ESAT Bibliography A
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A Bibliography of South African South African Theatre and Performance
Aaron, G. 1984. Ken Leach. Fair lady, 19(5) : 12. February 22.
Abrahams, L. 1973. Athol Fugard. In Lennox-Short, Alan. English and South Africa. Cape Town: Nasou. p. 86-87.
Accone, Daryl 1991. The 1991 Grahamstown festival: an overview. South African theatre journal, 5(2): 92-103.
Accone, Darryl 1994. The Fringe should be festival’s razor. In: The Star, July 7, 1994: 2.
Accone, Darryl 1996. A gentle broom to sweep Pact clean. In: Sunday Independent, January 7, 1996: 4.
Accone, Darryl 2002. Transformation of Civic proof of Jay’s success. In: Sunday Independent, February 3, 2002: 11.
Accone, Darryl & MacLiam, Garalt. 2000. A true comedy of errors, ending in tragedy. In: The Star, June 21, 2000: 2.
Acoustic design for the Nico Malan theatre. 1972. Plan, 57(8): 34. August.
Acoustical design of the State Theatre Pretoria. 1981. Scenaria, Special issue: 53, 55.
Acoustical design of the Roodepoort civic theatre. 1981. Municipal engineer, 12(1): 99.
Acting is not all glamour. [[[Elizabeth Meyer]]]. 1964. Personality, 135-137. March 19.
Actors must be exciting. Scenaria interviews Louis van Niekerk. 1984. Scenaria, (46): 29-32.
Adams, Kendall A. 1999. The role of Izangoma in bringing the Zulu goddess back to her people. TDR 43(2): 94-117.
Addison, C. 2002. Island encounters: intercultural communication in the Western literary tradition. Alternation: journal of the Centre for the Study of Southern African Literature and Languages, 9(1): 74-86.
Adler, Tony 1993. Return to Paton’s place.(Alan Paton). American theatre, 10(7-8): 8-9.
Ahmed, J. 1990. Culture in South Africa: the challenge of transformation. In: de Kock, I & Press, K (eds.) Spring is Rebellious. Cape Town: Buchu Books. p. 121-125.
Adey, D., Beeton, R., Chapman, M. and Pereira, E. (eds) 1986. Companion to South African English literature. Johannesburg: Donker.
Afrikaans Equus 1978. Scenaria, February/March: 44.
Afrikaans stage. 1941. Forum, 3(41): 5. January 4.
Afrikaans stage. 1941 Forum, 3(44): 5. January 25.
Afrikaans theatre: Reddingsdaadbond “protection”. 1941. Forum, 4(4): 31-32. April 26.
Afrikaans urge towards local drama. 1942. Forum, 5(7): 19. March 16.
Afrikaanse Studentebond. 1927. Gedenkboek van die Genootskap van Regte Afrikaners. Potchefstroom: Afrikaanse Studentebond.
Afrikaanse teater in Johannesburg. 1952. Helikon, 1(6): 3.
Afrikaners is plesierig. [Literary criticism, André P. Brink]. 1974. Tydskrif vir geesteswetenskappe, 14: 217-218. September.
Ainslie, J. 1982. Fugard collection in the National English literary museum, Grahamstown. English in Africa, 9(2): 35-39.
Akerman, Anthony 1977-1978. ‘Prejudicial to the safety of the state’: censorship and the theatre in South Africa. Theatre quarterly, 7(28): 54-57.
Akerman, Anthony 1977-78. Why must these shows go on? A critique of black musicals made for white audiences. Theatre quarterly 7 (28), 67-70.
Akerman, Anthony 1993. Designing for a writer’s theatre: interview with Hayden Griffin. South African theatre journal, 7(2): 117-131.
Akerman, Anthony 1995 The Road to Mecca in Mexico. South African theatre journal, 9(2):117-136.
Akerman, Anthony 1996. Theatre in exile. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 89-100.
Akerman, Anthony 1999. Antjie Krog’s pen spikes the rawest of nerves without turning to lead. In: The Sunday Independent, October 10, 1999: 11.
Akteur. 1981. My loopbaan, 32: 3-10.
Alex ’81 [theatrical company]. 1981. Scenaria, (24): 21-22.
Alexander, M. 1951. “Reps” producer traces story of the theatre. Childhood, 30(3): 20.
Alexander, Neville 1988.
Alexander, P. 2006. Globalization and new social identities: a jigsaw puzzle from Johannesburg. In Alexander, Peter, Dawson, Marcelle C. & Ichharam, Meera (eds.). Globalization and new identities. a view from the middle. Johannesburg: Jacana Media. p. 13-65.
