ESAT Bibliography Bar-Bas
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Barber, Karin 1987. Theatre and Cultural Struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The Journal of Modern African Studies, 25(3):561-564.
Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405):10-13.
Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie Siegfried Mynhardt. Huisgenoot, 42(2397):24-26. March 8.
Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423):85. September 6.
Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
Barnard, Chris (Compiler). 1984. Bartho. By geleentheid van sy sestigste verjaardag. Johannesburg: Perskor.
Barnard, Chris 1985. Chris Barnard gooi die kollig op die redes waarom die Afrikaanse beroepsteater op sterwe na dood is. Die Suid-Afrikaan, (5):37-38.
Barnard, Chris 1987. By die roudiens van Bartho Smit. Tydskrif vir Letterkunde, 25(1):73.
Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2):14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.
Barnard, Rita 2007. Apartheid and Beyond: South African Writers and the Politics of Place. Oxford: Oxford University Press.
Barnard, Tercia 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Unpublished master’s thesis. Stellenbosch : Universiteit van Stellenbosch.
Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre Journal, 49(1):41-52.
Barnes, Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle, in Blumberg, Marcia & Walder, Dennis (eds). South African Theatre As/And Intervention. Amsterdam: Rodopi. 169-180.
Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African Theatre Journal, 14:28-45.
Barnes, Hazel 2000. Where do we go from here? Developing women’s playscripts in post-apatheid Southern Africa. Studies in Theatre and Performance, 20(1):31-42.
Barnes, Hazel & Peters, D. 2002. Translating trauma: Using arts therapies with survivors of violence. South African Theatre Journal, 16:157 – 183.
Barnes, Hazel 2005. White man writing women: issues of power, gender and ownership in a collaberative creation. (Greig Coetzee) South African Theatre Journal, 19:93-115.
Barnes, Hazel 2011. Remembering you like something I'd forgotten: Memory, identity and form in current South African theatre-making. Contemporary Theatre Review, 21(1):35-49.
Barnett, J. & Broer, L.D. 1977. Baxter Theatre complex. Planning and Building Developments, 28:19-25. September-October.
Barnett, J. & Broer, L.D. 1977. Baxter Theatre, University of Cape Town. Architect and Builder, 27(11):2-9.
Barnett, Ursula A. 1983. A Vision of Order. A Study of Black South African Literature in English (1914-1980). London: Sinclair Browne.
Barrios Herreo, O. 1991. The black theater movement in the United States and in South Africa: a comparative approach. Unpublished doctoral dissertation. Los Angeles: University of California.
Barrow, Brian and Williams-Short, Yvonne (eds.). 1988. Theatre Alive! The Baxter Story 1977-1987. Cape Town: The Baxter Theatre.
Barrow, John 1801. Travels into the interior of Southern Africa Volume I. London, T. Cadell and W. Davies.
Barrow, John 1802. Travels into the interior of Southern Africa Volume II. London, T. Cadell and W. Davies.
Bassa, Dellarose 1995. An edition of selected plays of Kessie Govender : with a biographical and critical introduction. Unpublished master’s thesis. Durban: University of Natal.
Basson, J. 1981. Showroom of the arts State Theatre, Pretoria]. South African Panorama, 26(8):1-5.
Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.
Basson, Marthinus 2001. Die Toneelstuk, deur Breyten Breytenbach. Reviewed in: Insig, July, 79-80.
Basson, Marthinus 2005. Introduction to Reza de Wet: Plays Two. London: Oberon Books.
Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre: a community drama project for the moral development and empowerment of the youth in Hout Bay. Unpublished master’s thesis. Stellenbosch: University of Stellenbosch.
Click on the appropriate letters of the alphabet in the sub-list below.
B-Ban Bar-Bas Bat-Bet Beu-Blo Blu-Blu Bo-Bos Bot-Bre Bri-Bru Bry-By
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
