Ian Steadman

Ian Steadman (1951-) is an actor, director, playwright, researcher and academic.

Also found as Ian P. Steadman.

BEING EDITED

NEWLY RECEIVED MATERIAL- 8 February, 2019.

He then acted and directed for the Natal Theatre Workshop Company for three years before being appointed to the English Drama Company at PACT (Performing Arts Council of the Transvaal), where he performed in productions of "Falstaff", "A Flea in her Ear" and "Desire Caught by the Tail" before winning a Fulbright Scholarship to the USA. After completing a Masters Degree in Theatre Studies at The State University of New York in Binghamton (now "Binghamton University"), and acting the role of Andrew Wyke in Anthony Shaffer's "Sleuth" at The Cider Mill Theatre in Johnson City, N.Y. In 1977 he accepted the offer of appointment as a Lecturer in the University of the Witwatersrand's School of Dramatic Art (SODA). While there undertook research which led to a PhD thesis called Drama and Social Consciousness: Themes in Black Theatre on the Witwatersrand until 1984.

While teaching and researching a PhD thesis at SODA, he also acted as a professional free-lance actor for PACT ("The Royal Hunt of the Sun", "My Fair Lady", "Savages", "Director of the Opera"), the Market Theatre ("Sly Fox", "Romeo and Juliet", "Neighbours") and Pieter Toerien Productions ("Sarcophagus, "Pyjama Tops"). Apart from directing many student productions, he directed plays for The Market Theatre ("The Bald Prima-Donna", "Genocide"). He also acted in various films ("Survival Zone", "Game for Vultures", "Prisoners of the Lost Universe", "Jane and the Lost City", etc. etc.) and on SABC Television ("Salome", "Macbeth",

In 1985 he completed his PhD thesis "Drama and Social Consciousness: Themes in Black Theatre on the Witwatersrand until 1984". In 1986 he was appointed as Professor of Dramatic Art at the University of the Witwatersrand, and Chair of the Governing Committee of SODA. In 1989 he became Head of SODA, a position he held until he was appointed as Dean of the Faculty of Arts in 1993. He retained his professorial appointment throughout his subsequent administrative appointments in the University of the Witwatersrand (including five years as Director of the University of the Witwatersrand Foundation 1998-2002), until he resigned from the university to accept an appointment to The Open University in the United Kingdom as Director of Development and Director of the Open University Foundation.

He is now retired and lives in Oxford, UK.

Biography

Ian Patrick Steadman was born in Durban in 1951, the son of Joyce and Robert ("Bob") Steadman, a highly regarded Detective in the CID (Criminal Investigations Department). Ian went to Fynnlands Junior School and New Forest High School, and in 1969 enrolled at Natal University, Durban. He graduated in 1972 with a BA Degree in History and Drama and in 1972 he completed an honours degree in Speech and Drama.

After a stint as actor and director for the Natal Theatre Workshop Company and the English Drama Company at PACT (Performing Arts Council of the Transvaal), he won a Fulbright Scholarship to study at The State University of New York in Binghamton (now "Binghamton University"), completing a Masters Degree in Theatre Studies. In 1977 he accepted the offer of appointment as a lecturer in the University of the Witwatersrand's School of Dramatic Art (SODA). In 1985 he completed a a PhD thesis called Drama and Social Consciousness: Themes in Black Theatre on the Witwatersrand until 1984.

In 1986 he was appointed as Professor of Dramatic Art at the University of the Witwatersrand, and Chair of the Governing Committee of SODA. In 1989 he became Head of SODA, a position he held until he was appointed as Dean of the Faculty of Arts in 1993. He retained his professorial appointment throughout his subsequent administrative appointments in the University of the Witwatersrand (including five years as Director of the University of the Witwatersrand Foundation 1998-2002), until he resigned from the university to accept an appointment to The Open University in the United Kingdom as Director of Development and Director of the Open University Foundation, relocating to the United Kingdom.

He is now retired and lives in Oxford, where he has become involved in charitable work.

He is married to the employment, commercial and workplace mediator, Felicity Steadman[1] and the couple have two sons.

Contribution to SA theatre, film, media and/or performance

As an actor and director

He acted and directed for the Natal Theatre Workshop Company for three years before being appointed to the English Drama Company at PACT (Performing Arts Council of the Transvaal), where he performed in productions of Falstaff (Shakespeare/Ferguson), A Flea in her Ear and Desire Caught by the Tail before winning a Fulbright Scholarship to the USA. While studying at The State University of New York in Binghamton, he acted the role of "Andrew Wyke" in Anthony Shaffer's Sleuth at The Cider Mill Theatre in Johnson City, N.Y.