All that glitters is not gold…: Mr Stockton Briggle and Clouds by Angela Godfrey. 1979. Scenaria, (11) : 21-22.
Allan, Jani 1980. 25 years of Maynardville. Scenaria, (16): 17-19.
Allen, Keith 1993. Getting the message across. Animations, 16(3): 15.
Allen, Vivien 1970. Pretoria theatre for children: a progress report. Lantern, 19(4): 28-31.
Allen, Vivien 1990. Du Val tonight! :the story of a showman. Worcester, England: Square One Publications.
Alvarez-Pereyre, Jacques 1984. Black committed theatre in South Africa. Commonwealth Essays and Studies (CE&S), 7 (1): 80-93.
Amato, Rob 1977. A Xhosa woman’s serious optimism. Speak 1(1): 14-17.
Amato, Rob 1984. Fugard’s confessional analysis: Master Harold… and the boys. In: Daymond, M.J., Jacobs, J.U. & Lenta, M. (eds) Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 198-214.
Amato, Rob 1988. The Baxter Theatre and Handspring Puppet Company’s production of A midsummer night’s dream at the Monument Theatre Grahamstown, July 1988. Shakespeare in Southern Africa, 2: 102-105.
Amato, Rob. 1991a. Stir It. The Weekly Mail. 14 February 1991.
Amato, Rob. 1991b. Stir It. The Weekly Mail. 21 February 1991.
Ambe, Hilarious 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. South African theatre journal, 14:218-223.
Amkpa A. 1999. Drama in South Africa and tropes of postcoloniality. Contemporary theatre review, 9(3): 1.
Amstel Festival wrap-up. 1988. Scenaria, (88): 7-9.
The Amstel playwright of the year award 1978. 1978. Scenaria, (8) : 29.
Amstel playwright of the year award : 1986. 1986. Scenaria, (71) : 18.
Anastasia – last of the Romanovs? 1977. Scenaria, June/July: 33.
André Huguenet – the man. 1978. Scenaria, February/March: 21-22.
André Huguenet: thirty years of theatre. 1957. South African panorama, 1(8). March 28. Bladsye nie in Repertorium-inskr. Tydskrif nie in JSG
André P. Brink in gesprek met Abraham de Vries. 1972. In: Gesprekke met skrywers, deel 2. Kaapstad, Tafelberg. p. 1-26.
Andrew, A. 1951. Defects of the South African theatre. Trek, 15(2): 22-25.
Andrew, R.V. 1956. The achievement of the one-act play. Potchefstroom: PU vir CHO. (MA-thesis.)
Angove, Colleen 1986. Athol Fugard's portrayal of the Afrikaner. Potchefstroom: Potchefstroom University for Christian Higher Education. (M.A. thesis.)
Angove, Coleen 1987. The inescapable bond with a predetermined heritage: a phenomenon illustrated by representative characters from three Athol Fugard plays. Literator, 8(3): 1-11.
Angove, Coleen 1989. Afrikaner stereotypes and mavericks in selected Fugard plays. South African theatre journal, 3(1): 55-68.
Angove, Colleen 1992. Alternative theatre: reflecting a multi-racial South African society? Theatre research international 17(1): 39-45.
Anna Cloete : 50 jaar aktrise. 1985. Lantern 34(4) : 33-43.
Anna Neethling-Pohl. 1981. Scenaria, Special issue: 31.
Annamalai, S. 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Durban: University Durban-Westville. (MA-thesis.)
Korrigeer: Anonymous. 1994a. The latest from Ledwaba. In: City Press, April 24, 1994: 37.
Anonymous. 1994b. Slick, but naïve show a cut above the rest. In: Sunday Times, May 8, 1994: 18.
Anonymous. 1994c. Sello’s mission: Actor’s struggle to do justice to black lives. In: City Press, May 29, 1994: 29.
Anonymous. 1995a. Opperman se Donkerland opgevoer. In: Die Burger, November 8, 1995: 4.
Anonymous. 1995b. He forges art from anger. In: City Press, November 19, 1995: 25. Anonymous. 1998. Pilgrimage to the future. In: The Star, July 9, 1998: 5.
Anonymous. 2003. New appointment at Durban Playhouse may cause drama. In: Sunday Independent, December 21, 2003: 11.
Anstey, Gillian 1995. A legend comes home to play. In: The Sunday Times, February 5, 1995: 20.
Anstey, Gillian 1996. The volk deserts the laager for some fun. In: The Sunday Times, April 7, 1996: 15.
