ESAT Bibliography Ga-Gi
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Gabashane, Anthony Daniel 1996. The performance orientation of dramatic texts with specific reference to dialogue and didascalies in Athol Fugard's Playland and My children! My Africa! Pretoria : University of South Africa. (M.A. Thesis).
Gaffney, Floyd 1992. Athol Fugard: regionalism, cultural diversity, and other matters. TheatreForum, 1(1): 53-56.
Gagiano, Annie 2009. Mann, Chris Zithulele. Thuthula: Heart of the Labyrinth. Shakespeare in Southern Africa, 21: 95
Gardner, C.O. 1970. Manson’s casserole. Theoria, 35: 35-49.
Gardner, C.O. 1985. A talk to Natal Education Department English teachers. Crux, 19(1): 27-38.
Gardner, Colin 1988. Teaching Shakespeare in Southern African universities: a response to Martin Orkin’s Shakespeare against apartheid. Shakespeare in Southern Africa, 2: 78-82.
Garuba, H. 2001. ‘The Island writes back: Discourse/ power and marginality in Wole Soyinka’s The Swamp Dwellers, Derek Walcott’s The Sea at Dauphin, and Athol Fugard’s The Island’ Research in African Literatures, 32,(4):61-76.
Gaum, Fritz 1964. Onhistorisiteit in Bybeldramas en –romans. Stellenbosch: Universiteit van Stellenbosch. (M.A. thesis).
The Gaynor Young inquiry. 1990. South African theatre journal, 4(2): 12-29.
Geertsema, Gerrit 1985. ‘n Binneblik op TRUK. Die Suid-Afrikaan, (5): 40-41.
Gelb, Hal 1990. Theater. Nation, 251(12): 427-429.
Gener, Randy 1996. A song for a new world. (Athol Fugard’s play Valley song). American theatre, 13(1): 10.
Gener, Randy 2005. Cultures in peril: theatrical adventures in South Africa and Mali, Uganda, Mexico, India, the Philippines and Sri Lanka. American theatre, 22(5): 23.
Gener, Randy 2008. Africa writes back. American theatre, 25(9): 27.
Gener, Randy 2009. A dark night of the soul (Athol Fugard’s Have you seen us?) American theatre, 26(10): 23.
Gérard, Albert S. 1971. Four African literatures: Xhosa, Sotho, Zulu, Amharic. Berkeley: University of California Press.
Gérard, Albert S. 1983. Comparative literature and African literatures: a series of lectures read at the University of South Africa in July 1981 edited from the tape-recordings by the author. Goodwood: Via Afrika.
Gérard, Albert S.1993. Comparative literature and African literatures. edited by C.F. Swanepoel. 2nd ed. Pretoria : Via Afrika.
Gerber, C.J. 1988. Drama-based didactic strategies in the secondary school. Pretoria: University of Pretoria. (M.A. thesis).
Gerber, J. 1988. Drama and aid to understanding. Education and culture, 11(3): 28-29.
Gericke, Aletta. 2003. Herinneringe. Cape Town: Uitgewery Oranje.
Gevers, Johannes Jozef Camilla Gregorius 1964. De verhouding van spel en literatuur in de dramatische kunst. Stellenbosch: Univerity of Stellenbosch. (M.Dram. thesis).
Gevisser, Mark 1994. Truth and consequences in post-apartheid theater. Theater magazine, 25(3): 8-18.
Gevisser, Mark 1994. Writing for the man in the street.: an interview with John Ledwaba. Theater magazine, 25(3): 19-23.
Gilbert, H. & Tompkins, J. 1996. Post-colonial drama. London: Routledge.
Gilbert, Shirli 2007. Singing against Apartheid: ANC cultural groups and the international anti-Apartheid struggle. Journal of Southern African studies, 33(2): 421-441.
Gillman, H.A. 1947. School drama in the brave new world. Journal of Secondary Education, 25(3):23-25.
Gilmore, Wendy 1980. Modern Medici: a look at corporate sponsorship of the arts. Scenaria, (16): 3.
Gilmore, Wendy 1980. Directors at work, no. 2: Leonard Schach. Scenaria, (16): 21-23, 42.
Click on the appropriate letters of the alphabet in the sub-list below.
Ga-Gi Gl-Go Gra Gre-Gri Gro Gru-Gz
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