After his appointment as lecturer, he would continue performing on occasion for PACT and the Market Theatre over the years, as well as doing the occasional TV and film work. Most notable was his role as "John the Baptist" in Bill Faure’s 1978 TV version of Oscar Wilde’s Salomé, opposite Jana Cilliers.

As teacher, academic and researcher

An immensely influential researcher, academic writer and supervisor of post-graduate research, whose doctoral thesis is an early and one of the most often cited, study of Black theatre in the country. Steadman was closely involved with setting up Keyan Tomaselli’s journal Critical Arts, the co-founder (with Temple Hauptfleisch) of the South African Theatre Journal, co-author (also with Hauptfleisch) of the seminal collection South African Theatre - Four Plays and an Introduction. In more than a dozen key articles on theatre and performance in South Africa, Steadman not only added to, but significantly guided and stimulated new research in the field. He has been especially influential in uncovering the range and depth of black urban theatre in the country, and the political role of theatre in the country.

Through his research and teaching, he was also closely associated, as director, mentor and researcher, with developing the work of the performer/playwrights Matsemela Manaka and Maishe Maponya.

Sources

SACD 1977/78

Percy Tucker. 1997. Just the Ticket. My 50 Years in Show Business. Johannesburg: Witwatersrand University Press.

Personal correspondence from Ian Steadman, 5 February, 2019.

Go to the ESAT Bibliography

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As an actor, he performed in A Flea in Her Ear (with PACT), Falstaff (with PACT), Hamlet (“Osric” with PACT, 1978),various productions for CAPAB, Pieter Toerien Productions, the Market Theatre, and the Natal Theatre Workshop Company. Also acted in Sleuth for The Cider Mill Theatre in Johnson City, New York, in 1977.

(1951-) Actor, director, playwright, researcher and academic. ****** Directed plays for the Theatre Workshop Company (Durban). **** An active member of the Association of Drama Departments of South Africa and the Performing Arts Worker’s Equity. Besides performing in numerous plays for PACT and the Market Theatre over the years, has also done TV and film work. Most notably his role as John the Baptist in Bill Faure’s 1978 TV version of Oscar Wilde’s Salomé, opposite Jana Cilliers.

His dramatic writing includes essays in various journals and books.

An immensely influential researcher, academic writer and supervisor of post-graduate research, Steadman was closely involved with setting up Keyan Tomaselli’s Critical Arts, the co-founder (with Temple Hauptfleisch) of the South African Theatre Journal, co-author of the seminal collection South African Theatre- Four Plays and an Introduction, and the author of more than a dozen influential articles on theatre in South Africa. He has been especially influential in uncovering the range and depth of black urban theatre in the country, and the political role of theatre in the country. He was also closely associated with developing the work of Matsemela Manaka and Maishe Maponya.

STEADMAN, Ian. He directed the Wits University Theatre’s first production called The Comedy of Errors, cast with students in 1983. He starred in Vladimir Gubartev’s Sarcophagus at the Andre Huguenet in 1988. He starred in My Fair Lady at the State Theatre in 1990. Wrote and directed the play Genocide, staged in the Market Theatre Upstairs.

(****-****). Actor. Performed in Flea in her Ear (with PACT), Falstaff (with PACT) and in Hamlet (in 1978 as “Osric” with PACT), also worked overseas. (SACD 1977/78)

(1951-) Actor, director, playwright, researcher and academic. Studied drama and history at the University of Natal (Durban). Completed a masters at ***, and a doctorate on Black Theatre on the Witwatersrand ??? at the University of the Witwatersrand. ****** Directed plays for the Theatre Workshop Company (Durban). **** Became a lecturer at the School of Drama at the University of the Witwatersrand in 19**. In 198* became professor and head of the School. An active member of the Association of Drama Departments of South Africa and the Performing Arts Worker’s Equity. Besides performing in numerous plays for PACT and the Market Theatre over the years, has also done TV and film work. Most notably his role as John the Baptist in ***’s 19** TV version of Oscar Wilde’s Salomé, opposite Jana Cilliers. His dramatic writing includes *****.

He was also closely associated with developing the work of Matsamela Manaka and Maishe Maponya. In 1998 Steadman became Director of the Wits Foundation. STEADMAN, Ian. He directed the Wits University Theatre’s first production called The Comedy of Errors, cast with students in 1983. He starred in Vladimir Gubartev’s Sarcophagus at the Andre Huguenet in 1988. He starred in My Fair Lady at the State Theatre in 1990.

Wrote and directed the play Genocide, staged in the Market Theatre Upstairs.