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• ESAT Bibliography H-Hat
  ...g|Hammerschlag, Tamantha]] 2011. The expanding role of the designer in the creation of new theatrical work. ''[[South African Theatre Journal]]'', 25(1):5-12.
  10 KB (1,340 words) - 06:13, 12 January 2024
• About ESAT
  ...for no pay and very little recognition over the past twenty-five years of creation, but in so many ways she kept me sane with her robust yet mothering sympath
  16 KB (2,294 words) - 11:56, 23 May 2024
• ESAT Bibliography Coa-Col
  ...lows for more dimensions in both the puppeteer-puppet relationship and the creation of theatrical meaning in ''[[Ubu and the Truth Commission]]''. ''[[South Af
  14 KB (1,943 words) - 09:48, 25 August 2023
• Springbok Radio
  Since the creation of the Society, we have had a very close relationship with the South Africa
  14 KB (2,117 words) - 15:14, 3 December 2021
• Athol Fugard
  He was also involved in the creation of an alternative infrastructure for South African theatre through his invo
  22 KB (3,419 words) - 17:25, 21 January 2024
• Johannesburg Civic Theatre
  [[Bernard Jay]] had completely shifted the Civic’s earlier emphasis on the creation of original indigenous theatre and the development of black theatre-makers
  26 KB (4,121 words) - 18:30, 29 July 2021
• Amateur Theatre in South Africa
  ...dorsed Breytenbach’s ideals and realised that they had a common goal: the creation of a national theatre.
  31 KB (4,756 words) - 15:46, 23 March 2021
• Market Theatre
  ...theatre sector for high quality training, and to provide a seedbed for the creation of new South African plays. Deeply embedded in the ethos of the Laboratory
  38 KB (5,655 words) - 15:02, 6 May 2024
• South African Theatre/Overview
  ...onventions, have become the norm rather than the exception, leading to the creation of uniquely South African forms and styles.
  47 KB (7,298 words) - 09:57, 30 July 2023

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