Natalse Raad vir die Uitvoerende Kunste (1964-1983). The Natal Performing Arts Council, in Hauptfleisch, Temple (ed.). The Breytie Book: A Collection of Articles on South African Theatre Dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. 97-99.
Lombard, Chris 1983. Rol van ‘n verantwoordelike jeugteater met betrekking tot die eietydse adolessent. Fasette, 2(2):4-10.
London, Todd 1986. Theatre focus: Hudson Guild Theatre and Duma Ndlovu. Theatre Times, 6(1):10.
Long, Kathryn Louise 1985. The past and future with apartheid: the function of temporal elements in eight plays by Athol Fugard. Unpublished doctoral dissertation. Ann Arbor, MI: University of Michigan.
Loopbaan as teatertegnikus. 1971. My Loopbaan, 22:123-124. Augustus.
Loots, Lliane 1995 Colonised bodies: overcoming gender construction of bodies in dance and movement education in South Africa. South African Theatre Journal, 9(2):51-59.
Loots, Lliane 1996. “The personal is political”: gender in the context of apartheid South Africa: a look at two women playwrights. (Gcina Mhlope; Sue Pam-Grant) South African Theatre Journal, 10(1):63-70.
Loots, Lliane 1997. Re-remembering protest theatre in South Africa: a gendered review of the historical and cultural production of knowledge around two plays: The Hungry Earth and You Strike the Woman, You Strike the Rock. Critical Arts, 11(1&2):142-152.
Loots, Lliane 2010. The body as history and memory: a gendered reflection on the choreographic 'embodiment' of creating on the socially constructed text of the South African body. South African Theatre Journal, 24:105-124.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
