Pamela Gien
Pamela Gien. (1957-) Actress.
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Biography
Born in Emmarentia in 1957 and raised in Johannesburg, Pamela began her training at Rhodes University, in the mid 1970s, then completed a BA Honours in English and Dramatic Art cum laude at the University of the Witwatersrand in 1978. She was the recipient of the Olive Schreiner Award, which she used to undertake further study at the Jacques Lecoq School of Theatre, Mime and Movement in Paris in 1979, before returning to becoming a member of the PACT company.
In 1983 she emigrated to the United States to continue her career there.
Contribution to SA theatre, film, media and/or performance
While at Rhodes University she performed in Katherine Mansfield and the Writing Game (1975), Hay Fever[, (1977), The Cherry Orchard (as “Ania”) and Bliss.
Among the plays she appeared in during her period with PACT (1980-1983) were:
Oh What a Lovely War! (1980), Rookery Nook (1980), After the Fall (1981), The Crucible (1981), Royal Hunt of the Sun (1981), A Midsummer Night's Dream (1981), The State Theatre Overflow Show (1981-1982), Savages (1982), Monday After the Miracle (1982), The Rivals (1983), Everyman, Henry IV Part I, Electra, The Maids and The House of Bernarda Alba.
She also appeared in SABC TV versions of stage plays on occasion, among them: The Importance of Being Earnest and A Midsummer Night’s Dream (nomination as best actress).
In 2005 she returned to South Africa to perform her award-winning piece The Syringa Tree, at the Baxter Theatre
She starred in the PACT production of The State Theatre Overflow Show together with James White, Michael McCabe and Peter Terry with direction by Nigel Vermaas at the Arena Bistro in 1981. She starred in the PACT production of William Gibson’s Monday After the Miracle together with Sandra Duncan with direction by François Swart at the Pretoria State Theatre and the Alexander in 1982. She starred in PACT’s production of Sheridan’s The Rivals together with John Hussey, Wilson Dunster, James White, Pauline Bailey and John Lesley directed by Michael Atkinson at the State Theatre in March 1983.
Summary of international career
Awards, etc
In South Africa
Besides numerous nominations, inter alia for a Fleur du Cape Award for her play The Syringa Tree, she has received three awards for theatre and TV over the years, among them:
The Yvonne Bryceland Award for Best Supporting Actress for Bliss, Rhodes University (197*).
The Olive Schreiner Overseas Award for the Best Student at the University of the Witwatersrand in 1978.
The DALRO Award for Best Actress for "Helen Keller" in Monday after the Miracle (1983)
Internationally
Her many awrds abroad include:
Obie Award 2001 Best Play Won for The Syringa Tree,
Playhouse 91, New York.
Drama Desk Award for Outstanding Solo Performance Won for
The Syringa Tree
Outer Circle Critics Award for Outstanding Solo Performance
Won for The Syringa Tree,
Drama League Honour Won for The Syringa Tree
John Gassner Playwriting Award Nominated for The Syringa
Tree
Elliot Norton Award for Best Solo Performance Won for The
Syringa Tree
Entertainment Weekly’s IT List 50 Most Creative Artists,
2001
Dayton Literary Peace Prize 2007 Finalist – The Syringa
Tree by Pamela Gien - the novel, published by Random House.
IMPAC Dublin International Literary Award - Longlist 2008
Fiction – The Syringa Tree by Pamela Gien - the novel,
published by Random House.
Fleur du Cap Award, South Africa Nominated for Best Solo
Drama for The Syringa Tree
Drama-Logue Critics Award for Outstanding Achievement in
Theatre, 1991 Won – for Hannah Jelkes in Night of The
Iguana at Los Angeles Theater Center
Best Actress DALRO Critics Award, Nominated for The State Theatre Overflow Show. Best Actress Nominated for Gwendolyn in The Importance of Being Earnest, SABC TV. Best Actress Nominated for Helena in A Midsummer Night’s Dream, SABC TV.
Olive Schreiner Award, University of the Witwatersrand, South Africa
Sources
CV submitted by Pamela Gien, 8 February, 2024.
SACD 1978/79; 1980/81; 1981/82.
Tucker, 1997.
Martin, Bob 2008. Highlights & Footlights : A Tribute to South African Stage and Screen, by photographer Bob Martin. Cape Town: Double Storey Books.
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