Anstey, Gillian 1995. End in sight for SA arts councils. Sunday Times. 1995. datum onvolledig – elektroniese knipseldiens
Antonissen, Rob 1958. Kronieke: drie dramas – drie wêrelde. Standpunte, 12(1): 55-66.
Arendse, Michael 1999. Gordyn sak op die ou Nico. Insig, 03/99: 26.
Ariel in Africa: Leslie French and the Port Elizabeth Shakespearean Festival Onvolledig
Armistead, Claire 1990. Market values. Plays and players, (435): 14-16.
Armstrong, Elizabeth 1961. Pretoria theatre for children. Lantern, 11: 45-50.
Armstrong, M. 1973. A few teaching experiments. Transvaal educational news, 70(8): 12-14.
Armstrong, Linday 2003. "'Master Harold and the Boys' is masterful." New York Amsterdam News 94.23 (2003): 21
Arthur, Michael and Arthur, Tom 1994. The 1994 Grahamstown Festival. South African theatre journal, 8(2): 163-183.
Arthur, Thomas H. & Arthur Michael D. 1993. The 1992 Grahamstown Festival. South African theatre journal, 7(1): 88-103.
Arthur, Thomas H. 1990. My children! My Africa! by Athol Fugard. Reviewed in Theatre journal, 42(2): 246-247.
Arthur, Thomas H. 1992 Looking for my relatives: the political implications of “family” in selected work by Athol Fugard and August Wilson. South African theatre journal, 6(2): 5-16.
Arvan, Maxine. 1985. The National Drama Library. In Temple Hauptfleisch (ed), The Breytie Book. Randburg: The Limelight Press. p. 113-114.
Asch, Leslee 2005. The giraffe that conquered Paris: a unique collaboration between puppet-companies in South Africa and Mali heads to the U.S. American theatre, 22(5): 24`-27.
Astbury, Brian 1973. My vrou Yvonne. Sarie Marais, 24(28): 54-59. July 18.
Astbury, Brian 1979. The Space/Die Ruimte/Indawo. Cape Town: Moira and Azriel Fine.
Astbury, Brian 1980a. Irresistable force [[[Nomhle Nkonyeni]]]. Fair lady, 15(19): 46-51. March 26.
Astbury, Brian 1980. Rags to riches: [Rory and Cindy West]. Fair lady, 16(5): 122-124. October 8.
Astbury, Brian 1985. Janet Suzman’s greatest role. Fair lady, 20(8) : 98-100.
Athiemulam, V. 1984. Drama in language teaching. Journal of language teacing, 18(3) : 42-58.
Attridge, Derek & Jolly, Rosemary (eds) 1998. Writing South Africa: literature, apartheid and democracy, 1970-1995. Cambridge: Cambridge University Press.
Aucamp, H. 1983. Dramatisering vir die klaskamer (inleiding tot ‘n stelwerkprojek). Klasgids, 18(3): 95-100.
Aucamp, H. 1983. Meer vastigheid en vorm (gedagtes rondom dramatisering en stelwerkopdrag). Klasgids, 18(2): 116-125.
Aucamp. Hennie 1990. Wat is ‘n klassieke kabaretlied ? Tydskrif vir letterkunde, 29(1) : 17-25.
Aucamp, Hendrik Christoffel Lourens 1982. Stank. Test, 1(1): 8.
Aucamp, Hennie 1994a. Diary of an erotic life by Frank Wedekind, edited by Gerhard Hay. Reviewed in: South African theatre journal, 8(2):191-198.
Aucamp, Hennie 1994. Die laaste wals, of kabaret as lewensgevoel. Tydskrif vir letterkunde, 32(1): 8-20.
Aucamp, Hennie. 1994. The Erotic Diaries of Frank Wedekind (Frank Wedekind; Diary of an Erotic Life). SATJ 8/1: 190-198.
Aucamp, Hennie 1994b. Dubbeldop: kabarettekste en -opstelle. Kaapstad: Human & Rousseau.
Aucamp, Hennie 1994c. Die sewe doodsondes in kabaretverband. South African theatre journal, 8(2): 5-25.
August, Tyrone 1994. Interview with Gcina Mhlophe. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 273-284.
Auld, Allen 2002. Macbeth: a comparison, directed by Garth Anderson for the Elizabeth Sneddon Theatre, February 2002; directed by Patrick Collyer of Kwasuka Theatre Company for the Dan Pienaar Hall, February/March 2002. Shakespeare in Southern Africa, 14: 52-55.
Automatic control in the Nico Malan theatre. 1971. Electronics and instrumentation, 2(5): 17. August.
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
A Bibliography of South African South African Theatre and Performance
